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Nothing That Meets the Eye: The Uncollected Stories of Patricia Highsmith [Hardcover]

Patricia Highsmith (Author)
4.4 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

October 7, 2002

"Highsmith is no more a practitioner of the murder mystery genre...than are Doestoevsky, Faulkner and Camus."—Joan Smith, Los Angeles Times

The Patricia Highsmith renaissance continues with Nothing That Meets the Eye, a brilliant collection of twenty-eight psychologically penetrating stories, a great majority of which are published for the first time in this collection. This volume spans almost fifty years of Highsmith's career and establishes her as a permanent member of our American literary canon, as attested by recent publication of two of these stories in The New Yorker and Harper's. The stories assembled in Nothing That Meets the Eye, written between 1938 and 1982, are vintage Highsmith: a gigolo-like psychopath preys on unfulfilled career women; a lonely spinster's fragile hold on reality is tethered to the bottle; an estranged postal worker invents homicidal fantasies about his coworkers. While some stories anticipate the diabolical narratives of the Ripley novels, others possess a Capra-like sweetness that forces us to see the author in a new light. From this new collection, a remarkable portrait of the American psyche at mid-century emerges, unforgettably distilled by the inimitable eye of Patricia Highsmith.

A New York Times Notable Book and a Washington Post Rave of 2002. "Almost every piece...contains touches that reveal what a subtle writer Highsmith was."—James Campbell, New York Times "A thrilling compendium of work full of surprises."—Ed Siegel, Boston Globe "One of the exhilarating effects of reading Highsmith's stories...is the greatly enlarged sense of her range and energy...in their surehandedness, their amazing breadth and abundance...[these stories] compel attention and they add significantly to her already formidable presence."—James Lasdun, Washington Post

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Editorial Reviews

From Publishers Weekly

Following on the heels of The Selected Stories of Patricia Highsmith (2001) comes Nothing That Meets the Eye: The Uncollected Stories of Patricia Highsmith, with an afterword by Paul Ingendaay and notes on the stories by Anna von Planta. Most of these 28 tales, which Highsmith (1921-1995) wrote between 1938 and 1982, are previously unpublished.
Copyright 2002 Reed Business Information, Inc.

From Library Journal

The late, prolific Highsmith is best known to readers for the canny, resourceful, elegant, and amoral Mr. Ripley (from her books; forget the movie please!). And, to writers, for her elegant, crafted prose. The novel form aside, the short story might be her best medium, riveting attention on her twists (plot and psychological), her use of language, and her experiments with viewpoint. Of the 28 stories collected here, many were previously published, but none are readily available. Those in the first section (to 1948) show a surprising attention to women's viewpoints and a developing sense of the illuminative power of a single moment, as in "The Still Point of the Turning World." The second section (from 1952 on) is more male-dominated and characteristic, and the best stories here (like "A Girl Like Phyl" where the illumination is ironic and shatters a life) could really be said to burn with Pater's "hard, gemlike flame." Remarkable; highly recommended. Robert E. Brown, Minoa Lib., NY
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Hardcover: 480 pages
  • Publisher: W. W. Norton & Company; 1ST edition (October 7, 2002)
  • Language: English
  • ISBN-10: 0393051870
  • ISBN-13: 978-0393051872
  • Product Dimensions: 9.6 x 6.3 x 1.4 inches
  • Shipping Weight: 1.8 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,491,983 in Books (See Top 100 in Books)

More About the Author

Patricia Highsmith (1921-1995) was the author of more than twenty novels, including Strangers on a Train, The Price of Salt and The Talented Mr. Ripley, as well as numerous short stories.

 

Customer Reviews

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Average Customer Review
4.4 out of 5 stars (5 customer reviews)
 
 
 
 
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28 of 28 people found the following review helpful:
5.0 out of 5 stars Really high on Highsmith, October 27, 2002
By 
JACK "bookophile" (HOUSTON, TX, United States) - See all my reviews
(REAL NAME)   
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This review is from: Nothing That Meets the Eye: The Uncollected Stories of Patricia Highsmith (Hardcover)
She's baaack! A second anthology of Patricia Highsmith's short fiction, this time featuring stories that have not been published until now.

