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Of Time and the River: A Legend of Man's Hunger in His Youth (Scribner Classics) [Hardcover]

Thomas Wolfe
4.5 out of 5 stars  See all reviews (14 customer reviews)

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Book Description

September 8, 1999 Scribner Classics
The sequel to Thomas Wolfe's remarkable first novel, Look Homeward, Angel, Of Time and the River is one of the great classics of American literature. The book chronicles the maturing of Wolfe's autobiographical character, Eugene Gant, in his desperate search for fulfillment, making his way from small-town North Carolina to the wider world of Harvard University, New York City, and Europe. In a massive, ambitious, and boldly passionate novel, Wolfe examines the passing of time and the nature of the creative process, as Gant slowly but ecstatically embraces the urban life, recognizing it as a necessary ordeal for the birth of his creative genius as a writer.

The work of an exceptionally expressive writer of fertile imagination and startling emotional intensity, Of Time and the River illuminates universal truths about art and life, city and country, past and present. It is a novel that is majestic and enduring. As P. M. Jack observed in The New York Times, "It is a triumphant demonstration that Thomas Wolfe has the stamina to produce a magnificent epic of American life."

This edition, published in celebration of Wolfe's centennial anniversary, contains a new introduction by Pat Conroy.


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Editorial Reviews

About the Author

Thomas Wolfe was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his indelible legacy as a classic American novelist with works including Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. He died in 1938.

Excerpt. © Reprinted by permission. All rights reserved.

Chapeter One

About fifteen years ago, at the end of the second decade of this century, four people were standing together on the platform of the railway station of a town in the hills of western Catawba. This little station, really just a suburban adjunct of the larger town which, behind the concealing barrier of a rising ground, swept away a mile or two to the west and north, had become in recent years the popular point of arrival and departure for travellers to and from the cities of the east, and now, in fact, accommodated a much larger traffic than did the central station of the town, which was situated two miles westward around the powerful bend of the rails. For this reason a considerable number of people were now assembled here, and from their words and gestures, a quietly suppressed excitement that somehow seemed to infuse the drowsy mid-October afternoon with an electric vitality, it was possible to feel the thrill and menace of the coming train.

An observer would have felt in the complexion of this gathering a somewhat mixed quality -- a quality that was at once strange and familiar, alien and native, cosmopolitan and provincial. It was not the single native quality of the usual crowd that one saw on the station platforms of the typical Catawba town as the trains passed through. This crowd was more mixed and varied, and it had a strong coloring of worldly smartness, the element of fashionable sophistication that one sometimes finds in a place where a native and alien population have come together. And such an inference was here warranted: the town of Altamont a mile or so away was a well-known resort and the mixed gathering on the station platform was fairly representative of its population. But all of these people, both strange and native, had been drawn here by a common experience, an event which has always been of first interest in the lives of all Americans. This event is the coming of the train.

It would have been evident to an observer that of the four people who were standing together at one end of the platform three -- the two women and the boy -- were connected by the relationship of blood. A stranger would have known instantly that the boy and the young woman were brother and sister and that the woman was their mother. The relationship was somehow one of tone, texture, time, and energy, and of the grain and temper of the spirit. The mother was a woman of small but strong and solid figure. Although she was near her sixtieth year, her hair was jet black and her face, full of energy and power, was almost as smooth and unlined as the face of a girl. Her hair was brushed back from a forehead which was high, white, full, and naked-looking, and which, together with the expression of her eyes, which were brown, and rather worn and weak, but constantly thoughtful, constantly reflective, gave her face the expression of straight grave innocence that children have, and also of strong native intelligence and integrity. Her skin was milk white, soft of texture, completely colorless save for the nose, which was red, broad and fleshy at the base, and curiously masculine.

A stranger seeing her for the first time would have known somehow that the woman was a member of a numerous family, and that her face had the tribal look. He would somehow have felt certain that the woman had brothers and that if he could see them, they would look like her. Yet, this masculine quality was not a quality of sex, for the woman, save for the broad manlike nose, was as thoroughly female as a woman could be. It was rather a quality of tribe and character -- a tribe and character that was decisively masculine.

The final impression of the woman might have been this: -- that her life was somehow above and beyond a moral judgment, that no matter what the course or chronicle of her life may have been, no matter what crimes of error, avarice, ignorance, or thoughtlessness might be charged to her, no matter what suffering or evil consequences may have resulted to other people through any act of hers, her life was somehow beyond these accidents of time, training, and occasion, and the woman was as guiltless as a child, a river, an avalanche, or any force of nature whatsoever.

