From Library Journal
This reference book has entries for some 300 women in American theater, ranging from actors, directors, choreographers, playwrights, and designers, to critics, agents, and managers, and should provide focus for future scholars of women's studies and theater. Though written by many researchers, the entries have a formulaic structure, the final part of which, a bibliography, is the most useful. The book is crammed with information, both essential and interesting. Did you know that June Havoc and Gypsy Rose Lee were sisters? A couple of quibbles: A few of the entries do not seem to be particularly "notable" women of the theater. Also, the first index lists the entries by place of birth, which seems a silly rationale for arrangement of information in a work of this type. The volume will prove valuable to scholars and the curious.
- Thomas E. Luddy, Salem State Coll., Mass.Copyright 1989 Reed Business Information, Inc.
Review
“This work is particularly useful because it includes not only actresses, but women agents, critics, dancers, directors, managers, playwrights, designers, producers--professional women who have contributed to the growth and development of the American theater. The range includes Maude Adams, Lorraine Hansberry, and Gypsy Rose Lee. Some of the criteria for inclusion are that the biographee have been born in the US or have had major portions of her career in the US, that her achievements be significant, and that a pioneering or innovative quality have characterized her contributions. The entries (two to four pages) are signed (there are 181 contributors) and include brief bibliographies. There is a main index in addition to a listing by place of birth and a listing by profession. Many of the subjects also appear in volumes of Notable American Women (though the new work includes living as well as deceased women) and other biographical sources for either the theater or for women, but this is a convenient collection of women who are important in a variety of ways to the American theater. Recommended for theater collections and women's studies collections in both academic and public libraries.”–
Choice“Notable Woman . . . examines some 300 women with distinguished careers in the American theatre. Actors, directors, designers, choreographers, managers, playwrights, educators, and critics, are included. Arrangement is alphabetical. Each entry describes the pertinent facts of the woman's life and contains a descriptive narrative relating to her career. A bibliography of source material is included in the entry.”–
American Libraries“A well-researched reference work, Notable Women in the American Theatre, documents the historic contributions of some 300 women to all aspects of the theatrical craft. Edited by Alice M. Robinson, Vera Mowry Roberts and Milly S. Barranger, it narrates and evaluates the life and work of actresses, directors, choreographers, playwrights and many other professionals in a revealing overview of our national stage.”–
Back Stage“. . . Notable Women in the American Theatre: A Biographical Dictionary is, on the whole, an important contribution to the literature of American theatre history. It succeeds in fulfilling the editors' wish to demonstrate the `widespread activities of women in the American theatre from the earliest times to the present.' Recommended for theatre and women's history collections alike.”–
Reference Quarterly“An excellent resource.”–
Pennsylvania School Librarian's Association“This reference book has entries for some 300 women in American theater, ranging from actors, directors, choreographers, playwrights, and designers, to critics, agents, and managers, and should provide focus for future scholars of women's studies and theater. Though written by many researchers, the entries have a formulaic structure, the final part of which, a bibliography, is the most useful. The book is crammed with information, both essential and interesting. Did you know that June Havoc and Gypsy Rose Lee were sisters? And a couple of quibbles: A few of the entries do not seem to be particularly `notable' women of the theater. Also the first index lists the entries by place of birth, which seems a silly rationale for ordering information in a work of this type. The volume will prove valuable to scholars and the curious.”–
Library Journal