Customer Reviews

Offer You Can't Refuse

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"An Offer You Can't Refuse" is one of the best blues harmonica compilations put together. Walter Horton's material on this recording is some of the best music I have ever heard in my life. Horton's control, note choice, and near endless well of ideas give a textbook example of what every harmonica player (and musician) needs to do in order to be a competent musician.

Horton's treatment of "Easy" is a bit sparser than the one he did with Jimmy Deberry long ago; he takes a more restrained approach, but still lets it loose on certain parts of the song. Absolutely brilliant work.

"Have a Good Time" is a straight ahead exchange with Robert Nighthawk backing (as throughout the record), Horton lays it hard and down-home through his solos showing just how to treat the song. Horton's virtue is that he leaves a good amount of space to let his notes breathe through his solos, so that they don't bunch up and sound insignificant.

"Mean Mistreater" is a slow blues in 1st position that is soulful and pretty. This is how all you harp players need to solo over a slow blues, beautifully done; Nighthawk's backing is simple and dead-on as well. All you SRV clone twits can learn a thing or two from Robert Nighthawk, it ain't always about the soloing!

"In the Mood" is an upbeat frisky deal that has Horton throwing notes down with authority. Great singing and solid backing with Horton doing some very hard (yet musical) lines make this alone worth the price of the CD.

"West Side Blues" is a steady, high and lonesome blues feel with very tasteful soloing on Horton's part. Horton plays the melody through much of this song, but makes it sound wonderful.

"Louise" is another steady feeling blues with Horton singing and dominating; beautiful lines, with acoustic harp make this a winner.

"Tin Pan Alley" is a sweet lowdown song, Horton's soloing is slow and well paced.

"Walter's Boogie" rounds out the Horton section; uptempo, and seriously well done, Horton lays a lesson in tone and control that is near scary at times. Very well done.
The Butterfield section was taken from a 1963 night club gig with Smokey Smothers and Sam Lay. A nice recording, not Butterfield's best, but a good sneak preview of what was to come from the illustrious Butterfield. A great recording that's worth your money. If you are learning to play harmonica, this CD should be in your library; it will do more for you than most instructional books could ever do.

well big walter was always at his best....but this recording(misprinted in order) is top-shelf 5 star recordings or big walter! as a bonus butterfield is on here, but only true butterfield fans will appreciate this early 60s recording of a young butterfield just starting out as a singer. CLASSIC TRUE BLUES HARMONICA...A MUST BUY!

As always, I apologize for my poor English...
Big Walter recorded a lot of cool music, but I think this kind of situation fits him the best... After this session Big Walter will cut similar and stunning tracks with Floyd Jones and Jimmy DeBerry in the 70s, but this stuff is unfortunately unavailable nowadays. So, to undesrstand the real deal we have these 8 trakcs that should be a lesson for every "too-much-blowing" harmonica player. There's a 9th track too, that wasn't released at that time: you can find it in the blues compilation "I BLUESKVARTER", and the title of this song is YOU DON'T MISTREAT ME.
I couldn't say what is my favourite number: they are all timeless music. The best of Chicago blues harp together with Junior Wells' Hoodoo Man Blues and most of Sonny Boy's (Rice Miller) and little Walter's compilations.
A must have for everyone who wanna know what the blues means!