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You could've called Lester Bowie a pop-music Odysseus a long time ago, what with his awesome
Great Pretender and almost all his other solo albums (and even some of the
Art Ensemble of Chicago CDs). But this recording seeks more than the others to get a snapshot of the musical present and filter it through a charged, multihued brass mix that stays amazingly keeled in both the blustery low end, with Bob Stewart's big tuba, Vincent Chancey's French Horn, and a trio of trombones, and also the leaping high end, with Bowie and three other trumpeters. The
Spice Girls' "Two Become One" is a sleepy, mournful tune in Bowie & Co.'s hands, just as "Don't Cry for Me Argentina" is a study in extended melodic lines and colorfully blue harmonies. And if the combo of Spice and
(Tim) Rice aren't enough, there's also a romping
Marilyn Manson that is turned to a low-brass party and even Puccini's "Nessun Dorma." Along the way, you can catch a paean to
Notorious B.I.G. and a smoldering take on Cole Porter's "In the Still of the Night." Taken with the Brass Fantasy catalog and Bowie's New York Organ Ensemble CDs,
The Organizer and
Funky T Cool T, this release deals us a new Odysseus, home, we hope, for a long spell.
--Andrew Bartlett
From Jazziz
During the halftime of a Jacksonville Jaguars football game a couple years back, one of the local high-school marching bands came on the field. Over the loudspeaker, a voice then announced, "Here they are ... Jacksonville High performing 'Shimmy Shimmy Ya' by Ol' Dirty Bastard." And surely, somewhere in Brooklyn, Lester Bowie proudly stroaked his two-pronged goatee.
You see, Bowie's been doing this sort of thing with his Brass Fantasy band since the mid-'80s. Perversely covering pop tunes like Michael Jackson's "Black or White" (recorded right after the L.A. riots), Bowie gives new meaning to the word irony. And often, he does so playing it uncomfortably straight.
For this new recording, the Art Ensemble ringleader has selected some gems. Highlights include songs by the Spice Girls, Marilyn Manson, and Notorious B.I.G.
It's hard to imagine Bowie's trumpet as Scary Spice, but his tone works well on "Two Become One," carrying the lead melody of the bubblegum ballad. It's out there - naked and vulnerable with its breathy nature and soft edges. Around the four-minute mark, the tune sheds its delicacy: The band begins to vamp on a chorus phrase, drummer Vinnie Johnson puts some pepper in his step, and trombonist Josh Roseman takes an engaging, uptempo solo.
Some tunes, like "Don't Cry for Me, Argentina," are played less straight. Here, Bob Stewart's pumping tuba carries the tune majestically into a faster-paced funk vamp that hosts a woolly solo duel between trombonists Roseman and Luis Bonilla.
Like previous Brass Fantasy albums, at times this CD feels like a novelty - a tough thing to avoid given the material. But because of the strong personalities in his band and the fresh arrangements, Bowie mixes this joke up enough so it doesn't seem like we've heard it before.
--- R. Dante Sawyer, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.