Nyiregyhazi at the Opera

Ervin Nyiregyhazi (Composer), Ervin Nyiregyházi (Performer) | Format: Audio CD

Product Details

• Performer: Ervin Nyiregyházi
• Composer: Ervin Nyiregyhazi
• Audio CD (March 28, 1995)
• Number of Discs: 1
• Label: Video Artists Int'l
• ASIN: B000003LIE
• Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #242,952 in Music (See Top 100 in Music)

Track Listings

1. Rienzi and Lohengrin

2. Un Ballo in Maschera

3. Il Travatore

4. Verdi - Otello (with interpolated 'Pagliacci')

5. Eugene Onegin

6. Pagliacci

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

5.0 out of 5 stars Nyiregyhazi--A Fallen Golden Age Hero, November 6, 2001

By 

Lloyd Paguia Arriola (New York, NY United States) - See all my reviews
(REAL NAME)   

This review is from: Nyiregyhazi at the Opera (Audio CD)

Ervin Nyiregyhazi (1903-1987) was one of the rare pianists who could hold an audience in his spell. Unfortunately, the CBS Masterworks recordings from around 1976 are a little eccentric for most of our faint-hearted listeners, who like obvious musical choices that are cliched and somewhat boring. Nevertheless, while these present recordings of transcriptions by the controversial pianist are occasionally bizarre and wilful, there is a magnificent feeling of chance-taking that is rare among recorded artists today. Listen to the pellucid tone in the Wagner excerpts, and the overwhelming power and majesty of some of the pianism in the Verdi Trovatore excerpt. The Tschaikowsky is also colossal in scale, the Lensky theme never sounding more beautiful or monumental. If only there were more recordings of this man, perhaps we could have a clearer idea of his talent. But alas, we only have a few hours of recorded bits, and almost none of it is well-known repertoire. Still, if Sony has some sense of history, perhaps they can release the 1970s albums once again onto CD, as well as some unreleased material. (There is sure to be more of this!) But now we must content ourselves with this fascinating, yet flawed, aural experience from a dissolute, dipsomaniacal diva of the keyboard.

9 of 9 people found the following review helpful:

5.0 out of 5 stars The vanishing pianist!, March 4, 2005

By 

Hiram Gomez Pardo (Valencia, Venezuela) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 1000 REVIEWER)    (REAL NAME)   

This review is from: Nyiregyhazi at the Opera (Audio CD)

I had the enormous fortune to get two vynil records of this supreme pianist in the middle seventies and I am still amazed why his name means less than nothing for a great audience. This case is possibly unique in the music, when in the middle of his raising and promising career, he simply decided to vanish in the early twenties to re appear in 1973 with two admirable recordings.

From the first moment I listened him playing Liszt's Third Rhapsody and his own transcription about Lisz 's Sinfonic poem: Hamlet I never believed the monumental status, the powerful expressiveness , enormous musicality and above all an outstanding sense of the span he got.

No other piano artist in the music has made to sing the piano as Wilhem Kempff did it, but Nyireghihazi was very close to him; owner of a refined technique and his octaves literally will invade you and never let you indifferent.

Thanks to the efforts of notable voices and supreme authorities in this subject -as Harold Schoenberg for instance- has been possible to us , to enjoy and admire the supreme excellence of this singular pianist.

Please run and ask for this recording, because Erwin has been to my mind the greatest Hungarian pianist never born after Liszt, and one of the keyboard giants of the past Century.

12 of 14 people found the following review helpful:

4.0 out of 5 stars Nyiregyhazi still the master., March 10, 2000

By 

Helen S. Williams (Bisbee, Arizona) - See all my reviews

This review is from: Nyiregyhazi at the Opera (Audio CD)

Nyiregyhazi has rightfully been called Franz Liszt reincarnated. Here we finally get to hear again his legendary piano style (he was considered the greatest pianist of the early part of this century when he left the concert stage and disappeared) with absolutely haunting compositions of his own versions of some very popular pieces of music. He is a very fine composer, indeed, and we can only hope for more recordings by this master. This recording is an absolute must for piano lovers, Liszt lovers, music lovers and just a real treat.