From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.
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The simple and often quite beautiful statement of a man of letters . . . [in] a book which is as much a pleasure to read as it is informative and provocative. -- The New York Times
A feminist critique of a male (and Western) view of the Tantric tradition [and also] a balanced reassessment of a tradition too long misunderstood. -- Parabola
Probably no one else alive today writes about art with Sir Kenneth's precise combination of intelligence, urbanity, and erudition. . . . This is an important book and a fascinating one, and the illustrations do much to illuminate it. -- The New Yorker
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Most Helpful Customer Reviews
30 of 32 people found the following review helpful:
5.0 out of 5 stars
Kudos to Amazon.com for keeping an important book available!,
By Grady Harp (Los Angeles, CA United States) - See all my reviews (HALL OF FAME REVIEWER) (VINE VOICE) (TOP 50 REVIEWER) (REAL NAME)
This review is from: The Nude: A Study in Ideal Form (Paperback)
THE NUDE: A STUDY IN IDEAL FORM, a classic investigation and summation, is one of scholar/historian Kenneth Clark's finest works - and that is high powered praise in view of all of his contributions to literature. Few writers inform with such dignity of prose, style, and warmth as Clark and THE NUDE is no exception. This handsome and illuminating volume dates back to 1953 and is based on six lectures given by Clark for the A. W. Mellon Lectures in Fine Arts at the National Gallery in Washington, DC. Clark opens his book with a lyrical treatise "The Naked and the Nude" in which he not only introduces his manner of examining the use of the nude as pictorial image for artists from ancient Greece through the Renaissance to the present, he wraps his scholarly information with personalized psychosocial commentary that is uniquely his own and allows the reader to settle in for the exploration ahead. Approaching first the male nude ["Apollo"] from the Kouros of 600 BC through the vases, sculptures, reliefs, and paintings from all periods of history, he then moves to two views of the female nude - Venus I [the celestial female form] and Venus II [the woman of earthly form]. Having laid the foundation for the use of the nude in general, he then addresses the artistic emotions of Pathos, Energy, and Ecstasy in a manner that is near novel-like in reading. He closes his lecture series/book with a thought-provoking discussion of how man has viewed the nude through history, vacillating between laud and honor to the depiction of guilt, of the human stain. And finally he demonstrates in "The Nude As An End In Itself" both the occult appropriation of repeated forms and the acknowledged plagiarism of the nude studies from the earliest to the current. The Book is generously illustrated but in the paperback version available the illustrations are in black and white only. This profound and warmly human book is a must for artists and art lovers alike. Highly Recommended. And as is so often the case, Amazon.com does its readers a great service by finding ways to make books of such importance as this available to the public.
18 of 21 people found the following review helpful:
5.0 out of 5 stars
A well thought out discussion of the Western tradition,
By A Customer
This review is from: The Nude: A Study in Ideal Form (Hardcover)
Whether you are a student of the arts, religion, history, or life you will learn from this work. Mr. Clark speaks with the authority of an educated and thoughtful expert on the subject and with the voice of a formidable author as well.
His work is as densely packed with meaning as you might expect to find in the writings of Reinhold Niehbur yet is possessed of a wonderfully literary mask. The writing is so well done, one might accidently read right over the meaning in the haste of seeing what will come next. If you're the highlighting or underlining type, I'd recommend saving such marking for the second read as more of the true significance bubbles to the fore. Put aside your expectations of a "typical" art history text and prepare for an incredible enlightenment. Enjoy!
10 of 11 people found the following review helpful:
5.0 out of 5 stars
A Classic Investigation and Summation,
By Grady Harp (Los Angeles, CA United States) - See all my reviews (HALL OF FAME REVIEWER) (VINE VOICE) (TOP 50 REVIEWER) (REAL NAME)
This review is from: The Nude: A Study in Ideal Form (Paperback)
THE NUDE: A STUDY IN IDEAL FORM is one of scholar/historian Kenneth Clark's finest works - and that is high powered praise in view of all of his contributions to literature. Few writers inform with such dignity of prose, style, and warmth as Clark and THE NUDE is no exception. This handsome and illuminating volume dates back to 1953 and is based on six lectures given by Clark for the A. W. Mellon Lectures in Fine Arts at the National Gallery in Washington, DC. Clark opens his book with a lyrical treatise "The Naked and the Nude" in which he not only introduces his manner of examining the use of the nude as pictorial image for artists from ancient Greece through the Renaissance to the present, he wraps his scholarly information with personalized psychosocial commentary that is uniquely his own and allows the reader to settle in for the exploration ahead. Approaching first the male nude ["Apollo"] from the Kouros of 600 BC through the vases, sculptures, reliefs, and paintings from all periods of history, he then moves to two views of the female nude - Venus I [the celestial female form] and Venus II [the woman of earthly form]. Having laid the foundation for the use of the nude in general, he then addresses the artistic emotions of Pathos, Energy, and Ecstasy in a manner that is near novel-like in reading. He closes his lecture series/book with a thought-provoking discussion of how man has viewed the nude through history, vacillating between laud and honor to the depiction of guilt, of the human stain. And finally he demonstrates in "The Nude As An End In Itself" both the occult appropriation of repeated forms and the acknowledged plagiarism of the nude studies from the earliest to the current. The Book is generously illustrated but in the paperback version available the illustrations are in black and white only. This profound and warmly human book is a must for artists and art lovers alike. Highly Recommended
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