47 of 49 people found the following review helpful:
5.0 out of 5 stars
The deformed prism, October 8, 2003
This review is from: The Obscene Bird of Night (Verba Mundi) (Paperback)
The mutations of characters, the non-linear style in which this story is told, the repetitions, shifts in perspective add to make this work a remarkable book. Without a doubt not only one of the finest magical realist works I've ever stumbled upon, but one of the finest novels I have ever read.
As the work has multiple foundations, one of the major ones about Humberto Penaloza, who as a child & adolescent was always told by his father that he must become something, it doesn't matter what, as long as Humberto doesn't go through the same social obscurity that he endures. Later on, he becomes the assistant to Jeronimo, a wealthy politician who is trying to lengthen the family tree. His wife, Ines de Azcoitia is unable to bear him children. Then through either an act of black magic, or Humberto's intimacy Jeronimo is given his child. The child, simply called Boy, is horribly deformed. Jeronimo decides to build the child it's own world, entirely secluded from anything outside of it and surrounded by other people with monstrosities. Humberto is put in charge, and becomes the abnormal one in this newly formed world where deformities is not the exception but the rule. Humberto's abnormality is his plain everyman look, social obscurity. He ends his days in a former catholic church, now peopled by elderly women, either nuns or former servants waiting to die.
This book works on so many different levels & they're always communicating to one another, effortlessly the past becomes the present, it is a hallucinatory poetic parade of the grotesque and the beautfiul, of the grotesque as the beautiful. It is also a commentary on domination in its many forms- husband & wife, father & son, the elderly & the young, master & servant. Sometimes the dominant position is usurped & the roles are reversed.
It's no wonder that both Carlos Fuentes & Luis Bunuel considered it to be a masterpiece.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
30 of 31 people found the following review helpful:
4.0 out of 5 stars
The darker side of magic realism., September 17, 2006
This review is from: The Obscene Bird of Night (Verba Mundi) (Paperback)
I would not know where to begin to try to summarize this book. There are several story arcs, and several narrative voices which are actually all one voice-- different guises of Humberto Peñaloza. He is an unborn fetus (miracle baby), a frustrated nun, an improbable mute, and the secretary to a rich man who may or may not have fathered the rich man's deformed baby.
The Obscene Bird of Night is justly considered one of the best books in Chilean literature. Richly and skilfully written, its myth and metaphor wraps around itself to be moving, horrifying, mystifying and satisfying.
This is a book that needs some time. It is very far from an easy read. If I have not given it five stars, it is not a comment on the genius of the book. Rather, it is simply that it is more grotesque than I really have the stomach to enjoy in an unqualified way. I admire it immensely, and recommend it unhesitatingly.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
23 of 28 people found the following review helpful:
5.0 out of 5 stars
A truely hypnotic story into magical realism, May 22, 1999
By A Customer
This review is from: The Obscene Bird of Night (Verba Mundi) (Paperback)
This book is a true masterpiece into hallucinatory writing. Donoso captures the essence of classical latin american magical realism while flickering between narratives and schizophrenia. A truely touching novel, full of life, imagery, love and disgust. A masterpiece.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No