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Oedipus of Lucius Annaeus Seneca
 
 
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Oedipus of Lucius Annaeus Seneca [Illustrated] [Paperback]

Lucius Annaeus Seneca (Author), Michael E. Rutenberg (Translator)
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Book Description

0865164592 978-0865164598 November 1, 1999 0
Frank Corsaro, Artistic Director, Juilliard Opera Center

It is astonishing to me that one could still be excited by so venerable a text as Seneca's Oedipus. Such was the case with my encounter with Michael Rutenberg's rendition of this masterwork. Highly imaginative, eminently actable, and obviously a work of fine scholarship and devotion. It is my hope that it will be performed in theatres worldwide.

Leon Golden, Florida State University

The translation itself is admirably fluent and contemporary in idiom. It should be very effective as a vehicle for performances and should be easily comprehensible to audiences whether they hear or read it. Rutenberg's translation and the discussion he provides on staging the play in his introduction facilitate the possibility of an exciting stage performance of Seneca's play.

Robert Emmet Meagher, Hampshire College

Michael Rutenberg's Oedipus is a skilled, shattering translation of one of the most haunting dramas of the Roman corpus. I have watched Rutenberg's text leap form page to stage and reclaim there in its native habitat a dark, elemental, utterly compelling energy. As an added bonus, his learned and illuminating introduction casts appreciated light into even the corners of this often overlooked masterpiece.

Book Description

Rutenberg's adaptation of Seneca's Oedipus is the first translation of this Roman tragedy to interpolate excerpts from Seneca's moral philosophies into the text. This juxtaposition of Seneca's calm, rational thought with the passionate, highly theatrical language of his play creates an exciting synergy of powerful emotional and intellectual appeal. Seneca believes that human beings live at the whim of blind chance or divine will. He is interested in how we face a tragedy not of our own making, how we respond to something beyond our control. His central tenet is that we must try to accept suffering with dignity, grace, and mercy. This philosophy is as relevant today, in a world filled with repeated horrors against innocents, as it was in ancient times.

Special Features

* Introduction to Seneca, with a comparison of ancient Greek and Roman drama, and approaches to presenting the play for modern audiences
* Text of Seneca's Oedipus in English adaptation
* Appendix I: Senecan Sources for the New Choral Odes
* Appendix II: Original Choral Odes * 5 photographs from the production of the play at Manhattan's Loewe Theatre by the Dept. of Theatre, Hunter College of the City University of New York

Also available:

Rest Lightly: An Anthology of Latin and Greek Tomb Inscriptions - ISBN 0865163553
Roman Verse Satire: Lucilius to Juvenal -- A Selection - ISBN 0865164428

For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books.

Some of the areas we publish in include:

Selections From The Aeneid
Latin Grammar & Pronunciation
Greek Grammar & Pronunciation
Texts Supporting Wheelock's Latin
Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero
Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace
Greek Mythology
Greek Lexicon
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Editorial Reviews

Review

It is astonishing to me that one could still be excited by so venerable a text as Seneca's Oedipus. Such was the case with my encounter with Michael Rutenberg's rendition of this masterwork. Highly imaginative, eminently actable, and obviously a work of fine scholarship and devotion. It is my hope that it will be performed in theatres worldwide. -- Frank Corsaro, Artistic Director, Juilliard Opera Center

It is astonishing to me that one could still be excited by so venerable a text as Seneca's Oedipus. Such was the case with my encounter with Michael Rutenberg's rendition of this masterwork. Highly imaginative, eminently actable, and obviously a work of fine scholarship and devotion. It is my hope that it will be performed in theatres worldwide. -- Frank Corsaro, Artistic Director, Juilliard Opera Center

Michael Rutenberg's Oedipus is a skilled, shattering translation of one of the most haunting dramas of the Roman corpus. I have watched Rutenberg's text leap form page to stage and reclaim there in its native habitat a dark, elemental, utterly compelling energy. As an added bonus, his learned and illuminating introduction casts appreciated light into even the corners of this often overlooked masterpiece. -- Robert Emmet Meagher, Hampshire College

