Amazon.com Review
Nobel Prize winner Elias Canetti kept this writer's journal from 1954 to 1971 while he was living in London and writing, among other things, Crowds and Power. It's a deliberately unstructured list of ideas and possibilities from which his thematic obsessions emerge only gradually.
Most entries are just a sentence or two in length, varying in quality from the obvious to the profound. Many take the tantalizing form of a fictional premise not followed through ("A country where everyone walks backwards, to keep an eye on themselves. A country where all turn their backs on one another: fear of eyes.") But the overall tone, as with his other writings, is more gnomically philosophical. A typical stand-alone entry reads, "There is something sickening about all advocacy: only pure admiration is real." --Richard Farr
From Publishers Weekly
Canetti is a meticulous writer, and in reading his notes, one can easily see him hovering over a just formed sentence, pencil in hand, wondering whether to cut or to add or to leave well enough alone. The period covered by the notes collected here concerns an important time in Canetti's life. His study of mass psychology, Crowds and Power, appeared in 1960; most of his plays were emerging for the first time; and the travelogue The Voices of Marrakesh and essay collection The Conscience of Words were published as well. Although Canetti's notes abound with oblique references to these works, they also manage to stand alone as exercises in phrasing and as attempts to find and fix his voice as a writer. Aphoristic, fragmentary, laconic, mildly humorous and often finicky, Canetti's "notes" are, depending on your taste, either diamonds in the rough or fool's gold. A sampling of the Nietzsche-like maxims gives some sense of what notes for a writer such as Canetti look like: "She speaks from the navel." "Word associations: only interesting if you leave out five of six connecting links." "To surround oneself with people in the summer?no war and everyone is alive. A summer in which not one person died. The happy man, piqued by vanity. Now he wants to read and be unhappy." Reading these notes is like looking through the workshop of a great craftsman: it is a conglomeration of tools, of mishaps and of yet-unfinished gems.
Copyright 1998 Reed Business Information, Inc.
Copyright 1998 Reed Business Information, Inc.
