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8 of 9 people found the following review helpful:
5.0 out of 5 stars
take a number...., June 16, 2008
This review is from: The Number 73304-23-4153-6-96-8 (Hardcover)
I've been waiting for this book, since I am a big fan of Thomas Ott's work, some of the finest being done in graphic novels, and I was convinced this one would be special. The underlying story is deepening in his work, and now this book has resolved one of the critical conceptual problems in the graphic novel in a beautiful way. The best graphic novelists understand that the balloon is the death of creativity, unless used ironically, knowingly, and instead find other, more deeply felt ways to insinuate the textual element into the graphic narration. Shaun Tan's recent publication, The Arrival, is another fantastic realization of this issue and has its own brilliant solution. Ott here uses a long hyphenated number, a deliberately cross lingual cypher, printed on a small strip of paper, to show a hopscotch-like narrative, involving a talismanic relation between this paper "master" number carried by two different men, and their "sinthomic" relationship with fragments of this number, as they wander through the labyrinth of their mathematically foreclosed fate. Very poignant and beautiful parable, perfect for the medium. There are no pyrotechnics with the format; it is a laconic distribution of plates, four at the most per page, its sobriety a reiteration of the story's bleak progress. But all of the drawings clearly reveal a labor of love, a superbly crafted scratchboard subtractive drawing technique that has become Ott's trade mark. Three observations always seem to emerge from books of this quality that argue for them in favor of film. The speed with which the story can be "skimmed" its essence extracted, is amazing, far faster than filmic media, and under the control of the viewer, who can himself decide on the story's rhythm, on which drawings to linger. Also, the graphic novelist has considerably more freedom in format, instead of fairly restricted industry aspect ratios in filmic media (I'm reminded very much here of Sergei Eisenstein's essay "the Dynamic Square"). Finally, the comprehensive mise-en-scene of graphic novels is equally impressive to film (admittedly without the soundtrack), but it can be realized by one person and can represent an undiluted, uncompromised, excellent work of imaginative, innovative, narrative art, striving to capitalize its A. Very Highly Recommended. And thought provoking far beyond the work itself.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
A Story to Be Savored, November 24, 2009
This review is from: The Number 73304-23-4153-6-96-8 (Hardcover)
How long can you spend reading a book without words? Quite a bit, it turns out, and when the book is as good as The Number 73304-23-4153-6-96-8, you can see why. You can lose yourself for long spells in each lush image on every page. Writer and illustrator Thomas Ott sets the tone early. His detailed, line-filled black-and-white drawings recall film noir, and his "Twilight Zone"-like tale of obsession and greed creeps steadily along to a conclusion you know must come but desperately hope to avoid. With no words or dialogue, Ott's unnamed protagonist, an electric chair operator for the local prison, arrives at work to do his job. From the executed prisoner's last possession, his Bible, falls a strip of paper with the numbers 73304-23-4153-6-96-8 printed on it. Their meaning is lost, but the executioner keeps the paper anyway, and soon he notices their importance. Everything in his life is running on a pattern, the numbers repeating in strange and unexpected ways: a dog tag, a phone number, an address, a sequence of winning numbers on a roulette wheel. Unable to resist the temptation of using this numerical foreknowledge for his own gain, he falls prey to his own vices. This is where The Number 73304-23-4153-6-96-8 truly begins to shine, as a smart morality tale with a devious twist. It works as a sharp allegory to the notion that people see what they want to see, form patterns where they wish them to appear, and surrender logic to passion. Those patterns repeat, seemingly on an endless loop, and while it appears to be a wonderful progression at first, the horror of the entire situation slowly dawns on reader and protagonist alike. Ott has a wonderful way of capturing the mysterious beauty of the unknown through the eyes of his everyman. In the timeless era in which the story is set, nothing feels real, yet everything is as familiar as the back of one's hand. There's an overwhelming sense of danger lurking just somewhere in the edges, hidden in the shadows of these drawings, pervading every scene with that terrible prescient feeling things are far different from what they seem and that everything will be changing soon. Even the passage of time is shrouded in mystery, or at least obscured. Sustaining this ominous feeling throughout the entire story is a difficult task, but Ott manages it with ease. Credit his natural ability to tell a story in pictures with keeping this ambitious project from ever sinking to the level of trite. With or without words, The Number 73304-23-4153-6-96-8 is a story to be savored--and one that resonates. -- John Hogan
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Perfection, January 28, 2009
This review is from: The Number 73304-23-4153-6-96-8 (Hardcover)
I am afraid my review will not be as eloquent, or as knowledgeable, as the other, but this graphic novel is so perfect, I have to write about it. I stumbled upon Thomas Ott here on Amazon while searching for something else. The brief description was so intriguing, I decided to buy it. As a product, it is superb. High quality hard cover book with Ott's beautiful illustrations are a steal at this price. As for the art, the story is incredibly interesting and innovative. The visual conveys so much, words would have been a distraction blatantly stating the obvious. I was able to glance through the book quickly, understanding the story perfectly. Upon further review later, I took a much deeper look at the images and found a better appreciation. I am thrilled I stumbled upon this. I am now in search of more Ott. I highly recommend it.
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