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The opening scene of La Vie Parisienne takes place in a railroad station around the year 1860; tourists are pouring in from all parts of the world, many in colorful foreign costumes, including a Swedish woman, the Baroness Gondremark, who is chosen as the target for a seduction attempt. An elaborate series of deceptions fills out the plot and--more important--supplies opportunities for a dazzling variety of clever song and dance numbers. --Joe McLellan
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Most Helpful Customer Reviews
20 of 21 people found the following review helpful:
4.0 out of 5 stars
Flawed but still delightful,
By
Amazon Verified Purchase(What's this?)
This review is from: Offenbach - La Vie Parisienne / Ossonce, DeLavault, Opera National de Lyon (DVD)
"La vie parisienne," a paean to Second Empire Paris and its voluptuous delights, may be Offenbach's most tuneful score. The irresistible melodies and rhythms never stop-except, naturally, to allow for spoken dialogue (and if that bothers you you aren't cut out to be an operetta fan :o). The best-known tunes appear in the popular ballet, "Gaite parisienne," arranged by French conductor Manuel Rosenthal; and anyone who loves that piece will be captivated to hear and see the originals and their lyrics come to life dramatically in the complete operetta, the words as witty and sophisticated as the music. This production, somewhere between traditional and modernistic, tells the story and captures the satire very well.
The performers male and female are more appealing for their comic acting and dancing talents, pretty faces, and shapely figures than for operatic strength and beauty of voice. The chief exception is the entrancing Mlle. DeLavault, a serious soprano who combines all the above graces, as the overbooked courtesan Metella. No fat ladies or portly tenors on this stage. Orchestral execution is excellent, though the singers often lag a half-beat behind the conductor's lively tempos. Better that than sluggishness. Fortunately undominated by a Celebrity High-Concept Director or Designer, the Lyon production nevertheless partly manifests contemporary European operatic schizophrenia: compulsively authentic music-complete score, reconstructed instrumental parts, etc.-combined with compulsively inauthentic theater. Some of the spoken dialogue is shouted, for no apparent reason, at the top of the lungs, not healthy for singers, especially those with semi-pro voices. Some twitchy and unnecessary dancing obtrudes, and the actors themselves occasionally jump up and swing chimpanzee-like from the scenery. At the opposite extreme, groups of characters, particularly servants, are usually seen sprawling around glassy-eyed in attitudes of modernist existential ennui. The settings are sparse, but the period costumes are gorgeous, especially becoming to the ladies. Thank goodness no capitalist business suits, army fatigues, or Nazi helmets. The camera work is OK, not obtrusive, but sometimes important business goes on invisibly outside the frame, a common failing of video-ized live theater. These minor deficiencies bothered me most the first time I viewed the disc, but I got used to them. Strongly recommended for all Offenbachians.
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Wonderful and delightful musical entertainment.,
By Janos Gardonyi "jgarch2002" (Toronto, Ontario Canada) - See all my reviews
This review is from: Offenbach - La Vie Parisienne / Ossonce, DeLavault, Opera National de Lyon [VHS] (VHS Tape)
Fully agree with the previous reviewer. Myself being quite partial to Offenbach who singlehandedly created "operetta", a forerunner of Suppe and a whole generation of Austrian-German-Hungarian operetta composers, including Johann Strauss, Zeller, Millocker, Ziehrer, Lehar and Kalman, I'd like to emphasize certain very positive aspects of this production.
This is primarily a student effort as most of the performers being in their twenties but formidably talented. There is a tremendous enthusiasm of youth,a joy of performing and a great love of Offenbach's delightful score. Certain amateurism is unavoidable , but this is part of the charm. The young conductor, Ossonce, deserves most of the credit- he moves the ensemble with irrepressible elan, great affinity for rubato, sense of humour and overall feel for fin-de-siecle gaiete. He will be a great conductor some day. And of course the "star", Helene Devault elevates the performance to professionalism with a fine voice, exquisite appearance and acting - a feast for sore eyes. One more thing: Today's so called "musical comedies" people flock to on Broadway even with one or two decent hits are considered great successes. Offenbach's work in its near three hours of running time must have at least 25 and these survived close to 150 years. Great entertainment, highly recommended.
7 of 8 people found the following review helpful:
1.0 out of 5 stars
Amateur Night,
By
Amazon Verified Purchase(What's this?)
This review is from: Offenbach - La Vie Parisienne / Ossonce, DeLavault, Opera National de Lyon (DVD)
There is some very sprightly music in this performance, where the singers occasionally allow a pleasant sound to emerge (but not enough to spoil us), interrupted by tediously directed scenes straining much too hard to be funny. The actors/singers awkwardly move chairs around a lot to remind us that this is not a concert performance. Disagreements among the singers and the conductor regarding tempi are presented to us with great force. The comedy presumably depends on a sophisticated ambiguity regarding the contrasting mannerisms of nobility, bohemians, and servants, but the director seems to think that we would prefer a rather vulgar muddle instead. Artistic unity is achieved by lots of shouting and shrieking in both the songs and the spoken sections. Every now and then we are allowed a glimpse of lovely music, reminding us that Offenbach knew what he was doing, even if this production doesn't quite understand the work at all.
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