The younger of the two women was about thirty years old. She was a big woman, nearly six feet tall, large, and loose of bone and limb, almost gaunt. Both women were evidently creatures of tremendous energy, but where the mother suggested a constant, calm, and almost tireless force, the daughter was plainly one of those big, impulsive creatures of the earth who possess a terrific but undisciplined vitality, which they are ready to expend with a whole-souled and almost frenzied prodigality on any person, enterprise, or object which appeals to their grand affections.

This difference between the two women was also reflected in their faces. The face of the mother, for all its amazing flexibility, the startled animal-like intentness with which her glance darted from one object to another, and the mobility of her powerful and delicate mouth, which she pursed and convolved with astonishing flexibility in such a way as to show the constant reflective effort of her mind, was nevertheless the face of a woman whose spirit had an almost elemental quality of patience, fortitude and calm.

The face of the younger woman was large, high-boned, and generous and already marked by the frenzy and unrest of her own life. At moments it bore legibly and terribly the tortured strain of hysteria, of nerves stretched to the breaking point, of the furious impatience, unrest and dissonance of her own tormented spirit, and of impending exhaustion and collapse for her overwrought vitality. Yet, in an instant, this gaunt, strained, tortured, and almost hysterical face could be transformed by an expression of serenity, wisdom, and repose that would work unbelievably a miracle of calm and radiant beauty on the nervous, gaunt, and tortured features.

Now, each in her own way, the two women were surveying the other people on the platform and the new arrivals with a ravenous and absorptive interest, bestowing on each a wealth of information, comment, and speculation which suggested an encyclop?dic knowledge of the history of every one in the community.

" -- Why, yes, child," the mother was saying impatiently, as she turned her quick glance from a group of people who at the moment were the subject of discussion -- "that's what I'm telling you! -- Don't I know?...Didn't I grow up with all those people?...Wasn't Emma Smathers one of my girlhood friends?...That boy's not this woman's child at all. He's Emma Smathers' child by that first marriage."

"Well, that's news to me," the younger woman answered. "That's certainly news to me. I never knew Steve Randolph had been married more than once. I'd always thought that all that bunch were Mrs. Randolph's children."

"Why, of course not!" the mother cried impatiently. "She never had any of them except Lucille. All the rest of them were Emma's children. Steve Randolph was a man of forty-five when he married her. He'd been a widower for years -- poor Emma died in childbirth when Bernice was born -- nobody ever thought he'd marry again and nobody ever expected this woman to have any children of her own for she was almost as old as he was -- why, yes! -- hadn't she been married before, a widow, you know, when she met him, came here after her first husband's death from some place way out West -- oh, Wyoming, or Nevada or Idaho, one of those States, you know -- and had never had chick nor child, as the saying goes -- till she married Steve. And that woman was every day of forty-four years old when Lucille was born."

"Uh-huh!...Ah-hah!" the younger woman muttered absently, in a tone of rapt and fascinated interest, as she looked distantly at the people in the other group, and reflectively stroked her large chin with a big, bony hand. "So Lucille, then, is really John's half-sister?"

"Why, of course!" the mother cried. "I thought every one knew that. Lucille's the only one that this woman can lay claim to. The rest of them were Emma's."

" -- Well, that's certainly news to me," the younger woman said slowly as before. "It's the first I ever heard of it....And you say she was forty-four when Lucille was born?"

"Now, she was all of that," the mother said. "I know. And she may have been even older."

"Well," the younger woman said, and now she turned to her silent husband, Barton, with a hoarse snigger, "it just goes to show that while there's life there's hope, doesn't it? So cheer up, honey," she said to him, "we may have a chance yet." But despite her air of rough banter her clear eyes for a moment had a look of deep pain and sadness in them.

"Chance!" the mother cried strongly, with a little scornful pucker of the lips -- "why, of course there is! If I was your age again I'd have a dozen -- and never think a thing of it." For a moment she was silent, pursing her reflective lips. S...


Product Details

  • Hardcover: 896 pages
  • Publisher: Scribner; 1st Scribner classics ed edition (September 8, 1999)
  • Language: English
  • ISBN-10: 0684867850
  • ISBN-13: 978-0684867854
  • Product Dimensions: 6.5 x 1.9 x 9.8 inches
  • Shipping Weight: 2.7 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #386,385 in Books (See Top 100 in Books)

