Not Too Late

January 30, 2007 | Format: MP3

$9.49
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Product Details

  • Original Release Date: January 30, 2007
  • Release Date: January 30, 2007
  • Label: Blue Note Records
  • Copyright: (C) 2007 The Blue Note Label Group
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 45:19
  • Genres:
  • ASIN: B000TRXN6W
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (423 customer reviews)
  • Amazon Best Sellers Rank: #14,135 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

She has a unique sound and a great voice.
Audrey L. Larsen
If you listened and like more then her 1st album, you should buy this CD.
Erwin
That doesn't mean that there aren't any good songs on the album.
David Foskin

Most Helpful Customer Reviews

73 of 76 people found the following review helpful By Amskeating on March 4, 2007
Format: Audio CD
While the first two albums were dominated by covers, "Not Too Late" is all solo or co-written original material.

It's not startling, as these songs continue her pop-meets-country with a dash of smoky cabaret style. Nor is it exactly revelatory. Firstly her life, apart from the fame, has been remarkably normal and uneventful and lyrically the new material is mostly observational. ("I have a wonderful boyfriend. So how am I going to write a tortured break-up song? My life is really good and I don't want to ruin it just for a good song.").

Still, there are a few pointed lines about misplaced love and even some mild political commentary in "My Dear Country".

The album has its share of strong tracks, like the Dylanesque "Wish I Could", with its unexpected half-note elisions, or the trad-jazzy Tom Waits-like "Sinkin' Soon", or the haunting, whimsical, cello-darkened "Broken".

The mood is mostly dreamy, lazy country-rockers, quirky waltzes, a little earthy bluesiness and bits of laid-back funk, and there's even a demurely delivered anti-Bush song.

Jones's voice, always more characterful than the easy-listening tag ever implied, sometimes shifts to a strange place between Madeleine Peyroux's or Diane Krall's jazzy smokiness and the sultry, jazz/soul balladry a la Billie Holiday..

But Norah's and partner Lee Alexander's tunes need to improve if the singer isn't to retreat to covering classics again, as she almost certainly will. It's pretty music (though the sugary " Little Room" gets to tooth-twinge point), beautifully performed.
But Norah Jones has more to offer than this, and the needs of the EMI boardroom probably won't help her find it.
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76 of 86 people found the following review helpful By J. Chasin on February 3, 2007
Format: Audio CD Verified Purchase
One interesting thing about Amazon reviews is that readers really don't like negative ones; just look at the feedback votes for the pans on this page. I think that's because people come to an Amazon page wanting to buy the item, wanting to like it, and the negative reviews are not really what we want to see, not when we've got credit card in-hand.

With the new Norah Jones record, Not Too Late, you've also got the burden of expectation; in a short time she's become a major, Grammy-winning star. You couldn't escape Come Away With Me the summer it was out; it seemed like every time I went to someone's house, they simply HAD to play me this new, great record that it was impossible not to like.

And that's the thing about Not Too Late. It is not impossible to dislike this record. Come Away From Me was lightning in a bottle; it sold 18 million copies yet it was a small record. It was that rarest of albums--a hit on merit, not record company push (heck, it was on Blue Note). It oozed simple earnest charm.

But you can't make your first record more than once, and you probably can't make another universally acclaimed 18-million seller either. Not Too Late is a more challenging work. Of course it boasts the natural gifts of Jones and crew (notably boyfriend/collaborator Lee Alexander.) But it is a genre-hopping, at times almost experimental work, nowhere as consistent, uniform, or in the pocket as her earlier records. If you have expectations based on previous records (not unreasonable), then this will almost undoubtedly not live up to them.
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21 of 21 people found the following review helpful By D. Ohnemus on March 16, 2007
Format: Audio CD
This album is another solid performance from one of my favorites.

I have listened to it many many times and I like it better as listen to it more. Once again we have the voice and the piano. There are a few new moves she shows us but nothing heart stopping.

At the end of the day I don't think most of us care what she sings frankly, her voice is addicting and is like a drug to us. Oh you say you wish she would sing something different and stretch her talent and grow and yada yada but most of us would listen to her no matter what she sings because you become so addicted to the voice and sound that it doesn't really matter if she is singing an old country song like Cold Cold Heart, an early rockabilly like Love Me (from the Little Willies) a Bob Dylan number or somthing of her own composition. In the end it is just the soothing that we want and that is what she does. Her music is sometimes interesting, sometimes a little boring but always soothing. Even if she is talking about a broken heart and lost love she is making us feel like with her voice to hang on to we can make it.

So I love her and listen to whatever she puts out. I am not enough of a music expert to judge her artistically, I like what I like and if it sounds good to me I say it is good. Norah..you are as good as it gets.
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20 of 21 people found the following review helpful By Rudy Palma on March 13, 2007
Format: Audio CD
Like her 2004 sophomore effort, "Feels Like Home," Norah Jones' latest maintains the sound that brought her national acclaim while still furthering her artistic endeavors.

"Not Too Late" proves she is not given to relying on a cash- cow formula; she not only continues to add inflections of country like last time around, but she eschews the American songbook in favor of a uniformly original array of songs -- all of which she co-wrote. This aids the record's warm, intimate atmosphere, which glimmers and glows despite the absence of the late legendary producer, Arif Mardin.

The slinky blues of "Thinking About You" is the ideal lead single. With its plaintive melody, organic jazz horns and restrained yet expressive vocals, it is musical chocolate cake. "Sinkin' Soon," meanwhile, is the most perplexing track. With its curious lyrics ("Like the oyster crack in the stew/The honey in the tea/Like the wheel of cheese high in the sky/We're gonna be sinkin' soon), the song sways and jerks with Jesse Harris (writer of her monster hit "Don't Know Why") on banjo and drummer Andy Borger working pots and pans. It continues the theme of fame's fickle nature that began with "Carnival Town" on her last LP.

In spite of her popularity with white collar right-wingers, Jones is not afraid to infuse her music with passionate liberal beliefs. With its lush, nervous mix of pianos and guitars, "Wish I Could" is the story of a lonely war widow and even lonelier other woman ("She says love in the time of war's not fair/He was my man but they didn't care/I don't tell her that I once loved you too"), while "Broken" finds a soldier irrevocably hardened by war ("He's got blood on his shoes and mud on his brim/Did he do it to himself or was it done to him?").
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