Frequently Bought Together
Customers Who Bought This Item Also Bought
About the Artist
When we last saw him, the 25-year-old singer/songwriter was giving a show-stopping performance of the Oscar-nominated "So Close," the song he sang in the hit Disney movie Enchanted, on the worldwide telecast of the 80th Annual Academy Awards ceremony.
The appearance re-ignited INDIANA, spurring a 1,514% overnight sales increase at Amazon, sending it to the #1 spot on its Movers & Shakers chart, and creating solid momentum for his latest release. The single from INDIANA, "Beautiful Disaster" attracted over 420,000 digital fans when featured as Download of The Week.
And after getting major touring slots with Sara Bareilles, Paolo Nutini and Kelly Clarkson, along with dates with Colbie Caillat, Duffy and One Republic under his belt, Jon McLaughlin hit his stride on the road.
Flushed with that success, McLaughlin entered an L.A. recording studio last year intent on undergoing both a musical and stylistic transformation. The heartland piano player expanded his palette by working with new producer John Fields (Rooney, Jonas Brothers, Lifehouse, Switchfoot), co-writing with the likes of Jason Reeves (Colbie Callait's "Bubbly") as well as writer/producers Tricky and The-Dream (Rihanna's "Umbrella"), Troy Verges (Kenny Chesney's "You Save Me") and Brett James (Carrie Underwood's "Jesus, Take The Wheel").
McLaughlin admits the experience of appearing in Enchanted and performing on the Oscar telecast was a career-defining moment.
"The whole thing has taken on a life of its own," he says. "I wasn't even supposed to be in the movie. I love Disney ballads, but I didn't necessarily connect it to what I do as an artist. But that image of an old-school crooner inspired me. I was able to see myself as something different, which helped me open up to try new things on this album. I wasn't afraid to try on some new looks, either."
Jon describes himself as a "child of the `80s" in talking about the musical direction of OK NOW, with the very first single "Beating My Heart" the perfect example, an introspective, existential tune about nothing less than the meaning of life, with an elaborate pop-rock production that evokes Coldplay, thanks to soaring synths and a crackling backbeat.
With producer Fields playing bass, drums, slide guitar and a variety of other instruments, McLaughlin also enlisted the talents of ace players such as guitarists Tim Pierce and David Ryan Harris, as well as drummer Dorian Crozier in the studio.
Jon describes "You Can Never Go Back," which he co-wrote with acclaimed L.A. singer/songwriter Bleu, as his attempt to write a "late-`70s, early-`80s Billy Joel song," an admonition to not dwell on the past that evokes the blue-eyed soul of the Bee Gees crossed with Hall and Oates, buttressed by Fields' George Harrison-like slide guitar riffs.
McLaughlin's soul/R&B croon also characterizes "Things That You Say," a bittersweet song about "loneliness, the isolation you feel when you're trying to connect with anybody, but end up with these shallow, going-through-the-motions relationships instead."
Synthesizers introduce "You Are the One I Love," a song Jon co-wrote with Jason Reeves, inspired by the tabloid reports about Amy Winehouse's stormy relationship with her husband Blake that shows an empathy to the beleaguered pair. The multi-layered production is driven home by Peter Gabriel-like tribal drum rhythms.
"I feel for them," McLaughlin admits. "Who's to say any of our relationships are any less dysfunctional? I think it's cool that they're so madly in love."
"The Middle" is about being able to take the Hoosier kid out of Indiana, but not being able to take Indiana out of the Hoosier. The youngster who grew up in a conservative Midwestern household admits home is where his heart still remains: "Let me tell you now where I went wrong/Hollywood is just another place/I don't belong."
"Four Years" is another Billy Joel-style, tongue-in-cheek take on a `50s rocker about high school peer pressure that advises freshmen not to worry about the dictates of fashion.
"You just spend so much time worrying about stupid stuff that just doesn't matter," says McLaughlin, who insists his own high school years were pretty good. "I wish I could get back all the money I spent on Abercrombie and Fitch back then. If I heard this song when I was still in high school, I still don't think it would change anything. You can't change high school kids' minds about these things...but I'm still going to try."
