Product Details

• Actors: Rhys Ifans, Aidan McArdle, Jodie Rimmer, Camilla Power, Daphne Cheung
• Directors: Terry Johnson
• Writers: Terry Johnson
• Producers: Alison Jackson, Angela Littlejohn, Charles Pattinson, George Faber, John Yorke
• Format: Color, DVD, Widescreen, NTSC
• Language: English (Unknown)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.78:1
• Number of discs: 1
• Rating: NR (Not Rated)
• Studio: Acorn Media
• DVD Release Date: October 4, 2005
• Run Time: 120 minutes
• Average Customer Review: 3.0 out of 5 stars See all reviews (1 customer review)
• ASIN: B000A6T1WM
• Amazon.com Sales Rank: #60,172 in Movies & TV (See Bestsellers in Movies & TV)

Editorial Reviews

Product Description
This funny and moving drama probes the turbulent relationship between two performers credited with reinventing modern British satire. Tall, handsome, brilliantly glib Peter Cook and undersized musical prodigy Dudley Moore met as undergraduates in 1960 and became international stars as half of the legendary comedy revue Beyond the Fringe. That was the beginning of a riotously funny double act that redefined the art of comedy. But as they reveled in their perfectly matched comic genius in public, in private their collaboration roiled with tension and resentment. Traveling from London’s West End to Broadway and Hollywood to Peter’s tragic death in 1995, this is their story.
Starring Rhys Ifans (Notting Hill, Danny Deckchair) in a BAFTA Award-winning performance as Peter Cook and Aidan McArdle (Ella Enchanted) as Dudley Moore. "Two magnetic star turns" —The Times (U.K.)

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

3.0 out of 5 stars Rather Like A One-Legged Tarzan..., December 30, 2006

By	Cowboy Buddha "David" (Essex UK) - See all my reviews

It's hard to know where to begin discussing this film. It's supposed to be a biography of Peter Cook and Dudley Moore, one of Britain's finest comedy double acts, but anyone not already familiar with their life and work together will have little idea what is going on. Understanding is not helped by the director's artsy (and somewhat lazy) device of using the duo's black and white tv personas Pete 'n Dud to narrate the film and vainly try to fill in its many gaps. In the end, we have a somewhat limited impression of the two men, highlighted by elaborate and rather good impersonations of them, but not quite total performances.

Cook and Moore first found fame in the early 60's as two of the four performers of the ground breaking satirical revue Beyond The Fringe. The two of them continued to work together for a number a years, most notably on British television but also in films and occasional two-man theatre shows that were basically re-workings of their established routines. I remember seeing them in Washington in the 70's when they were doing their "Good Evening" tour. It was a wonderful performance but even more remarkable if we are to believe what this film shows going on behind the scenes at the time.

Like too many "biopics", this film pushes the comedians' actual work into the sidelines and prefers to concentrate on the tired old "tortured soul beneath the comic mask" theme. Thus it becomes hard to see why these two performers should be remembered at all. The film is a curious paradox of, on one hand, trying to cram too much in and, on the other, leaving so much out. We have only the briefest of glimpses of their work (and, it must be said, the routines are not re-created with any of the original magic). Entire chunks of their careers are overlooked - they would appear never to have made any films together other than "Bedazzled", Moore's musical career is completely diminished to a brief onstage bit but otherwise his piano playing seems only to be a way of pulling the birds, Cook's subsequent solo career is largely ignored. And yet the Derek And Clive phase seems to be given far too much prominence. Other personalities are merely hinted at in passing or else awkwardly pop up at odd moments ("Hi, I'm Blake Edwards").

Probably the film's best ingredient is the uncanny performances of the two leads - Rhys Ifans as Peter Cook and Aidan McArdle as Dudley Moore. They all have the speech patterns, mannerisms and body language down perfectly (although I felt Ifans lacked Cook's mischievous twinkle in his eye) but the disjointed script doesn't give them much chance to develop any real characterisations. Motivations such as why Moore put up with Cook for so long (assuming he was the monster the film portrays) are left unanswered. Other performances of well-known figures are basically caricatures with Jonathan Aris as Jonathan Miller particularly going over the top. Jodie Rimmer as Cook's wife Wendy manages to elicit a bit of sympathy in a largely two-dimensional role.

In the end, the film is vaguely interesting but hugely disappointing. Back in the early 60's, recordings of Beyond The Fringe (and The Goon Show) were my introduction to the weird and wonderful world of British comedy. The cliche that all those comic geniuses were tortured souls underneath may well be true. But it's the comedy that lasts, not the tantrums and squabbles that went on behind the scenes. For anyone interested in Peter Cook and Dudley Moore, I would suggest seeking out their actual work rather than this sad shadow.