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Not Just Child’s Play: Emerging Tradition and the Lost Boys of Sudan
 
 
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Not Just Child’s Play: Emerging Tradition and the Lost Boys of Sudan [Hardcover]

Felicia R. McMahon (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

1578069874 978-1578069873 September 24, 2007

Felicia R. McMahon breaks new ground in the presentation and analysis of emerging traditions of the \"Lost Boys,\" a group of parentless youths who fled Sudan under tragic circumstances in the 1990s. With compelling insight, McMahon analyzes the oral traditions of the DiDinga Lost Boys, about whom very little is known. Her vibrant ethnography provides intriguing details about the performances and conversations of the young DiDinga in Syra-cuse, New York. It also offers important insights to scholars and others who work with refugee groups.

The author argues that the playful traditions she describes constitute a strategy by which these young men proudly po-sition themselves as pre-servers of DiDinga culture and as harbingers of social change rather than as victims of war. Drawing ideas from folklore, linguistics, drama, and play theory, the author documents the danced songs of this unique group. Her inclusion of original song lyrics translated by the singers and descriptions of conversations convey the voices of the young men. Well researched and carefully developed, this book makes an original contribution to our understanding of refugee populations and tells a compelling story at the same time.

Felicia R. McMahon is a research professor in anthropology at Syracuse University. A former Fulbright Scholar, she has published in several folklore journals and is the coeditor of Children's Folklore: A Sourcebook, which won an American Folklore Society Opie Prize for Best Edited Book.


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Editorial Reviews

Review

The winner of the Chicago Folklore Prize for 2008 is a gripping, fully theorized first-person narrative by a folklorist who, mindful of the cultural risks involved, has worked for several years with members of a culturally endangered group, Sudanese Di Dinga war refugees relocated to the United States-"The Lost Boys." Felicia McMahon's Not Just Child's Play: Emerging Tradition and the Lost Boys of Sudan, published in 2007 by the University Press of Mississippi, shows that because of the dislocations of war in Sudan, The Lost Boys, though now grown, were never properly initiated into manhood according to tribal custom and so are caught in a state of cultural childhood. McMahon's work with the group in western New York State has been in large measure devoted to helping the refugees encompass that loss through recovery of remembered tribal dance and ritual enacted in public performances. The reader cheers the group on, honoring the Lost Boys' dance and ritual--transnational, cobbled-together, hybrid, but absolutely and authentically theirs.



American Folklore Society Chicago Folklore Prize 2008 Award Citation

From the Publisher

This study of Sudanese refugees and their effort to hold on to their traditions

---Provides an ethnography that can guide folklorists' and anthropologists' work with refugee groups in the United States

---Documents the dance and song traditions of the DiDinga of Sudan

---Includes appendixes with DiDinga song lyrics and a helpful glossary of DiDinga words


Product Details

  • Hardcover: 228 pages
  • Publisher: University Press of Mississippi (September 24, 2007)
  • Language: English
  • ISBN-10: 1578069874
  • ISBN-13: 978-1578069873
  • Product Dimensions: 9 x 6.1 x 0.9 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #897,439 in Books (See Top 100 in Books)

More About the Author

Interview with the author and the Lost Boys of Sudan in Syracuse, NY:

