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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Oh fate, your face, April 29, 2007
The Veils are doing a pretty good job of obscuring the lines between genres -- is their second album: A. classic metal, B. Britpop, or C. wild weird indiepop?
Answer: D, all of the above. This New Zealand band has a new lineup and a new sound, not to mention the kind of renewed energy that bands rarely have on their sophomore album. And in "Nux Vomica" they tear through different musical genres, with brilliantly raw results.
"It looks an ugly world out there/Of girl-guides and disease and war/I love my little velvet bed/I never want to leave it anymore," howls Finn Andrews in the opening song. "All my fears will come to me in dreams/Maybe the end ain't as far as it seems/Not yet revived but not yet mourned/Not quite denied just not yet born..."
The song he's singing changes several times as it plays -- it starts off as a some of folksy ballad, but them blooms out into an eerie synthy hard-rocker, and then into as sort of piano-edged metal. And over it all, he's wailing, "I TRIIIIIIIIIIED.... I TRIIIIIIED..." By the end of it, I was dizzy.
Things don't get any less colourful with the songs that follow. Each one seems to give a new spin on indie-rock -- flavoured with calliope, soulfully edged with soaring voices, ominous and distorted, smashing alt-rock, twinkly hard-rockers. They even work in a ballad, "Under The Folding branches," which is an exquisite little shimmer of strings and piano.
The Veiils are apparently trying to wring every last drop of inspiration from their music -- they smush classic indie-rock, moments of hard-rock and metal, with driving Britpop edges. And it all serves as the frame for Andrews' songs of uncertainty and sorrow.
The music is a swirl of hard-edged guitar and bass, and sometimes they explode into eruptions of pure hard rock. But the raw instrumentals are laced with some tinkly piano and shimmering keyboard, and Lou Reed collaborator Jane Scarpontoni weaves in some beautiful string arrangements as well. Some songs are catchy, some are fast-paced, but all of them are wonderfully layered.
But they all have a feeling of mild sadness and confusion, and that gets reflected in the songs as well. Andrews seems to be asking "what's the point? What's ahead of us?", and reflecting on the decay of the world. And he sings it in a sort of Robert Plant manner, howling with devastating power -- but he can also switch to the bittersweet murmur of a ballad.
Good thing the Veils changed their lineup and sound, because "Nux Vomica" is a painful, exquisite rock album that deserves to be heard. Definitely one of the best of 2007 thus far.
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7 of 9 people found the following review helpful:
5.0 out of 5 stars
Wild and lovely, April 24, 2007
Is this a Brit pop band? A New Zealand heavy metal stomp outfit? The latest chamber rock wunderkind in the mold of the Arcade Fire and Okkervil River? The Veils are all these things, and a bit more. The Kiwi lead singer, who sounds like a mix of Robert Plant and the dude who fronts the Violent Femmes (really, stay with me here), growls and emotes over piano, high-hat heavy drums and aggressive guitar. But how did these guys get so adept at pop, anthems, what sounds like American southern rock boogies and heart-wrenching love ballads? America hasn't heard of these guys, but when this CD comes out in April, I trust they will...the Veils are, to quote Hank Williams, Sr., "wild and blue."
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Here to Stay, June 26, 2007
I bought this album and took it along on my iPod this summer and hardly listened to it. Now I'm back in New York, and I can't live without it. Just saw his acoustic cover of Bruce Springsteen's "State Trooper" on YouTube, and finally understood.
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