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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Talk with the dead; deep, deep in my head - Elementary Rhymes, Extraordinary Beats...4 Stars., March 25, 2008
First and foremost I got a copy of this about a week before it came out so I've listened to it quite a bit already. The first time I heard Guilty Simpson rhyme was on J Dilla's Ruff Draft, and honestly I didn't think too much of him. His debut really made me take notice. The brightest spot on this album is most definitely the production. This album features awesome production from Madlib, Mr. Porter from D12, Oh No, Black Milk, DJ Babu and of course Dilla. Guilty Simpson is a Detroit Rapper who is just making his major label debut on Stones Throw Records and was a favorite of the late J Dilla and I can see why. I really like his rhyme style its really lazy and it works with his deep voice. I can't really think of a rapper to compare him to, but he does sound a bit like MF Doom. Completely different lyrical content but definetly has a similar delivery.
His lyrical content is exactly what you would expect from an album titled Ode to the Ghetto, it gets kinda old it just reminds me too much of a Jeezy album. But there are a few tracks were he really shines the opening track The American Dream is by far the best, kind of gets your hopes up a little bit. The beat lines up perfectly with Guilty's lazy flow. The title track also bangs and works well with Guilty.
The downfall of this album seems to be how Guilty matches up with the beats. I love all the beats, but Guilty may not have been the best guy to give some of the beats to. I like the Robbery track but Guilty doesn't really match up to it. By far all the beats bang and it has become one of my favorite albums to cruise in the car with. A few more guest appearances would help this album too. I like Guilty but he really doesn't fit well with some of the beats. Dilla's beat is one of the best on the album, but I really dislike the Chorus and Guilty has a rough time pulling this kind of track off. Also a fair amount of Guilty's rhymes are really elementary.
The album gets about 4 stars, the production alone gets that rating in my book. Definitely not a classic and hopefully not one of the best of 2008, but it is definitely something to listen to.
Tracks where Guilty Stands out: The American Dream, Get Bitches, Ode to the Ghetto, My Moment, The Future
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2 of 2 people found the following review helpful:
3.0 out of 5 stars
3.5 stars, slightly above average, January 29, 2009
I heard a few songs with Simpson on them, though he didn't blow me away I figured I'd give this album a shot, (I have around 950 hip-hop albums so why not??), and again I wasn't blown away in any aspect, but the album still is a decent one with its bright spots. With 16 songs, I'd say 8 are ok and the other 8 are good, a few being real good. Guests aren't heavy at all (on 3 of the 16 songs), but are on most of the better songs. production as well isn't great, has it's highs and lows. madlib does 5 songs, Kon Artis of D-12 and Black Milk each do 3 songs, Oh No does 2 and DJ Babu, Konnie Ross and J Dilla (R.I.P.) each do 1 song. If you're a fan of his you'd probably enjoy it, otherwise I might pass this one by.
#1 - 8
#2 - 6.5
#3 - 7
#4 - 8.5 (good beat)
#5 - 8
#6 - 8
#7 - 7
#8 - 8.5 (f/ Med -- nice beat)
#9 - 6
#10 - 7.5
#11 - 9 (f/ Sean Price & Black Milk -- nice beat)
#12 - 7
#13 - 8.5
#14 - 8.5 (good beat)
#15 - 9 (nice beat)
#16 - 7.5 (f/ Super MC, Krizsteel & Konnie Ross)
B. Simpson -- Detroit, MI
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
4 1/2 Stars...Let Me See Your Footwork..., August 10, 2008
Guilty is what he is...which happens to be a lighthearted-yet gritty dude with a simple flow, backed by simple beats...That said, this album grows greatly on the listener, with a handful of laugh out loud moments...All in all, I found this album entertaining and better than anything the mainstream has to offer. Peace.
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