Customer Reviews

Obra Maestra (Masterpiece)

5 star:		(13)
4 star:		(4)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

The long awaited Tito Puente/Eddie Palmieri collaboration, "Maestra Obra - Masterpiece" is here.

These two musical giants have shared the stage (and competed intensely) with their respective bands in the Palladium days. However, this is the first time they have worked together. Tito Puente and Eddie Palmieri are night and day artistically, however, here they pool their collective genius to bring us a swinging repertoire of compositions that encompass a wide range of styles.

Eddie Palmieri is known as being eclectic, outspoken and a self proclaimed "pain in the you know what." Other AKA's include madman, genius and the son of Latin music. I like to think of Eddie as a musical rogue warrior blazing his own unique trail with no excuses. Tito Puente is the undisputed King, El Rey, El Maestro, an ambassador of Latin music and more recently, the elder statesman. They have both been thrilling audiences for over 50 years.

The supporting cast is too numerous to mention, however, here's a few of the artists featured just to wet your appetite: Paquito D' Rivera, Pete "El Conde" Rodriguez, Oscar De Leon, Michael Stuart, Herman Olivera, Frankie Morales, Milton Cardona, Nelson Gonzalez and the list goes on. The concept of the recording is global, with compositions dedicated to Spain, Great Britain, Germany, Paris, Africa and Germany.

On first listen, it is difficult to single out a favorite composition. However, I suspect that I will find new things to appreciate with every listen. Everyone concerned with this recording rose to the occasion and put in fine performances. Tito, good to the last drop, was in top form right up until his untimely death.

It is sad to think that Tito will not be here to celebrate this project. However, he is without a doubt, present in spirit. Tito has passed the (spiritual) and musical baton to Eddie. In a recent interview, Eddie stated that in his opinion, he was not as well suited as Tito for the task. Time will tell. Be that as it may, Tito and Eddie have created a Masterpiece of a recording, no holes barred.

I predict this will be the (Latin music) album of the year. Moreover, I see Grammy nominations for both Eddie and Tito (the sixth Grammy for each, a total of 12!) What a legacy, what a recording!

Que Viva La Musica Latina!

This CD saw the light shortly after Titos's departure. I immediately acquired it, and have listened to it for five months now. You have to allow yourself to discover the music of this one! The singers are just incredible. Nowhere else will you find together such great performers as Oscar D'Leon, the late Pete "El Conde" Rodriguez (who sings track 4, not D'Leon), Jerry Medina (who does not cease to amaze me and I have enjoyed since his days with Batacumbele), Michael Stuart (probably the second best young singer in latin music today; the best has to be Marc Anthony), Frankie Morales (Tito's singer) and Herman Olivera. All of them did a great job.

The arrangements are superb, and the quality of the sound is also remarkable. The selection and variety of the songs is also noteworthy. My favorites are tracks 2, 6, 9 and 12, but I like them all. I sincerely think that this one is worthy of a Grammy nomination and cannot think of another CD that should get such award in the corresponding category.

This album is worthy of the great Tito Puente. As to Eddie Palmieri, I saw him in San Juan last October with Tito's Band and all the singers in the album, and he put a great show. Palmieri is a remarkable musician. D'Leon, Medina, El Conde, Stuart, Olivera and Morales were all just perfect. That concert showed once again the quality of Puerto Rican and Latin musicians and was the perfect homage for Puente, in the presence and with the participation of Tito Jr. too. Five stars for MASTERPIECE!

Tito Puente and Eddie Palmieri after 40 years of recording experience finally recorded together and made music history once again. Like they said, you should never judge a record by its cover. However, Masterpiece can really be judged by its cover. Just to see Puente and Palmieri on the same cover is worthy of our time in that Tito remained king and Eddie is the Son of Latin music. For sure this recording is what collectors will define as a true piece of mastery and a lesson to the new generation of recording artists in the tropical salsa music genre.

Ralph Mercado should receive an award for this one. He truly did something special for the salsa recording industry and global salsa consumer market. Felicitaciones -- congratulations to Ralph Mercado at RMM. This work represents the true definition of excellent salsa music.

Obra Maetra/Masterpiece is truly a dancer's music delight. After years of music experimentation in Latin jazz Tito Puente produced a live music production at Birdland,which earned him a Grammy. Now, to complete his life achievements, he produced one of the greatest music productions to conclude the 20th century. This Obra Maestra is a true statement that the old school of salsa is much, much better than the new class. No questions, no comparisons, no doubt.

Masterpiece combines the very best old school recording and engineering methods, methods, and along with new voices and melodies. When you see John Fausty on the credits then you know it's got to be good. This man understands what salseros love and have always demanded. Plus when Milton Cardona gets involved in recordings...there again...things will sound just great. And now, new generations can see and will finally get an education of the true value of classic salsa versus modern contemporary salsa; esto es sabroso! If you still don't understand what I'm trying to say just read the essay by Felipe Luciano...it's one of the best descriptions I have ever read.

