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Notes from the Air: Selected Later Poems
 
 
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Notes from the Air: Selected Later Poems [Paperback]

John Ashbery (Author)
4.2 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

October 28, 2008

This long-awaited volume, a new selection of his later poems, spans ten major collections by one of America's most visionary and influential poets. Chosen by the author himself, the poems in Notes from the Air represent John Ashbery's best work from the past two decades, from the critically acclaimed April Galleons and Flow Chart to the 2005 National Book Award finalist Where Shall I Wander.

While Ashbery has long been considered a powerful force in twentieth-century culture, Notes from the Air demonstrates clearly how important and relevant his writing continues to be, well into the twenty-first century. Many of the selections found here are regularly taught in university classrooms across the country, and critics and scholars vigorously debate his newest works as well as his classics. He has already published four major books since the turn of the new millennium, and, although 2007 marked his eightieth birthday, this legendary literary figure continues to write fresh, new, and vibrant poetry that remains as stimulating, provocative, and controversial as ever.

Notes from the Air reveals, for the first time in one volume, the remarkable evolution of Ashbery's poetry from the mid-1980s into the new century, and offers an irresistible sampling of some of the finest work by a poet the New York Times has called a "national treasure."


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Customers buy this book with John Ashbery: Collected Poems, 1956-1987 (Library of America, No. 187) $26.40

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Editorial Reviews

From Publishers Weekly

Starred Review. Ashbery's original, seminal Selected Poems crowned the first half of a career that has largely defined American poetry since the middle of the 20th century. One could think of that first Selected, published in 1985, as the summation of Ashbery's philosophical period, in which the poet self-consciously interrogated the grip—or lack of one—language exerts on the world at large, most notably in poems like Self-Portrait in a Convex Mirror. This new volume—beginning with poems from April Galleons (1987) and ending with Where Shall I Wander (2005)—presents the first panoramic view of Ashbery's second phase, in which he explores, celebrates, sends up and revels in the American vernacular. Encompassing the surreal (You mop your forehead with a rose, recommending its thorns), the tender (Everything was spotless in the little house of our desire), the self-deprecating (There was I: a stinking adult) and the quietly, utterly haunting (Those who came closest did not come close), Ashbery seems to hit every possible note in his scattershot manner. Of particular interest are extended selections from the book-length works Flow Chart (1991) and Girls on the Run (1999). This is an essential book. Along with the original Selected (Penguin), we can now see the full impact of the most representative poet of the last 50 years. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

"Once started, an Ashbery poem is hard to put down or dismiss... if there's a modern poet you need on your shelves, and in your head, it's Ashbery." Nicholas Lezard, The Guardian, Paperback Choice, Saturday November 24, 2007 --This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 384 pages
  • Publisher: Ecco; Reprint edition (October 28, 2008)
  • Language: English
  • ISBN-10: 0061367184
  • ISBN-13: 978-0061367182
  • Product Dimensions: 9 x 7 x 1 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #474,384 in Books (See Top 100 in Books)

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Customer Reviews

5 Reviews
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Average Customer Review
4.2 out of 5 stars (5 customer reviews)
 
 
 
 
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13 of 14 people found the following review helpful:
5.0 out of 5 stars For Old and New Ashbery Readers, December 9, 2007
This selection contains April Galleons, Flow Chart, Hotel Lautremont, And the Stars Are Shining, Can You Hear, Bird, Wakefulness, Girls on the Run, Your Name Here, Chinese Whispers, and Where Shall I Wander. If you are a casual reader of Ashbery, this is perfect for you because it keeps you from rummaging through several collections to find a handful of great poems. For instance, Flow Chart is a fantastic long poem, but for this Selected, it is stripped down to only section Five (out of six). I can't complain too much about what was left out either. There are a few poems here and there but overall these are truly the strongest of his latter oeuvre. If you are a serious reader of Ashbery, then don't expect too much. There isn't an introduction, which i thought was a bummer, and the great poem "Heavenly Days" from Chinese Whispers isn't in here. Also I found the deckle-edge to be a hindrance to easily thumbing through the pages. It's a little too precious. What may be the most interesting part of the book for JA fans is to compare your selection with his selections. I find this as an interesting gauge to what the author aesthetically prefers, at least at the time of the selection.
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5.0 out of 5 stars Sublime and Bewildering, July 10, 2011
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This review is from: Notes from the Air: Selected Later Poems (Paperback)
John Ashbery grows ever more playful as time wears on, yet his playfulness gives the reader a whiff of something truly sublime. Many theories have been proposed on how Ashbery writes his poetry and what, exactly, he's up to.

Personally, I've given up trying to understand it rationally, as a series of ideas, or even aesthetically, as art. I think he simply channels his poetry from another dimension. I think it must be a phonetic transcription of an alien tongue. My theory explains everything except, of course, those moments when he's just making fun. Oh, and the poems where he goes off half-cocked in a brazen attempt to write the worst poem ever, with clunky rhyme-schemes and ridiculous cliches, but it brings tears to your eyes because through it all it is just the most moving poem you've ever read. Because all of our stupid human cliches are elevated and transformed in some kind of superlative alchemy only John can enact. My theory of extra-dimensional channeling does not explain those poems very well, either.

'Notes from the Air' is a superb selection of Ashbery's later works. I recommend it highly for Ashbery fans and the newly Ashbery-brave alike. I also want to mention that I feel nothing but solidarity with those reviewers who say they just don't get it. I don't get it either. I just let it wash over me and through me. I read Ashbery every morning as my religious observance. I can't imagine what it's doing to my brain...

J Jennifer Matthews

author of "Radically Condensed Instructions for Being Just as You Are"
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3 of 5 people found the following review helpful:
3.0 out of 5 stars No Connection, Call Later, March 7, 2010
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This review is from: Notes from the Air: Selected Later Poems (Paperback)
Sorry. Ashbery is enormously respected. He has been showered with awards and grants. He can boast the ultimate badge of accessibility, appearances on Garrison Keillor's The Writer's Almanac. He has even been cited, along with Wallace Stevens, by all of my most respected poet friends as a touchstone of 20th century poetics. I decided that if, I just stuck to it long enough, I would get it--I would have to get it. But 100 pages into the book, I had to run up the white flag. He's obviously extremely intelligent which, I guess, makes me a complete dolt. The titles don't make sense to me. The interior narrative of each poem doesn't make sense to me. And there seems to me to be very little modulation in the tone and intent of the poems, the sort of thing that makes you wade through an author's philosophical poems or the more formally knotty poems with the assurance that they are also master of more direct, more communicative forms. I always had the feeling that Ashbery was talking to someone behind me, that he never made eye contact. The problem was that, besides him, I was the only other person in the room. I'll have to try again later. Sometimes it's just a matter of timing.
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