28 of 31 people found the following review helpful:
5.0 out of 5 stars
4 &1/2 stars, actually., June 28, 2004
He is not Murakami, but fans of his will love Mitchell's nature to deal with dreams and reality as if they were interchangeable (the point being that there may be no difference at all). The author does not hide the fact that Murakami is a large influence in the novel. Mitchell seems to want uninitiated readers to seek Murakami out, knowing that he is only an acolyte.
If you love trippy novels that make the average, normal persons life seem somehow magical, than you will love this. My only advice would be to not give up on the book. The first 100 pages are quite difficult to get through; a lot of it is daydreaming and initially the difference between the dreams and reality is hard to discern.
I highly recommend this novel!
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16 of 17 people found the following review helpful:
5.0 out of 5 stars
Be patient!, May 4, 2002
First of all, most of the other reviewers comments are true, even the comments of those who hated the book. Here's the scoop: Number9Dream is brilliant and moving, occasionally violent and shocking, and almost never boring. The scenes involving "Goatwriter" are everything you might imagine from what you have heard. They are puzzling. They are a distraction from the main story. They are also quite funny in their way. Be advised that these scenes do not pop inexplicably out of the ether, as you might assume from the other reviews posted here. The main character, Eiji, is hiding from those who might kill him, and he stumbles upon the text of a story. To bide his time, he reads this story about Goatwriter. It's odd, but it fits. Most importantly, readers who wade through that short section will find they've enjoyed one of the most satisfying novels they've read in a very long time.
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22 of 26 people found the following review helpful:
3.0 out of 5 stars
Ambitious novel that stumbles under its own aspirations, October 17, 2002
In "Ghostwritten" David Mitchell produced a novel that was stylish, engaging, and above all, clever. He created a fascinating portrait of the chance meetings that drive us on to our destinies; a task that in less gifted hands would be burdensome, but that was elegant and light in Mitchell's. Unfortunately, "Number9Dream" doesn't quite live up to the high benchmark he set with his first novel.
The book's primary problem is that Mitchell was far too clever for his own good. As the reader follows the protagonist, Eiji Miyake, on his search for this father, and his place in the world, they are buffeted by numerous asides, dreams, stories, fantasies, etc. Any one of these is extremely well written, but taken as a whole they make for a disjointed reading experience. Their purpose is to explore the interactions Mitchell considered so deftly in "Ghostwritten" but as they pertain to just one individual. However, the end result is a chaotic mishmash that is frequently entertaining, and always well written, but rarely satisfying.
That said, I wouldn't necessarily recommend against reading "Number9Dream", for one thing a sub par effort for David Mitchell is better than 90% of what's on the market today. Moreover, he makes some really interesting points about the nature of society and his ending (which I am sure many found abrupt) is a fascinating point about the fleeting nature of contentment, ambition and desire.
In the end, David Mitchell should be complimented for writing a novel that challenges the definitions of plotting and characterization. While the attempt falls somewhat short, it is still a noteworthy sophomore effort. If you don't mind a novel that makes you work a little, "Number9Dream" is an interesting effort from a young writer who is just hitting his stride.
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