"We All Need Saving," a song about the importance of friendship, starts with a stack of Beach Boys-styled street corner doo-wop oooh-oooh harmonies McLaughlin recorded late one night on Garageband.com, which gives the song its sacred feel, while "Throw My Love Around" counsels that, with only one life left to live, it's preferable to take risks then end up having regrets.
That same spirit of taking chances informed the making of OK NOW.
"My philosophy has changed," nods McLaughlin. "Now I believe you should get crazy in the studio, explore different sounds, and I love the challenge of recreating the songs in the live setting -that's the best part."
OK NOW is OK to go.
Top Customer Reviews
There are some great songs on this album ("Why I'm Talking To You" has an awesome old-school R&B feel, and "Things That You Say" combines a soaring melody with poignant lyrics), hence the three-star rating. But I hope that with his next album, Jon strips things down and goes back to showcasing his talent on the piano. I saw him recently in concert and it was a great experience - he's a great performer who knows how to get the crowd going. I would love for him to put out a live album.
OK Now is somewhat of a different affair. These songs overall are more poppy and upbeat and seem to be more tailor-made for big stadiums and such. Jon's vocals this time around are a lot more sensual at times. I don't know where that came from (maybe his wife recommended it or something) but for the most part, it works. The lyrics while good, take a small backseat to Indiana because they are less serious and a lot less angsty. I actually love serious lyrics to a song and there are only a handful of really serious tunes here. And although they are good, they aren't as good as the best songs on the first disc. Don't get me wrong--there is a time and place for fun songs as Rihanna's "What's My Name" is probably one of my favorite upbeat songs of the moment--I just feel that Jon's calling if you will, is when his lyrics have more of a serious tone and the piano work is at the forefront. You get the latter in doses.
All in all, this sophomore effort is still quite worth it just to get more Jon.Read more ›
In this latest album, he shows us again how talented he is, writing a lot about personal experiences and his love for his home Indiana, in the song The Middle. You think that there's so much you can do with piano rock, but think again, Jon dazzles you again with his jazz number Why I'm Talking To You, and other songs with influences from Harry Connick Jr and Billy Joel.
Jon has now placed himself as upcoming artiste along the same lines as Jason Mraz, Gavin DeGraw and James Morisson. Not yet to Grammy acclaim like John Mayer, but there is no doubt that if he goes on like this, he will get a Grammy for one of his albums. Already his song from the Disney movie Enchanted, So Close, was nominated for a Grammy for best original song.
I look forward to your concerts and inspirational music Jon!
Most Recent Customer Reviews
A friend loaned me McLaughlin's earlier (second?) almbum, Indiana, some time ago, and I completely fell in love. Read morePublished on September 18, 2012 by sixthreeinheels
I came across his songs during a random search and found that his songs were soulful and really related to how I felt (We all need saving was the track)...great buy.Published on May 26, 2012 by Shazard Mohammed
Ultra-cute Jon McLaughlin's second CD 'OK Now' traverses the common genre of uplifting pop. His vocals range from strong tenor to intimate whispers and hearty blasts of pop... Read morePublished on December 6, 2011 by Jim Provenzano
Although the style is entirely different than his previous album, Indiana, he certainly doesn't disappoint in this cd. Read morePublished on September 14, 2009 by Sally A. Diesslin
If you're expecting the melodic, piano-driven songs that made Jon famous, you won't find it on OK Now. Read morePublished on August 26, 2009 by Jonny Hip
I absolutely love this cd! I bought the cd, because I had heard him on a movie soundtrack and fell in love with his voice and music style. Read morePublished on June 28, 2009 by Corey Anne
I'm very happy with this album. I was a little scared to venture into this sophomore project by Mr. McLaughlin as I knew the sound was a little different than his first album. Read morePublished on February 27, 2009 by Annabri
another great album from an immensely talented singer-songwriter
it's a travestry that he isn't bigger and more popular
this pop album is eons better than most of the... Read more