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Nursery Cryme Original recording reissued, Original recording remastered, Import

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Audio CD, Original recording reissued, Original recording remastered, January 1, 1990
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Editorial Reviews

Out of print in the U.S.! Standard CD pressing of the 1971 album from the British Prog Rock band. Nursery Cryme was the band's third album but first to really show the true (multi) personality of the band. Seven tracks.

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Product Details

  • Audio CD (January 1, 1990)
  • Original Release Date: 1971
  • Number of Discs: 1
  • Format: Original recording reissued, Original recording remastered, Import
  • Label: Wea Int'l
  • ASIN: B000002J1L
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (160 customer reviews)
  • Amazon Best Sellers Rank: #6,960 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

45 of 46 people found the following review helpful By Jeffrey J.Park VINE VOICE on November 2, 2005
Format: Audio CD
Released in 1971, this is the first album with the "classic" Genesis lineup and the first to feature the distinctive ensemble sound that would characterize their work up to late 1976.

What is particularly noticeable about some of the longer pieces on this album including "The Musical Box" and "Return of the Giant Hogweed" is an aggressive and harsh sound that is largely reflected in Steve Hackett's guitar work. Although I do not know this for certain, I suspect that this heaviness may have resulted from exposure to the music of fellow Charisma label band Van der graaf Generator while on "package" tours in Britain.

One other new element that helped shape the classic Genesis sound was the addition of superb drummer Phil Collins, who brought a superior level of musicianship to the band that the previous drummer (John Mayhew) was not able to. As such, the use of unusual time signatures increased and the ensemble work became a bit more sophisticated over that found on Trespass (1970). Other interesting developments include the use of the mellotron by keyboardist Tony Banks, an instrument which is featured prominently on "Seven Stones" and the excellent "The Fountain of Salmacis", a piece that Tony wrote while studying physics at Sussex University. Quieter pieces on the album include "For Absent Friends" (which features Phil Collins on vocals) and "Harlequin", while "Harold the Barrel" is somewhere in the middle.

Interestingly enough, Tony Banks has been quoted as saying he did not feel that Nursery Cryme was much of an improvement over Trespass (1970). Although this may only hold partially true musically, conceptually and lyrically this is a completely different story.
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17 of 18 people found the following review helpful By A Customer on May 6, 1999
Format: Audio CD
After hearing Tresspass, I didnt have very high hopes for NC. So I skipped it and got into Selling England, The Lamb and so on. Boy was I the fool. The production quality of this album really gives Genesis a distinguished sound. Also, with the appearance of Phil Collins, it makes the album that much better. The album begins with a really incredible 10 min song named The Musical Box(probably the best tune on the album). The drumming is truly intense, which keeps up with the furious guitar work. Gabriel really lets loose on this tune vocally, and helps Collins out with his old beat up bass drum. Rutherford, truly underated as a member, gives his all in this tune as for Banks who makes the tune, with his incredible talent. As for the rest of the album it can make you go from the sadest of moods with songs like, for absent friends and seven stones, to really angry moods like the freakin amazing, return of the giant hogweed, with a really heavy incredibly kicking ending. The rest cannot go unnoticed, no matter how hard you try. Its just too amazing. Especially the vocals on Harold the Barrel and the lyrically and musically beautiful, fountain of salmacis.
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29 of 34 people found the following review helpful By Manny Hernandez HALL OF FAME on July 21, 2004
Format: Audio CD
Led Zeppelin, The Who and Black Sabbath were at the top of their prime and another little known band from England was starting to make a name for themselves. A band to be known for the theatrical performances by their lead man, Peter Gabriel. 'Nursery Cryme' was to become the first album by the lineup that made Genesis famous: Gabriel on vocals, Phil Collins on drums (and backing vocals), Tony Banks on keys, Steve Hackett on guitars, and Mike Rutherford on bass and guitars.

Although it is not the band's best album, it has a handful of some of the best music they ever made. "The Musical Box", one of the band's standards, evokes feelings of victorian nostalgia, in line with the cover of the album, combined with a nightmarish and lunatic discharge that is perfectly framed by the latter part of the song. Viewing this song in a live setting is an experience that can be very hard to compare with anything you run into these days, as Gabriel strolls through the stage wearing the costume of an old man shaking and rattling as the song reaches its climax.

Second to "The Musical Box" is the closing track, "The Fountain of Salmacis", which opened Gabriel up to a stream of mythology-driven writing that would ensue until deep into 'The Lamb Lies Down...' his last album with the band.

Overall, 'Nursery Cryme' deserves four stars due to these two songs (the album sports only seven tracks) and the interesting tale of "The Return of the Giant Hogweed", but it lags behind the albums that would follow it until the departure of Gabriel. If you want to get into serious Genesis music, although this album will end up been a must in your collection, you need to jump first into 'The Lamb...', 'Selling England by The Pound' and 'Foxtrot', in that order.
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9 of 9 people found the following review helpful By Margaret Brundage on April 1, 2004
Format: Audio CD
Nursery Cryme came at perhaps the most interesting time in the band's career. They had just picked up much needed muscle with Hackett and Collins, but were still trying to find their voice as a band. The result is some of the oddest, most original music they have ever composed, played at a new level of competency. For me the most fascinating progressive rock can be the strangest, and--make no mistake--Nursery Cryme is Genesis at their strangest. Here they move away from the folky tendencies of the albums that preceeded it, but are not yet producing music as streamlined and professional as that which would soon come. This is one of the most unique albums in prog rock history.
One of the best things about this album is that the ego jostling has yet to set in. Steve Hackett plays a large role and Tony Banks and Mike Rutherford sing background prominently in some places. Banks even delivers the "Mighty Hogweed" line in "Return of the Giant Hogweed," which is, by the way, a good example of a song with the bizarreness I alluded to earlier.
There are others. "Harold the Barrel" is a off-center but moving mini-opera that takes place in about three minutes, and "Seven Stones" reveals the influence that the first King Crimson album must have had on the band, especially Hackett's guitar solo in the middle and the Mellotronic thunder at the end. Kind of a creepy song in its own way. And speaking of creepy, while "The Musical Box" is an acknowledged epic masterpiece, its theme of a reincarnated (...)fixated villain is so disturbingly obscure that they had to explain the story on the liner notes of the remastered CD (whose sound IS much better than the original vinyl pressing).
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