Product Details

• Actors: Jennifer Aniston, Diedrich Bader, Gary Cole, Todd Duffey, Ron Livingston
• Directors: Mike Judge
• Format: AC-3, Blu-ray, Color, Dolby, DTS Surround Sound, Dubbed, NTSC, Subtitled, Widescreen
• Language: English (Dolby TrueHD), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Subtitles: English, Spanish
• Dubbed: English, French, Spanish
• Region: Region A/1 (Read more about DVD/Blu-ray formats.)
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rated: R (Restricted)
• Studio: 20th Century Fox
• DVD Release Date: February 3, 2009
• Run Time: 89 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (942 customer reviews)
• ASIN: B001JNNDEW
• Amazon Best Sellers Rank: #8,816 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "Office Space (Special Edition with Flair!) [Blu-ray]" on IMDb

Editorial Reviews

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Stills from Office Space (Click for larger image)

Product Description

Unable to endure another mind-numbing day at Initech Corporation, cubicle slave Peter Gibbons (Ron Livingston) gets fired up and decides to get fired. Armed with a leisurely new attitude and a sexy new girlfriend (Jennifer Aniston), he soon masters the a

Most Helpful Customer Reviews

305 of 320 people found the following review helpful

5.0 out of 5 stars The greatest office comedy ever? November 26, 2003

By Robert Moore HALL OF FAMETOP 500 REVIEWERVINE™ VOICE

Format:DVD

I'm not sure it is essential to have worked in an office to enjoy this film, but I'm certain it will hit home for those who have. The movie was a complete bust at the box office, which utterly mystifies me, because it is hysterically funny and reflects the experience of millions of people across the United States (and I assume elsewhere). In an age where companies are seeking to lay off workers at any possible opportunity, this film has perhaps even more relevance now than it did when it came out in 1999.

The humor of the film works on multiple levels, but for me so much of it is funny with a twist of the knife, for much of the humor hints at a much more serious fact: modern work is genuinely dreadful and alienating. Perhaps many office workers love their job, but I hate mine, and I assume that I am merely one of millions. No one in this film has a meaningful job. Even Lumbergh, though the boss, has an absurd position. Peter Gibbons is at least able to be honest about the ridiculousness of his plight during the incredibly funny sequence in which he is hypnotized.

The film is a collection of many, many wonderful moments. I started laughing from the second that Peter Gibbons gets trapped in the traffic jam and is passed by an old man on a walker, and didn't stop until the very end. The film is a parade of very funny bits, from Michael Bolton and his passion for gangsta rap to Joanna's boss urging her to wear more flair (played by director Mike Judge) to Peter's neighbor who would yell at him through the walls to Peter's bizarre fantasy in which Lumbergh is making love to Joanna holding a cup of coffee in one hand and her ankle in the other to virtually any conversation involving Lumbergh and Milton. Some of the humor is a bit too broad. For instance, although I defy anyone not to find Milton's sequences funny as heck, they don't fit in quite as neatly with the satire of the rest of the film. I wouldn't, however, want to trade them in for a tighter movie.

In a way, this movie has made my life easier to live. I suspected my job was absurd before seeing this film. Now I know it is. But somehow knowing the truth makes it easier to get through the day.

46 of 49 people found the following review helpful

5.0 out of 5 stars Decline and Fall of the Cubicle November 13, 2005

By Jason

Format:DVD

I first watched "Office Space" on a laptop in a Tuscaloosa hotel with my future wife. We were on our way to a conference, and she suggested that we watch this movie. It wasn't too late in the evening, and the running time seemed reasonably short at approximately 90 minutes. I also figured that it would be pretty good, especially with Mike Judge as the writer and director. After having watched it several times since then, I am convinced that "Office Space" is one of the very best cinematic comedies made in recent years.

Watching "Office Space" seems especially therapeutic after dealing with craziness at work. This probably explains the film's broad appeal; it resonates with people who have needed to suffer bureaucratic B.S., the latest manifestations of "office speak," and arbitrary rules at some point in their working lives. Of course, Judge himself drew upon his own memories of work in an office, which he finally escaped after hitting upon the idea for "Beavis and B*tt-head." Although some people have criticized "Office Space" for not having enough "funny stuff," they don't seem to understand the subtlety of Judge's humor, which leans towards the dry and sardonic. One could almost imagine Billy Wilder feeling at home with the plot, though he might have needed a little extra nudging to include the gangsta rap songs.

With a cast that includes no "big-name stars" (except Jennifer Aniston), no central performer clamors for attention with cloying "hilarity." In fact, the quotidian nature of the characters actually enhances the humor. The characters in subordinate positions try to deal with inanities at work by stewing, fretting, and venting in private. Meanwhile, those with more power are content to reinforce the craziness because it guarantees their power, or because they are so entrenched in their positions that they don't recognize the arbitrary nature of the rules they enforce.

