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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Neil's mellow mood,
This review is from: Oh! Mighty Engine (Audio CD)
Very strong release from Neil and surely one that will continue to grow on you with repeated listens. After having the cd for a few days, the best way to describe it is that it is very mellow with only 4 songs or so having drums. Neil plays mainly acoustic guitar and sings with a hush. The melodies are great and stay with you after listening. Not as much variety as Sleeping on Roads or any of the Mojave 3 records, but a very solid release. Great pedal steel on the title track, wish there was more.
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Love it,
By
This review is from: Oh! Mighty Engine (Audio CD)
I've listened to this CD countless times. It would be a perfect CD, if not for the sixth track, "Always The Good," which grinds my nerves (I wish I could explain why, but I haven't actually heard it in quite a while, thanks to the skip feature). Neil Halstead sings very mellow acoustic music (again, with the exception of "Always The Good"). You need to listen to this CD more than once to fully appreciate the music and the lyrics. Anyway, I'm not very good at writing reviews, but I highly recommend this CD! It's ALWAYS in my CD changer. My favorite songs are "A Gentle Heart," "Paint A Face," and "Sometimes The Wheels" (the latter you may have to listen to a few times to really feel the full impact, but it's worth it, I guarantee).
2 of 2 people found the following review helpful:
4.0 out of 5 stars
Sunny,
By
This review is from: Oh! Mighty Engine (Audio CD)
To continue Neil's drifting-along-slowly-on-a-sunny-day-watching-stuff style, this is another successful album. He's "Shoegaze" without being annoying which is tough to accomplish. Fans of "Mojave 3" will find Halstead's string of solo releases highly satisfying.It is notable that Brushfire has picked up Halstead's new release, considering the company has made a series of recent contracts with a number of under-the-radar very talented male singer/songwriters. G. Love, Zach Gill, Mason Jennings and Matt Costa are four of the best, and it is interesting to see the label recognition of the common features of these artists. Among other benefits of Jack Johnsons new label mates, these musicians probably wont hurt his image to be associated (with the exception of G. Love) with lesser-known artists with (including G) a hip appeal.
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