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Customer Reviews

4.5 out of 5 stars
(14)
4.5 out of 5 stars
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Most Helpful Customer Reviews
45 of 47 people found the following review helpful
5.0 out of 5 stars of time and the river December 8, 2002
Format:Hardcover
It was early 1980 when I first read "Look Homeward.." for a University of Colorado course. The professor who seemed to be a hundred years old to me at the time instructed me to read my critical report to the entire class. After smugly concluding Wolfe was lacking in many areas the professor graded my paper an "A"...then she patted my young shoulders and told me that one day I'd be old enough to understand Wolfe. She was right and my criticicm was dead wrong. Wolfes' wordiness is his beauty. The scene in "Of Time And The River" where his father dies is as beautiful and compelling as anything I've read. I think the book is unique and those who are critical of it may need to read it again -when they are a little older.
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45 of 49 people found the following review helpful
5.0 out of 5 stars Classic Evocation of Its Age November 17, 1999
By A Customer
Format:Hardcover
"Of Time and the River" like "Look Homeward Angel," to which it is a sequel, is an intense and panoromic narrative of life in, and a paean to, early 20th Century America from the perspective of a Southern writer gone North. In doing that it foresages the experiences of others who came after him like Willie Morris. Wolfe's work artfully evokes much of the era that Ken and Ric Burns seek to capture in their documentaries but from the perspective of a participant and his personal struggles in life. (Wolfe's evocation of New York City in the 20s and 30s in "Of Time and the River" come to mind in this regard). In sum, Wolfe's works are not only top-notch examples of American literature but stand as a monumental and inspiring expression of American culture and of the spirit that animated much of our society during the dawning period of the 20th Century.

Wolfe's work is not the tradition of pop culture and has little in common with the work of the current writer of the same name. Thus, reading Wolfe's work can be intellectually challenging. Nevertheless, tackling these books can be a rewarding and enjoyable experience for those seriously interested in American history and culture. The movie "The Razor's Edge" based on a book by Somerset Maugham, one of Wolfe's literary mentors (and to whom Wolfe dedicated "Look Homeward Angel"), written after the latter's untimely death in 1938, depicts in cinematic form to a great degree much of the story and spirit of the age that Wolfe sought to communicate. Wolfe's work, notwithstanding its challenging level of literacy, is very absorbing and will only be found to be boring by more pedestrian readers.

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15 of 19 people found the following review helpful
5.0 out of 5 stars Brilliant Writting - Just a little long at points October 31, 2005
Format:Hardcover
There is no doubt that Mr. Wolfe was a brilliant writer. More than once I found myself saying "Yes, I know exactly how you feel!" I suspect I am not alone in this regard. The biggest drawback, and the reason I only assign four starts, is the sensation that I am mining for greatness. What do I mean?

There were some long stretches throughout the book that I found tedious. My advice is to plough ahead for I assure you the sections that speak to the reader are that good. Wolfe's death at a young age was loss for us all.
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Most Recent Customer Reviews
5.0 out of 5 stars classic book
classic novel by one of the literary spellbinders of our time, introduction by pat conroy is worth the price of admitionn by itself
Published 4 months ago by Forman Andry
5.0 out of 5 stars thomas wolfe was a genius
im about 1/4th way through, like this book alot more than his first book, it seems when wolfe is on, hes genius when hes off he failed hard but thats what happens when youre a... Read more
Published 10 months ago by dj trailer
5.0 out of 5 stars American Classic
At one time, Wolfe was read alongside Hemingway, Faulker, and yes, even Fitzgerald in American Lit classes. And justly so. Read more
Published 13 months ago by RhodeIsland 1969
5.0 out of 5 stars fantastic book by a great manic.
thomas wolfe was an amazing writer. the book is punctuated by many sections where the author just gets so caught up in a rush of words that it's just amazing. The story is good. Read more
Published 17 months ago by Malcoln_Rodgers
5.0 out of 5 stars Luxuriant, Wild, Intoxicating Prose
I bought Of Time and the River after having first re-read Look Homeward, Angel. Both novels brought back the restless, inexpressible yearnings and passions of youth, of that... Read more
Published on May 14, 2011 by Charles E. Jeffries
2.0 out of 5 stars Poor condition
The book is in poor condition. No dust cover, cover is torn, dirty, pages are very yelllowed none of which was stated. Read more
Published on August 6, 2009 by Butterfly
5.0 out of 5 stars Of Time and the River
Reading the prequel, Look Homeward, Angel, evokes in the reader (if the reader was ever a boy) crystalline images of their youth. Read more
Published on January 22, 2006 by Faust
4.0 out of 5 stars Dense but Entertaining
I kept waiting for Wolfe to share with us what would make Eugene the writer he was waiting to be - where would he find the courage to not only fail (or fail again) but to believe... Read more
Published on December 22, 2003 by Jason P Linde
3.0 out of 5 stars A failling-off from Look Homeward Angel
Those who enjoyed Look Homeward Angel will find this novel somewhat disappointing. Continuing Eugene Gant's story with his trip to Harvard, and life in New York, the book lacks... Read more
Published on September 3, 2001 by R. H OAKLEY
5.0 out of 5 stars American Masterpiece
Without question Thomas Wolfe is the best American writer that ever lived. The only thing to remember is that his writing accurately describes a perod of American life far in the... Read more
Published on July 15, 2001
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