Felipe Luciano wrote, "We should micro-disc this C.D. and hang it around all our childrens neck like an azabache. It will ward off evil. It will protect against intolerance, apathy, and mediocrity. And it will say softly or loudly, depending on where you are, where you live,how you dance your life, Masterpiece is the song of a people, then, now, forever."

I just love how it starts out "La Ultima Copa" in traditional Palmieri salsa style and with the full brass section that has dominated Puente's mambo recording sessions; BEAUTIFUL... GET IT, GET IT, GET IT Oscar D' Leon is even singing with Mariachis... Plus track 4 features Pete El Conde Rodriguez singing a son montuno with Nelson Gonzáles on tres and a solo by Palmieri...esto si es de la buena para tu cabeza; asi que alimentáte y sueltáte esa trensa musical de temas mongos que hablan de lo mismo. Aqui llegó la menta de los bailadores y los niches. Remember this...you will never see Puente and Palmieri pictured together playing dominoes and twelve tracks of music along with 100 years of music history; El Puente Mundial onto the 21st Century. Masterpiece is Tito Puente's last gift to us; get your copy before they run out.

I think the album MasterPiece by Tito Puente and Eddie Palmieri is a great cd because it has salsa, mambo, and even jazz. And all the song are great to dance to. The timbal solos by Puente are the best I ever heard you couldn't even tell that he was really sick that shows you how good he was. And the piano solos by Palmieri are also great too bad the two great artists didn't get together before this year.

Wao! What an album, this cd is a must for every mambo and old salsa aficionado. Tito's last masterpiece whith one of the greats pianist of mambo and latin jazz. The quality of musicians from both orchestras is incoparable, Eddie's guajeos are superb and The King arranging and directing both orchestras is something out of this world. I highly recommend this album. LONG LIVE THE KING.

To tell you truthfully, I lack the words to sufficiently describe Tito Puente, Eddie Palmieri and the other greats who contributed to this album. Conceptually, 'beyond their time' is the closest that I can come to it.

I've listened to quite a lot of Latin music and it amazes me how songs Tito Puente wrote 10,20,30,40, even 50(!) years ago still have not been fully digested by contemporary artists. Likewise, Eddie Palmieri has and continues to produce incredible music that makes this artform richer and richer.

I can't understate the influence the New York scene has had on these two artists and many others. New York, both in quality and quantity, has contributed to this music as much as Cuba and Puerto Rico. As stated in the notes to this album, Tito Puente was born on 110th St (partially renamed 'Tito Puente Way'), the brothers Palmieri on 112th St. Many of the other musicians on the album were also either born in NY, live in NY, or frequently play in NY. Here, you can casually hear, see and meet many of these artists and others -- there are few other places in the world where so many greats of Latin music have come together.

As to Obra Maestra itself, this album does not need much recommendation. If you know anything about this music, you should know you can't miss this one. Many of the songs contain influences not often heard in mambo -- elements of tango, flamenco, and mariachi. I believe we'll see the music grow in these directions, particularly as population demographics in the United States in general and New York in specific change. It's fitting that Tito's last album should be no less influential then all of the rest!

In a nut shell, I can give you five reasons to buy this album:

1. Tito Puente 2. Eddie Palmieri 3. All of the other great artists 4. Some of the best Latin music 5. You'll be listening to the future of this artform -- it will be years before the repercussions of these sounds sufficiently reverberate around the world!

It is dangerous to use a word such as "masterpiece", for it easealy could be abused. The use in this case is more than justified. This is a historical recording musicaly, in its lyrics and arraingments. A must have CD!

I have to admit that i've just recently come to the world of Salsa and Latin Jazz in particular. So I must admit that I may not be the best critic of these two legendary artists or this compilation in particular.

But I have to say that the revelation has been utterly joyous. Salsa music is just absolutely phenomenal. Check out spinner.com : The Salsa station and be reborn.

This collaboration is quite satisfying but does at times disappoint. The majority of the cuts are up tempo (flavorful) and infectious. You'd be hard pressed not to tap either your hands or your feet during most of it. But there are a few tracks that are uninspiring but certainly tolerable.

I would offer though that I have heard other material from both artists that is absolutely phenomenal. So you can't really go wrong here. Buy it!

Although it may be my first tito/eddie cd, I have to say I love it! It is basically pura musica! With the magic of Tito and Eddie then with the addition of the guest singers, including Oscar D'Leon, Michael Stuart, and others, this cd, is truly an Obra Maestra. I love the variety, although it may seem ironic, El Beso is my favorite song so far, and this cd will keep you dancing past midnight. I highly recommend it!

In an album that makes justice to it's title, the two "maestros" waited much too long to give us such a vibrant, masterpice recording. The collaboration of latin legends Oscar de Leon (vocals in Mariachi Meddley and Paris Mambo), Pete "El Conde" Rodriguez (singing Marchando Bien) and Paquito D' Rivera as well as the frantic melodic arranges by Puente, Palmieri and Ray Santos make this CD a "must have" for all latin jazz & salsa lovers. Unfortunately, Mr Puente did not live to see this album hit the stands ...