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Most Helpful Customer Reviews
13 of 13 people found the following review helpful:
5.0 out of 5 stars
A must-have for any theatre enthusiast.,
By A Customer
This review is from: Not Since Carrie: Forty Years of Broadway Musical Flops (Paperback)
The others who have reviewed this book have said little beyond the fact they haven't really read it. Not Since Carrie is not, in any way, about gossip, unless you consider the published words of dozens of theatre critics and statements from those involved with the works in question gossip. The story of some of Broadway's greatest musical flops is told through the people that were there--the stars, the composers, and even an important element, the audience, as represented by Mr. Mandelbaum. He has done his homework, and has created a brilliant, must-have book for any theatre enthusiast's library.
9 of 9 people found the following review helpful:
5.0 out of 5 stars
Fascinating!!,
By
This review is from: Not Since Carrie: Forty Years of Broadway Musical Flops (Paperback)
I've often speculated that the true sign of a musical theater aficionado is when one puts Les Miz and Phantom behind them and begins to find allure in the world of the flops. If that's the case, then certifiable musical theater queens need this book for reference. For anyone who believes the shows that didn't make it are more fascinating, this book is for you. A lot IS based on the author's opinions, but I nevertheless find myself reading this book over and over again. If you are someone who would rather learn about the genesis and failure of "Annie 2: Miss Hannigan's Revenge" rather than the success of "Annie," then buy this book!!
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Endlessly fascinating look at Broadway's worst,
This review is from: Not Since Carrie: Forty Years of Broadway Musical Flops (Hardcover)
"Not Since Carrie: 40 Years of Broadway Musical Flops," by Ken Mandelbaum, is a fascinating look at its title subject. Mandelbaum breaks this vast collection of flops into a number of categories--star flops, flops based on movies, "missed opportunities," etc. One particularly intriguing section of the book is Chapter 5, "Don't Let This Happen to You"; here the author gives a list of rules to follow in order to avoid creating a flop. Example, rule #9: "Don't do sequels" (such as "Annie 2").Mandelbaum's prose is clear, authoritative, and often appropriately biting. Many accounts of flops stand out as particularly fascinating--Peter Allen's disastrous "Legs Allen," the aforementioned "Annie 2," etc. The book is full of black-and-white photographs--playbill covers, shots of the performers, promotional art. This gives the book great visual appeal. Some of the musicals described are almost too bizarre to be believed (such as "Into the Light," a show about the Shroud of Turin). Mandelbaum opens and closes the book with spellbinding in-depth sections on "Carrie" the musical, complete with photos. This helps give the book as a whole a satisfying structure. Indeed, "Not Since Carrie" ultimately reads like a vast multigenerational epic--at times funny, absurd, and/or tragic.
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