Unlike the first collection of her short fiction (where many of the stories struck me as mere character sketches) the contents of "Nothing That Meets the Eye" are all fully developed short stories. One of my favorites features the subtle yet obvious menace of a stranger with candy, a very, to paraphrase the story's title, "Nice Sort of Man." The one story that fails to impress in the collection is "The Born Failure." It features a downtrodden, Job-like little man who lurches from one disappointment to the next. The story ends in an oddly sappy upbeat "It's a Wonderful Life" way, as if Highsmith suddenly got bored with cataloguing this character's misfortunes and wanted him off her hands. Interestingly enough, she didn't kill off the Failure. Possibly because for such a loser death might have seemed a kindness.

An added bonus is Paul Ingendaay's biographical essay, which follows the collected short stories. It gives a greater insight into Highsmith's literary process, touches on her lesbianism, and its probable influences on her body of work. (I'd always thought it odd that, in a wild divergence from her more mainstream suspense fiction, Highsmith had written the lesbian-themed novel, The Price of Salt, under the name of Claire Morgan.) Even more intriguing is the fact that Highsmith, apparently a meticulous literary craftsman, left behind a treasure trove of workbooks, notebooks, journals, as well as typescripts of drafts of published and unpublished works. Hopefully one day these literary artifacts will also find their way into print.

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9 of 9 people found the following review helpful:
4.0 out of 5 stars A fortunate whim, April 5, 2005
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I came across this book at a bookstore's clearance sale and bought it on a whim, for which I was afterwards very grateful. This is a comprehensive collection of lively, varied stories, each one worth reading. Each is a snapshot of reality as insightful as an Edward Hopper painting, delicious for its voyeuristic glimpse into a life, often a life's last moments.

The book is proof positive of Highsmith's abilities in terms of writing from different prespectives, telling stories as a man, a woman, a young person or a middle-aged one, an American or a European. Everyone will have a different favourite here; pressed to choose, I would not agree with the choice of Mr Ingendaay, who wrote the afterword, but rather select one of the very last stories in the book, "Things had gone badly", for its implicit conclusions about how banal everyday obligations can destroy artistic creativity. "A Girl Like Phyl" is another one of the prizewinners here, an insightful reflection on the harm that can be done by letting idealised memories of an unsuccessful relationship become a fallacious yardstick for measuring other relationships. Just a few of the stories are underdeveloped, staying at the level of character sketches, but this is compensated for by the ingenious ideas that gave rise to other stories, such as the collector of counterfeits in "The Great Cardhouse". The only reason why I give this book four stars instead of five is that I felt a bit too many of the stories (I won't say which ones) ended with a suicide which occasionally felt like a Deus ex Machina. Despite that this is a book that you won't be sorry you've bought.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars Magnificent!, January 7, 2004
By A Customer
I am usually not a short story fan, but I can't tell you how much I enjoyed this collection. Highsmith is such a fabulous writer that you are completely drawn into her stories and can't wait to turn the page. Some of her stories in previous collections haven't been my cup of tea. But in this collection, Highsmith shows herself as a writer's writer and gives readers a wonderful gift of perfectly crafted stories that will stay with you long after you close the cover.
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First Sentence:
The train, which had been following a clean little river for more than an hour, rounded a wooded bend, blew its whistle, and puffed serenely toward a tiny town at the foot of a mountain. Read the first page
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green rompers, amethyst pin, khaki bag, magic casements, born failure, polo coat
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New York, Miss Pendergast, Miss Wooster, Mexico City, Miss Trott, Sister Josephine, Robert Frazier, San Francisco, Signora Cacciaguerra, Trevelyan Boulevard, Gaston Potin, David Ostrander, Frieda Meyer, Trafalgar Square, Fifth Avenue, Miss Cassidy, Miss Walker, Pandora Room, Robbie Vanderholt, Third Avenue, Winthrop Hazlewood, Bill Kirstein, Leopold Beckhof, Lotte Kiefer, Louisa Trotte
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