The characters are also funny because they remind me of people I have encountered throughout my life. Granted, they come across as caricatures to a degree, but the characters still seem more real than those conjured up for overly facile yuck-fests. In our own lives, many of us probably think that we are "normal," like the main character Peter Gibbons (Ron Livingston) or his girlfriend Joanna (Aniston). However, not everyone can be like Peter or Joanna... or at least our perceptions of them as "normal." Peter's sudden "transformation" into a quasi-Zen warrior, as well as Joanna's semi-stoner attitude, might just put them way outside the mainstream. In any case, I've seen enough people who share similarities with one, or even several, of these characters:

- Bill Lumbergh (Gary Cole), Peter's passive-aggressive, narcissistic, and clueless Yuppie boss (complete with aviator glasses, power tie, and coffee mug) at Initech

- Michael Bolton (David Herman), Peter's nerdy coworker who just itches to unleash his internal Navy SEAL and gangsta

- Samir Nagheenanajar (Ajay Naidu), Peter's resourceful coworker who wants to "make it" in America

- Lawrence (Diedrich Bader), Peter's no-nonsense, no-collar neighbor and de facto confidant at the thin-walled Morningwood Apartments

- "The Bobs" (John C. McGinley and Paul Willson), coldly congenial external consultants hired by Initech to figure out how the company can "cut costs"

- Tom Smykowski (Richard Riehle), the older Initech employee whose forced joviality barely disguises his anxiety about falling victim to The Bobs

- Stan (a well-disguised cameo by Judge himself), Joanna's flair-obsessed boss at the T.G.I. Friday's-like restaurant Chotchkies, which provides a non-office doppelgänger for Peter's work environment

And yes, I've seen a few people who remind me of Milton Waddams (Stephen Root), the put-upon office gnome with his barely audible stream-of-consciousness mumbling, coke-bottle glasses, outdated sense of non-fashion, and a passive-aggressive attitude matching that of Lumbergh (and that Lumbergh ultimately underestimates). Peter may be the story's main protagonist, but one could see Milton as an odd sort of antihero as well. His almost incoherent mumbling, mainly consisting of requests to clarify matters regarding his salary, his desk, and his red Swingline stapler, acts as a more personalized counterpoint to the double-talk and nonsensical policies that drive Initech. Albeit in extreme fashion, Milton also demonstrates that greed can only propel a business so far, and that an ultimate moral obligation to one's shareholders doesn't always pay off.

For "Office Space" aficianados, the "Special Edition with Flair" includes a 30 minute documentary that provides some insights into the making of the movie. Some of it might not seem like news to hardcore fans, but I learned a few new things: how Gary Cole came up with Lumbergh's voice; the "bons mots" Diedrich Bader improvised as Lawrence; how Stephen Root got around in thick glasses; where Ajay Naidu learned his dance moves; and the origin of the word a**clown. It also includes eight deleted scenes (some of which you might miss if you blink) and computer downloads. Alas, it does not include the animated "Milton" shorts created by Mike Judge in 1991, which provided the original inspiration for "Office Space." That's about as disappointing as excluding "Hearts of Darkness" from the "Apocalypse Now Redux."

Whether one gets "Office Space" with or without flair, I can guarantee a good laugh to anyone who has had to deal with any kind of work-related nonsense at some point in their lives. It might not change the world, but "Office Space" will probably remain an effective purgative for anyone who has encountered such situations. If nothing else, one can at least hope that the insights of "Office Space" will inform the ethics of up-and-coming managers, and make them prioritize the things that really should matter at work.

62 of 68 people found the following review helpful

5.0 out of 5 stars Surprisingly Funny February 19, 2001

By A Customer

Format:DVD

This movie made an almost "psychic" connection with me... the first time I saw it, I had just come home from my nightmare job -- many of the same things depicted in the movie had happened to me that very day, including the printer jam with that exact message "Error - PC Load Letter", while trying to print a report that was already late (what the heck does that message mean, anyway?!).

I related so well to this movie's honest, astute, and technically correct observations of office culture in the 90's, that the brilliantly original bits of commedy were almost incidental to me (I must have annoyed the heck out of my wife with outbursts like "Oh my GOD, that's so TRUE!" every two minutes). I caught some of the more subtle humor in subsequent viewings.

I'll admit, the movie lost its hold on me about 2/3 in, when the main character (who had by this time become an icon to me with his new found "no fear of consequences" attitude) took a strange criminal direction, and his angst began to return. This seemed to break the consistancy. I wan't too thrilled with Jenifer Aniston's performance either, although I suppose that had more to do with her script. In any case, the second time I watched the move, none of this bothered me as much.

I've since purchased the DVD, and have worn this disk out playing it for friends. I'll never get tired of this movie... even the sound track makes me laugh. It's a wonder that it didn't get better reviews, although I guess one really would have had to have experienced office politics in the 90's to fully relate (I wonder when was the last time in the 90's that Ebert heard, "Don't forget to fill in your timesheets!")

Some reviewers gave it low ratings claiming that it was "lightweight"... okay, so it's no Citizen Kane, but it certainly doesn't claim to be either! Give it credit for what it is -- as a lighthearted observational commedy, it's brilliant. And that's not to say that it was a total no-brainer either... on an intelligence level, I'd rate it much higher than say... any movie ever made by the Fairley Brothers (and certainly much lower on the "obnoxious bathroom humor"-scale).

It's a pretty sad testiment to the intelligence of the average North American that movies like "Me, Myself, and Irene" brought in more money than Office Space. I hope Mike Judge doesn't let this stop him from creating another gem.