The translation itself is admirably fluent and contemporary in idiom. It should be very effective as a vehicle for performances and should be easily comprehensible to audiences whether they hear or read it. Rutenberg's translation and the discussion he provides on staging the play in his introduction facilitate the possibility of an exciting stage performance of Seneca's play. --Leon Golden, Florida State University

Michael Rutenberg's Oedipus is a skilled, shattering translation of one of the most haunting dramas of the Roman corpus. I have watched Rutenberg's text leap form page to stage and reclaim there in its native habitat a dark, elemental, utterly compelling energy. As an added bonus, his learned and illuminating introduction casts appreciated light into even the corners of this often overlooked masterpiece. -- Robert Emmet Meagher, Hampshire College

The translation itself is admirably fluent and contemporary in idiom. It should be very effective as a vehicle for performances and should be easily comprehensible to audiences whether they hear or read it. Rutenberg's translation and the discussion he provides on staging the play in his introduction facilitate the possibility of an exciting stage performance of Seneca's play. --Leon Golden, Florida State University

Language Notes

Text: English (translation)
Original Language: Latin

Product Details

  • Paperback: 103 pages
  • Publisher: Bolchazy-Carducci Publishers (November 1, 1999)
  • Language: English
  • ISBN-10: 0865164592
  • ISBN-13: 978-0865164598
  • Product Dimensions: 8.8 x 5.9 x 0.3 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #812,394 in Books (See Top 100 in Books)

More About the Author

Lucius Annaeus Seneca, statesman, philosopher, advocate and man of letters, was born in Spain around 4BC. He rose to prominence at Rome, pursuing a double career in the courts and political life, until Claudius sent him into exile exile on the island of Corsica for eight years. Recalled in AD49, he was appointed tutor to the boy who was to become, in AD54, the emperor Nero. Seneca acted for eight years as Nero's unofficial chief minister until Nero too turned against him and he retired from public life to devote himself to philosophy and writing. In AD65, following the discovery of a plot against the emperor, he and many others were compelled by Nero to commit suicide.

 

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4 of 4 people found the following review helpful:
4.0 out of 5 stars Seneca turns the story of Oedipus into a bloodthirsty drama, February 22, 2003
The tragedy of "Oedipus" as told by the Roman playwright Seneca is a very bloodthirsty and savage retelling of the tale, much in keeping with the Roman view of popular entertainment. Seneca also wrote his version of the Oedipus myth after the downfall of Nero, as the Roman Empire was emerging from a particularly dark period in its history. Whereas the Greek tragedy by Sophocles is concerned with unraveling the puzzle (most readers never note that the prophecy as told to Oedipus is not the same as what was told to his parents), the Seneca version is more about psychology and emotion than logic. In this version there is an impending sense of doom that hangs over the characters. The contrasts and comparisons between the two versions are inevitable because no one is going to come to Seneca's "Oedipus" without knowledge of Sophocles's "Oedipus the King."

In the Roman play the chorus functions not as a narrative counterpoint to the dramatic action, but as a means of confronting Oedipus with his darkest thoughts and fears (i.e., an internal dialogue). Ironically, given that the plays of Sophocles provided the characters that Freud turned into key psychological complexes, it is the Seneca version that seems more like a fevered dream. Like most of Seneca's plays, "Oedipus" takes the familiar stories of Greek tragedies and provides some original details. For example, in this version Teiresias, the blind prophet of Thebes, uses a spell to call up the dead Laius so that he can offer his morbid insights on the events unfolding.

If Sophocles is interested in psychology, then Seneca is more the philosopher. Before Jocasta commits suicide in the play she has a final scene with Oedipus in which they discuss the accountability of humankind and fate. The play begins with a monologue by Oedipus where he talks about the calamitous state of Thebes and his fear that he may be the cause. At the end Oedipus is again alone on stage with all of his worst fears fully realized and self-blinded to ensure constant and continued punishment and suffering. Before the irresitable force of fate human beings can do nothing but suffer. This is not so much a tragedy, per se, but rather an unhappy story (i.e., a tale without the audience enjoying the Greek idea of catharsis). Comparing the versions by Sophocles and Seneca also provides a basic understanding of the difference between Greek and Roman tragedy.

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
choral odes
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Seneca's Oedipus, King Laius, Ars Poetica, Oedipus Tyrannus, Mount Cithaeron, Great Sphinx
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
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