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Officer Friendly and Other Stories [Hardcover]

Lewis Robinson (Author)
5.0 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

January 7, 2003

The stories in this sparkling debut collection all take place in the state of Maine -- which, in the hands of this madly talented young writer, quickly comes to stand for the state we're all in when we face the moments that change our lives forever. Two young hooligans have to decide whether to help the cop who has a heart attack while he's chasing them, or to cut and run. A young man at a party of coastal aristocrats has to deal with the surreal request to put a rich old coot out of his misery. Is a son going to abet his truck-driver father's art larceny or not? Should an amateur fighter take on the archetypal tough guy? Can the young father defend his family if the diver helping to free the tangled propeller of their boat turns out to be a real threat?

With humor, edginess, an eye for human idiosyncrasy, and a nice relish for menace, Lewis Robinson shows us the lives of the wealthy and poor, the delinquent and romantic, and the socalled ordinary -- in transition, at turning points, and always with universal implications. These stories are at once classic and modern, complex and accessible, and, taken together, they bring the good news that a significant, compassionate new voice in American fiction has arrived.


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Editorial Reviews

From Publishers Weekly

Robinson establishes himself as a writer with a seductive, edgy voice in this dark debut collection of 11 stories set in and around the seaside town of Point Allison, Maine. Menacing authority figures play important roles in the early tales: in the title story, a pair of local miscreants inadvertently turn the tables on a heavy-handed cop when they goad him into a chase and the officer has a heart attack. "Diver" presents the plight of a picture-perfect young couple who are tormented by a teasingly malevolent local store owner who, as a diver, comes to their rescue when a rope is tangled in the propeller of their small yacht. The sense of menace and imminent danger ebbs in subsequent efforts, but Robinson adds a nice comic touch and some emotional depth in "Puckheads," a coming-of-age yarn about a pair of rowdy high school hockey players who develop an attraction for the same actress when they join the drama club for a production of Oliver Twist. There is more weird, off-kilter plotting in "Ride," which describes a father's attempt to celebrate his adolescent son's birthday by pulling off a jewelry heist with the boy in tow. Robinson goes to great lengths to establish his setting as a virtual character, although he never explains why Point Allison is so much more sinister than the neighboring towns on the Maine coast. The heavy, brooding atmosphere is another distinctive narrative element, although its effect begins to wear thin over the course of the collection. Keeping a judicious distance from his characters, Robinson allows ingenious plotting and scene-setting to drive these coolly absorbing stories.
Copyright 2002 Reed Business Information, Inc.

From School Library Journal

Adult/High School-Teens will be drawn to the often quirky situations presented in this crisp short-story collection. The selections are quick reads, most under 20 pages, and they immediately hook readers with vivid and sometimes oddball characters. The fictional seaside town of Point Allison, ME, is the backdrop. In the title story, two teens running from a police officer must decide whether to stop and help him after he falls in the snow with an apparent heart attack. In "The Diver," a young husband on a boat with his wife worries about the menacing diver who won't leave them alone after helping them untangle a rope from their propeller. One of the most compelling stories is "Puckheads," a tale of two high school hockey players who have been kicked off the team for fighting. Now coerced into joining the Drama Club, they are performing in the school's production of Oliver and competing for the attention of the arrogant leading lady. What makes these stories so compelling is that nothing is as it seems. There are neither happy endings nor satisfying conclusions, plots often take shocking twists, and humor arises in frankly unfunny situations. Many of the characters are teens who are uncomfortable in their place in the world, and who are becoming aware that "life is a series of terrifying events, of grave and immediate result."-Ellen Bottiny, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.

Product Details

  • Hardcover: 240 pages
  • Publisher: Harper; 1 edition (January 7, 2003)
  • Language: English
  • ISBN-10: 0060513683
  • ISBN-13: 978-0060513689
  • Product Dimensions: 8.6 x 5.8 x 0.9 inches
  • Shipping Weight: 13.6 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #1,768,606 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
5.0 out of 5 stars (9 customer reviews)
 
 
 
 
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4 of 5 people found the following review helpful:
5.0 out of 5 stars A beautiful voice from a rising young author, January 10, 2003
By 
This review is from: Officer Friendly and Other Stories (Hardcover)
Lewis Robinson is the only writer I know who can literally make me hold my breath while reading his stories. His characters speak in a voice so real I'd swear they could only be from Maine (even though I'm just the kind of outsider those characters think so little of).

Robinson also has complete control of his pacing. His stories build methodically, relentlessly, and drove everything else from my mind until I finished each one. I remembered, and enjoyed, each story more than most novels I've read.

