10 of 10 people found the following review helpful:
5.0 out of 5 stars
Yngwie's Best Commercial Release!, November 4, 1999
The collaboration of Joe Lynn Turner and Yngwie Malmsteen make this album a classic in my book. The songs are perfectly crafted, which says a lot for an artist who is known as a guitar virtuoso, but a mediocre songwriter. In fact, this is the only album by Yngwie Malmsteen where the songs are equal in appeal to his guitar mastery.
From the opening cut to the final note, this album is a winner. The prerequisite themes of dragons, fire and medieval times are touched on, but not with the frequency of Yngwie's other albums such as Marching Out and Trilogy. Instead, Joe Lynn Turner tempers Yngwie's "mystical" view with a little romanticism that plays very well on this release. "Dreaming" and "Now is the Time" are probably the best examples of this blend, while "Heaven Tonight" is possibly the most overproduced and dated of all of the tracks. "Heaven Tonight" screams "...made for radio."
The vocal performance is outstanding, the musicianship is top notch, and the work as a whole definitely deserves five stars. Bravo! Encore!
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
13 of 16 people found the following review helpful:
5.0 out of 5 stars
Neo-Classical Shred meets 80's Glam Rock, August 18, 2005
This is far and away the best Yngwie Malmsteen album after his original RISING FORCE lp. Yngwie goes through lead vocalists like I go through pairs of shoes, but I always felt that Joe Lynn Turner was the best singer to complement Malmsteen on a studio recording.
This was a great album because Yngwie got a chance to fully develop his sound by melding it with an 80's hair band (ala Poison or Cinderella), but at the same time he freely expressed himself by way of mind-boggling solos, sweep-picked arpeggios and some of the fastest playing I have ever heard. Examples of this can be found in the three 'hits' from this album, 'Deja Vu,' 'Hold On,' and 'Heaven Tonight.' The last of the three starts with a fantastic vocal harmony and is probably the 'catchiest' Malmsteen song ever.
On the other side of the coin, I felt Malmsteen missed the boat on albums like TRILOGY and MARCHING OUT, where we had great hits like 'Queen in Love' and 'Liar,' whereas the remaining songs were never really that great. On ODYSSEY, however, I find myself enjoying other less known tracks like 'Crystal Ball,' 'Rising Force,' and 'Now is the Time.' All of Yngwie's solos on studio recordings are improvised and you will never hear the same solo twice. I always liked his live solos much better, but if I had to pick one studio release where I truly enjoyed his soloing over the live performance, it would be ODYSSEY. Notable solos occur on 'Deja Vu' and the instrumental 'Krakatu'.
Listeners not familiar with Malmsteen will inevitably be turned off by the corniness of songs like 'Crystal Ball,' and will dismiss it as unoriginal 80's hair band 'glam rock,' but those of us who can appreciate this style of guitar playing know how important and revolutionary Malmsteen's style was, and continues to be today.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Legends arn't born every day, March 25, 2006
Yngwie Malmsteen had suffered an injury to his picking hand when he crashed his farrari, and also found out some record executives had swindled him bigtime. Fans wern't sure if his next album would hold up in the guitar god technique department... but the rest is history. This album blows flames out of the sides when you open it. The singer is the best ever, the keyboardist and drummer are twin brothers and Malmsteens chops and tone are holding the metal scene hostage with lethal weapons. He slaughters naysayers and burys them with taste. This is a five star neo classical extraviganza!!!
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No