http://www.youtube.com/watch?v=c-JA8DRKU70

Felicia ("Faye") McMahon is Research Associate in the Department of Anthropology at Syracuse University and holds the PhD in folklore/folk arts from the University of Pennsylvania. She has taught folklore and anthropology courses at several universities, and was Fulbright Scholar at universities in Chemnitz and Zwichau in eastern Germany, where she taught courses on American folklore and folk arts. Since 1993 she has been a part-time instructor in the Dept. of Anthropology and the Honors Program at Syracuse University and works as folk arts consultant on public programming for non-profit organizations throughout Central New York, including the Children's Museum (Utica), Chenango County Arts Council, (Norwich), Hanford Mills Museum (Meredith), Delaware County Historical Association (Delhi), Schweinfurth Memorial Art Center (Auburn), and Upper Catskills Community Council for the Arts (Oneonta). She is co-editor, with Brian Sutton-Smith, for Children's Folklore: A Sourcebook (Garland Publishing, 1995) which won the Opie Prize for Best Edited Book, and author of several academic articles on folklore and folk arts. In 2008 she won the Chicago Folklore Prize for her most recent ethnography, Not Just Child's Play: Emerging Traditions and the Lost Boys of Sudan (University Press of Mississippi, 2007) in which she draws on ideas from folklore, linguistics, drama and play theory to elucidate ways professionals work effectively with refugee communities. In 2005 Dr. McMahon initiated the Folk Arts Initiative at Syracuse University for resettled refugees in Central New York from Burma (Myanmar), Bosnia, Congo, Kosovo, Liberia, and Sudan for which she was awarded a grant from the New York State Music Fund, established by the New York State Attorney General at the Rockefeller Philanthropy Advisors to support a traditional music and arts festival for refugee artists in Syracuse. To learn more about Not Just Child's Play watch an interview with Dr. McMahon and listen to the Lost Boys of Sudan sing at:
http://www.youtube.com/watch?v=c-JA8DRKU70

 

Customer Reviews

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Average Customer Review
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Intelligent, well-researched and informative!, January 8, 2008
This review is from: Not Just Child’s Play: Emerging Tradition and the Lost Boys of Sudan (Hardcover)
I've worked with several Sudanese men in the City of Louisville, Kentucky, as a mentor and friend. Moving to Syracuse, New York, I was afraid I'd lose my Sudanese connection, but quickly learned of McMahon's research and dedication to the Dinka and Didinga who live in Central, New York. What I found most interesting about the book was that she chooses not to focus on the harsh realities of the Sudanese Lost Boys experience, but instead digs deeply into Sudanese traditions of song, dance and art. Along her journey, too, McMahon taps into unknown territories where she's the first to point out that more research needs to occur. NOT JUST CHILD'S PLAY is a great companion piece to anyone interested in the Sudanese experience in America, the well-publicized crisis in Darfur and the American immigration process. Extremely well-versed in her academic field, she not only produces a deeply researched text, but also a cultural introduction to the years before cultural conflicts caused a historical uprooting of native people and traditions. I read this as a friend to the Sudanese community, a teacher, a student and a man very aware of today's global realities. Felicia McMahon's book is a great addition to my library.
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5.0 out of 5 stars Outstanding study of young immigrants' creative adjustment to life in the USA, June 18, 2009
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I am delighted that the University Press of Mississippi has just released this paperback edition of Felicia R. McMahon's Not Just Child Play: Emerging Tradition and the Lost Boys of Sudan, which won the Chicago Folklore Prize last year. This outstanding study of young Sudanese immigrants' recontextualized folk traditions would be an excellent text for college courses on immigrant folk tradition, public folklore, folk art/dance, children's folklore, and related subjects; it should also be read by people who have a serious interest in young immigrants' creative adaptation to new ways of life. I plan to order this book the next time I teach my children's folklore class for undergraduates.

All author royalties for book sales will go to the Lost Boys of the Sudan. The latest issue of Voices: The Journal of New York Folklore includes an article I wrote about the book, with pictures of some of the courageous young men whose performances inspired the book's publication. Here's a link to the article:

http://www.nyfolklore.org/pubs/voic35-1-2/mcmahon.html

I highly recommend this wonderful book, which is both inspiring and rich in important information.
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Inside This Book (learn more)
First Sentence:
Ironically, documentation of the traditions of war refugees began while I was teaching a university course entitled Beauty in Cross-Cultural Perspective. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
recontextualized performances, restored behavior, kinesthetic imagination, soup story
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, Lost Boys, New York, Schweinfurth Memorial Art Center, Moo Meet, Thompson Memorial, Syracuse University, Paul Atanya, Atik Lodura, Lost Girls, Lohotha Lohichokio, East African, Salt Lake City, Budi County, Francis Mading Deng, Photo Felicia, Men Meet, Warrior Songs
Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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