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Off-White: a memoir [Paperback]

Laurie Gunst (Author)
3.2 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

August 1, 2006
"[Gunst] writes with a clarity and honesty that belie the racial paradigm that was Richmond and the South.... This is a triumph of the spirit."—Louisville Courier-Post

"Poignant and emotionally wrenching at times, Gunst successfully navigates the positives and negatives of her familial history."—Upscale

“Laurie Gunst writes with authority about the complicated relationship between southern Jews and African Americans. Off-White perfectly captures the South in the latter half of the twentieth century and brings to mind the work of Truman Capote.”—Alfred Uhry, author of Driving Miss Daisy

Laurie Gunst is the youngest child in a well-to-do southern family of German-Jewish descent. Her primary source of care and love is Rhoda, a great-hearted African American woman who as caregiver presided over three generations of the Gunst family amidst the vicious racism of the Jim Crow South.

The intimate relationship between caregiver and child is strong. So is Laurie’s shame at aspects of her family’s racially-intolerant past: an ancestor fought for the South in the Civil War and another cooperated with the Klan in fomenting a race riot. As a vulnerable child she witnesses firsthand the unfairness of segregation that consigns the woman who cares for her to a lesser status. Laurie’s outrage at racial discrimination sets her apart from other white southerners, even her father. Love for Rhoda marks Laurie indelibly, just as it did her mother before her. Ultimately, she acknowledges Rhoda as a spiritual mother who shaped her life as much as her biological mother.

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Editorial Reviews

From Publishers Weekly

Born into an affluent southern Jewish family, Gunst has written a memoir that, despite its best intentions, never amounts to more than a series of lightly drawn family portraits and shallow observations on race. Part of the problem stems from Gunst, who undermines her own observations by supporting her narrative with myth and imagery. Rhoda, Gunst's childhood nanny and de facto mother, is undeniably loved, but, like all things black in this memoir, she is only a romantic figure. In describing Rhoda's first encounter with her future employer, Gunst's grandmother, Gunst writes, "She remained standing, which had the advantage of giving her the edge, allowing her to be as tall and upright in her stance as in her spirit." In trying to capture the spirit and strength of the black women who helped rear her, Gunst pays little more than the requisite homage-"yet only I could see who she really was: a person who happened to be a Negro, rather than a Negro who was therefore not a person"-to the fact that black women had few options outside a life of servitude. Despite its title, Gunst's memoir isn't really about race, or family, it's about Gunst showing how she's always been different from-if not better than-the archetypal, bigoted southerners alongside whom she was raised.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

Gunst was born into a well-to-do Jewish family in the South and raised by a black woman who was employed by the Gunst family for three generations. Rhoda Lloyd provided the love and affection Gunst did not receive from her parents, who were distant, driven, and caught up in their own concerns about the tenuous place of Jews among the white Protestant First Families of Virginia. Loving Lloyd like a mother, but at pains not to present herself as a white person suffering from "mammyitis," Gunst grew up to appreciate diverse cultures. Seeing herself as part white, part Jewish, and part black--by virtue of her love for Lloyd--Gunst feels cross-racial and -cultural connections. She traces her own family history on her mother's side, uncovering a mysterious grandfather who played an unsavory part in a racial massacre, and also traces Lloyd's family history in a small southern town, all the while tying the complexities of race relations to family connections in this compelling memoir. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Details

  • Paperback: 320 pages
  • Publisher: Soho Press (August 1, 2006)
  • Language: English
  • ISBN-10: 1569474303
  • ISBN-13: 978-1569474303
  • Product Dimensions: 7.9 x 4.7 x 1 inches
  • Shipping Weight: 12 ounces
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,997,724 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
5 star:
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4 star:
 (1)
3 star:
 (1)
2 star:    (0)
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Average Customer Review
3.2 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

18 of 18 people found the following review helpful:
4.0 out of 5 stars (RAW Rating: 4.5) - Blurring the Color Lines, August 12, 2005
By 
The RAWSISTAZ Reviewers (RAWSISTAZ.com and BlackBookReviews.net) - See all my reviews
This review is from: Off-White: A Memoir (Hardcover)
Somewhere between the harsh lines of black and white lie the inevitable shades of gray, as Laurie Gunst so adequately describes in her memoir, OFF-WHITE. Growing up in Richmond, Virginia, Gunst formed a strong bond with not only her nanny and caretaker Rhoda, but with all of the faces of color that shared her life.

Already marked different because of being Jewish, Gunst felt her insides were different as well. In many ways, she saw herself as a white face with a black psyche due to her family's racially liberal ideals and her environment. She was the surrogate child of many African-Americans who were not only workers in her family's wealthy home, but also genuine adopted family members. She takes her readers on an identity pilgrimage throughout her childhood and adult years, adventures at Harvard and in Jamaica, and climaxing with the search for ancestors of both blood and spirit.

While I thought OFF-WHITE started out a little slow, once I got to know the cast of characters in Laurie Gunst's life, I was smitten, intrigued, and enthralled with every last one of them. Gunst's writing is pensive and reminiscent without being too philosophical or academic. While the prose is certainly intelligently written, it was done so in a way that I felt she was telling me a story rather than relating mundane facts. Valuable lessons and awakenings abound in Laurie Gunst's memoir, and I am glad I got to know her and the people who touched her life.

Reviewed by CandaceK
of The RAWSISTAZ™ Reviewers
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5 of 5 people found the following review helpful:
5.0 out of 5 stars A moving and honest look at life in the South, December 24, 2005
This review is from: Off-White: A Memoir (Hardcover)
Laurie Gunst's book takes you inside the world of the country-club South and gives a unique portrait of the "upstairs/downstairs" relationships. Her topic is supposed to be race. She provides a compelling account of her relationships with the blacks in her life, and how she has won her struggle to create human relationships that overcome the distortions prescribed by society. But I also found the work very powerful in talking about the hidden intensity of surrogate mothering -- in her case, the black caregiver who was emotionally available to her in ways that her biological mother could not be. There are passages of great beauty in the writing, as well as painfully honest self-examination. This is not a perfect book, but it is brave, admirable, and unfortunately still necessary in a society that continues to take comfort in certain forms of self-deception.
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5 of 5 people found the following review helpful:
3.0 out of 5 stars jewisms, October 23, 2005
By 
This review is from: Off-White: A Memoir (Hardcover)
as a young southern "christmas tree jew", i found this book to be touching, and sad. as someone who did not feel the direct sting of jim crow and still seeing the ghost of it everywhere, i thought the story of the 'unsavory grandfather' fascinating. the duality and doubly binded mentality is examinined, tho not as thoroughly as i would have liked it to be in her later years. i think gunst's story is triumphant in many ways, and what my hope for it is is, not to piss off black folks (which i am sure it will) but to make white folks think about their own relationship with their own whiteness in the world. i think this book is a good tool to educate and open discussion - the childhood memories (mythic thought) and adolescent (romantic) are honest and true and well written. however, in the end, in adult life, she does not quite make it to the higher level of thinking (philisophical). she is on the cusp. i felt certain questions were unanswered, for fear of failing to do so. maybe her next novel will cover that one. maybe it will only raise more questions. i liked this book. it's gutsy.
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