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5 of 7 people found the following review helpful:
5.0 out of 5 stars Don't Step on My Blue Shoes, January 24, 2003
By 
Mark Trushkowsky (Brooklyn, NY United States) - See all my reviews
This review is from: Officer Friendly and Other Stories (Hardcover)
I concur wholeheartedly with the previous reviewer. Though all connected by an ever present, and never static, sense of place, each of Robinson's stories stand as individually gripping flashes of storytelling brilliance. This is my favorite kind of short story collection. You know, the kind where after each story, you feel compelled to stop and enjoy the sense of being pleasantly adrift in the momentum of the telling, released at the end to coast and glide through unnameable emotions, delicate and poignant. As much as they are tied together in Point Allison and its surrounding areas, Robinson's characters also share residency in a wonderfully infectious sense of longing and reflection and unease. This reader's current favorites are "The Edge of the Forest..." and "Cuxabexis, Cuxabexis". Ah Cuxabexis!
Robinson's gift for seemingly effortless natural puppetry with his characters (with place and location always acting as a character of the flesh) makes the collection seem at times like a wonderfully non-linear novel. I look forward to future offerings from this splendid new voice in fiction. This is only the beginning. Clearly Robinson comes from a gifted and talented family.
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5.0 out of 5 stars Fascinating portraits of the residents of an insular Maine town, April 15, 2011
By 
A terrific set of stories set in the fictional town of Point Allison, Maine, that is a recurring "character" through all the pieces. It is the "remote, depressed part of Maine that doesn't get much traffic" [from "The Diver"]; where "everyone knows everyone" [from "The Finches"]; and "no one likes the people who come here in the summer [from "Seeing the World"].

Robinson populates this world with fascinating characters: the diver who has nothing but disdain for the weekend yachtsman who is helpless when a rope gets caught in his propeller; the foolish but indefatigable truck-driving father who has a plan to get rich by stealing the painting he's been asked to transport from the Metropolitan Museum; and the feisty teenager, who won't listen to her high school play director because she wants to take the well-known orphan from Oliver Twist and spice him up with some sex in their production of Oliver!

Robinson also captures arresting visual images: a father who lies on seaweed and rocks as he duck hunts, with his body and rifle forming a perfect line to the horizon; the fogs that sets in on a backyard boxing ring as the boxer waits for the big fight that will end his short-lived taste of local fame; the ne-er do well who saves a bunch of finches from being snake food and then releases them on a crowded bridge.("One after the next they dropped in a brief free fall from the truck, caught the updraft, and vanished through the suspension cables.")

But in this insular world that is not very welcoming and not easily understandable to outsiders, the problems are familiar - absent or unreliable fathers, relationships that don't click, lives that don't measure up to each person's hopes and expectations for themselves.

The 11 stories in the collection are:

1. The Diver - 21 pp - A Portland restaurant owner, Peter, gets stranded on his boat when a rope gets tangled in the propeller. He swims to Point Allison to enlist the support of a diver. The diver, in a condescending and patronizing fashion (he keeps calling Peter "friend"), makes Peter feel stupid for everything he says and does. Peter himself fears he must seem like a "jack$**" yachtsman." After the diver disentangles the rope, Peter's wife, Margaret, invites the diver for a dinner of mussels with them and their infant daughter on the boat. As the diver keeps teasing and putting Peter down, and making crass comments about Margaret when she's below deck, it's unclear just how menacing he is going to be.

2. Officer Friendly - 10 pp - Two high school hockey players are causing trouble, sending bottle rockets over traffic. An officer arrives on the scene and chases them and catches one of them. The caught boy knows the policeman because he was the one who gave anti-drug lectures at his elementary school as "Officer Friendly." The cop also knows the boy because his son is on the hockey team. When the friend who escaped returns, disguised as a bum, to distract the cop and free his friend from the police car, the cop gives chase again, and this time he experiences what may be the start of a heart attack. As he struggles on the ground, the boys have to decide whether to help him get his nitroglycerin tablet or escape with their freedom.

3. The Edge of The Forest and the Edge of The Ocean - 26 pp - A man who has come back to his hometown to teach at the junior high begins an affair with a fellow teacher whom he's had a crush on since their high school days together. Back then, he never had the nerve to connect with her. Even though she's married to a cop now, the onset of their affair has him in a blissful state until he drives to work and discovers his best friend in high school on a bridge. In their school days, that friend had aggressively dared him to hang as long as he could off a catwalk on the same bridge. Since then he's lost touch with the friend, and the friend has fallen on hard times. Now he has to wonder if the friend is there to commit suicide.

4. The Toast - 16 pp - The one departure from realistic story-telling, as Robinson has fun with a slightly surreal premise. An old man dying of cancer holds a lavish party, and a young man who's just visiting town to meet his mother's new second husband, is invited along. At the party, a sexy bartender gives the man a gun and her imposing football-lineman sized brother asks him to kill the older gentleman and put him out of misery before he has to undergo the long, painful ordeal of dying from pancreatic cancer - a proposal his mother, after warning him about how wild and exaggerated the people from Point Allison talk, seems to fully endorse.

