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Nothing Lost [Paperback]

John Gregory Dunne (Author)
3.4 out of 5 stars  See all reviews (10 customer reviews)


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Paperback, 2004 --  

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Product Details

  • Paperback
  • Publisher: Alfred A. Knopf Incorporated (2004)
  • ASIN: B000K1UGGC
  • Product Dimensions: 7.9 x 5.1 x 0.9 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #8,810,265 in Books (See Top 100 in Books)

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Customer Reviews

10 Reviews
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Average Customer Review
3.4 out of 5 stars (10 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Nothing Lost; a terrific last work, May 21, 2004
By 
Thomas Engh (Alameda, California USA) - See all my reviews
(REAL NAME)   
This review is from: Nothing Lost (Hardcover)
I found this an excellent novel. Great characters, wonderful plot, and a profound rendering of various social classes. Having worked in the criminal justice system for thirty years noone writes about this milieu better than Dunne. Also there is humor and compassion in his writing; comic writing with a touch of sadness. Dunne will be greatly missed.
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10 of 12 people found the following review helpful:
4.0 out of 5 stars Not Dunne's Best, But Well Worth Reading, May 28, 2004
By 
This review is from: Nothing Lost (Hardcover)
John Gregory Dunne was a greatly underappreciated American writer at the time of his death in December 2003. His novel about the Black Dahlia case, "True Confessions" is a masterpiece of neo-noir and black comedy (forget about the dull movie version with DeNiro and Duvall.) His searing, direly funny "Dutch Shea, Jr." is a classic waiting to be rediscovered. "Nothing Lost" is set in the same fictional universe as "The Red White, and Blue" and "Playland". Those books tended to be longer on atmosphere than story, but "Nothing Lost" has the snappy surprise of his earlier work. It's Dunne's fictional version of those sensational, media-driven criminal trials of the 1990's. In a fictional midwestern state, a poor African-American man is tortured and murdered by some lowlife young white men in the horribly familiar manner of Brandon Teena, Matthew Shepard, or James Bird. Because one of the accused turns out to be the brother of a notorious teen supermodel the media is further sucked into the case. The model, Carlyle, seems to be based on Paris Hilton; a conservative congresswoman appears to be modeled on Ariana Huffington before her recent conversion to the left. (Another lady talk show host character, who has a lesbian affair with the congresswoman, seems to be the Ann Coulter figure, so to speak.)

It turns out that eveyone involved, including the dead man, has secrets to hide, secrets that come back and bite them at the worst possible times. What prevents this book from being Dunne's best are a couple of things. In this one his bitterness and misanthropy are out of control. Dunne thought that if you lived in the middle of the country, away from the sacred precincts of LA and New York, you lived in a hell of yokelry and lower-class backwardness. These qualities are bracing and invigorating in his earlier books, but in "Nothing Lost" he seems to hate everything and everyone. A little light and grace would provide some contrast, at least. And the last hundred pages are rushed. Too much happens all at once to be completely convincing. The book has an aura of being unfinished, and it might have been a little better crafted but for Dunne's untimely death. Nevertheless, if you are a fan you don't want to miss Dunne's last effort. It's bleakly entertaining, but if you aren't already familiar with his books you should really start with "True Confessions."

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4 of 4 people found the following review helpful:
4.0 out of 5 stars Smart, fun, and pleasingly cynical, June 25, 2004
This review is from: Nothing Lost (Hardcover)
I'm at home on bed rest and desperate for something good to read. This book did the trick.. The narrator is smart, funny, and clearly aware that it is next to impossible to do much about most of the evil sleaziness of the world. Certainly it is impossible to make changes in individual lives, one at a time. (Or maybe I'm just jaded, too. Some may call it maturity.) Clearly, the narrator is the most decent character in a novel full of morally bankrupt people (from both sides of the tracks). Ironically, his career is blindsided due to what others perceive to be questionable morals. Anyway, join Max as he watches pathetic people with and without class, power, and agency screw up their lives even more than they already have, and help him make sense of it. Great literature this ain't, but a smart, fun, cynical read it is.
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