Amazon.com Review
John Harvey and his Nottingham policeman, Charlie Resnick, have been a much-admired duo in the world of mystery for the past decade. Recently, however, those same fans have been in mourning, as Harvey announced his decision to end the series with the 10th title,
Last Rites. Unlike Sir Arthur Conan Doyle, who contrived the demise of his popular Sherlock Holmes at the Reichenbach Falls, only to be forced by a clamoring public to resurrect him, Harvey appears to have made up his mind to stick to his guns because he no longer lives in Nottingham and doesn't feel that he can use the city in the same intimate way he always had. However, a small British press is creating excitement and gratifying those of us who love the Resnick character with the first book publication of the 11 stories featuring jazz-loving Resnick in one volume. (The tales have appeared in such venues as
Ellery Queen's Mystery Magazine and a variety of mystery anthologies.)
The Times of London once described John Harvey as the contemporary "King of Crime." He has also been vociferously admired by such peers as Elmore Leonard, Andrew Vachss, Sue Grafton, Philip Kerr, and Jim Harrison. The stories offer Resnick in the way they, and all his loyal readers, want to remember him: cooking up gourmet omelets and sandwiches, keeping his four cats well fed, and applying his scrupulous intelligence and sensitivity to the problems of Midlands criminal activity. Charlie Resnick's cats are named for his favorite jazz musicians--Pepper, Dizzy, Miles, and Bud--and this short story collection features, at the end, a "partial soundtrack" for armchair detection and accompaniment.
--This text refers to an out of print or unavailable edition of this title.
For crime-fiction fans still grieving over Harvey's decision to end his masterful Charlie Resnick series, a reprieve arrives with this collection of the complete Resnick short stories. The 12 stories--all with titles borrowed from tunes recorded by jazz great Charlie Parker--feature not only Resnick and his fellow Nottingham coppers but also many of the supporting characters from the novels. Ray-o Cook, for example, the slightly bent junk-shop operator who appears in both
Off Minor (1992) and the series' finale,
Last Rites , turns up in four of these stories and again demonstrates Harvey's genius for portraying the British underclass with uncompromising honesty, hard-won empathy, and not a whit of sentimentality. Too often short crime fiction falls prey to the demands of plot--too much mystery, not enough character--but Harvey avoids this snare by focusing, as he does in the novels, on the psyches of his people rather than on who did what. He says in his introduction to the collection that he used the stories (much as Raymond Chandler did his short fiction) as "footnotes to the longer work, testing grounds on which to walk the characters." For the reader, though, these testing grounds are much more than dress rehearsals; although some stories require knowledge of the novels for maximum enjoyment, others function like early episodes of
Hill Street Blues: vivid slices of cop life into which we are immersed suddenly, often in medias res, and from which we emerge with a powerful sense of the suffocating sadness of life on the periphery of society. A perfect coda to the most accomplished crime series of the 1990s.
Bill Ott
--This text refers to an out of print or unavailable edition of this title.