5. Ride - 22 pp - A teenaged boy who has only seen his father about twice a year since he moved out on him and his mother six years ago takes a trip with his father, now a freight truck driver, on his 16th birthday. The son thinks it'll be a great adventure, but his father has other plans. The only item in his cargo compartment is a painting they pick up from the Metropolitan Museum of Art and are supposed to deliver to someplace (a private collector?) in the upstate city of Plattsburgh. But en route the father explains he has another one of his cockamamie get-rich-quick schemes - a fake "hijacking" that will yield him a share of the profits when the painting is sold to an illicit buyer. As the father bumbles through his inept plans to become a criminal, it's clear the boy has to act like a father to the man.

6. Cuxabexis, Cuxabexis - 20 pp - A pregnant medical student, Eleanor, and her boyfriend, Bill, a food writer, travel back to his hometown of Cuxabexis, an island off the coast of Maine. While staying with Bill's aunt, Eleanor decides to reveal that she's pregnant - news that later gets blared over the loud speaker at a pep rally for the school's basketball team. (The title, "Cuxabexis, Cuxabexis," is the school fight song.) At the rally, Eleanor also learns Bill was a former star for the team. While connecting with Bill's family, Eleanor daydreams what her future as a mother will hold. There's an interesting undercurrent here about physicality. Eleanor had to teach Bill to be a more interesting lover than a simple piston, but she also has a taste for foreplay that resembles wrestling. She is uncomfortable with cutting open conscious pigs in her surgical training classes, but on the island people have an earthiness that gives them a different relationship with animals. After serving a rabbit dish, Bill's aunt openly admits she likes watching rabbits mate and encourages Eleanor to visit the farm where they're raised. When Eleanor does, the farmer is killing and skinning the rabbits, and Eleanor helps him tie one down before he slaughters it. Meanwhile, Bill is on the court, trying to prove to his nephew, the latest star of the basketball team, that he still has some game.

7. Fighting at Night - 14 pp - An amateur fighter decides to take on an experienced boxer. The story is all about his preparation. His trainer is a woman he shares a house with, along with her boyfriend. To train, he takes on everyone in town willing to spar with him in a makeshift ring they've built in their backyard. He beats all the men in town, including the owner of the hardware store and a few lobstermen. The story takes us right up to the start of the big fight - and details his chance to feel like a champion among all the men in his town. We don't get to see the actual big fight, although the outcome of that seems fairly obvious.

8. Eiders - 14 pp - A father who left his family tries to reconnect with his son while duck hunting. The son expresses his anger by refusing to aim at the birds. Upset that his son isn't honest about his deliberate refusal to hit any targets, the father struggles to articulate why he left but all he can really do is take down more birds, one after another.

9. Seeing the World - 22 pp - 17-year-old Sam becomes an unlikely friend of 35-year-old Johan, when the older man takes a job at the Portland movie theater where Sam works. Sam is an aspiring moviemaker and always has a video camera with him, shooting the daily events of his life and hoping he'll be able to use the footage for his first movie. After reading an article, Johan convinces Sam they can make a killing gathering sea urchins and selling their eggs to the Japanese. Sam's never been anywhere, and he's hungry for experience to fuel his career. He moves down to Point Allison with Johan and they break into an empty summer rental house and begin squatting there. At a fish store, they meet a woman who can actually doing the diving for them. They become an unlikely trio and the woman teaches Sam to dive. Sam develops a crush on her, but wonders if he'll become a third wheel. With his aspirations of becoming a filmmaker intact, Sam has to decide whether he can go through life as a doer or a watcher.

10. Puckheads -42 pp - Two brawling high school hockey players -- Daniel and William, the narrator -- get kicked off the hockey team for causing a near riot at a game. To stay in the private school they attend, they're forced to join the drama club, which is putting on a production of Oliver! There they both develop a crush on a new girl, Christina, a bold young lady and committed actress who's unwilling to take any direction from the drama teacher because she has her own ideas about how the play should be done. ("I think we need to play up the sex.") The two hockey players compete for her attention, and she gets involved with both of them, but it's not clear if she is genuinely interested or trying to inspire better performances out of each of them. When she's making out with William in a school closet, she tells him: "Stop thinking about me as Christina. Think about Nancy [her character], and I'll think about Oliver [his]. It's much easier that way."... Read more ›
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Inside This Book (learn more)
First Sentence:
PETER WALKED INTO THE STORE IN HIS WET BATHING suit. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Von Ballenberg, Officer Friendly, New York, Von Ballenherg, Drama Club, Bobby Randolf, Brick Chickisaw, Larry Lathrop, Melanie Washington, North Allison, Seeing the World, Von Hallenberg, Bill Sikes, Channel Six, Donny House, Von Ballonberg
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