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Okay for Now Hardcover – April 5, 2011


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Product Details

  • Age Range: 10 - 14 years
  • Grade Level: 5 - 9
  • Lexile Measure: 850L (What's this?)
  • Hardcover: 368 pages
  • Publisher: Clarion Books; First Edition edition (April 5, 2011)
  • Language: English
  • ISBN-10: 0547152604
  • ISBN-13: 978-0547152608
  • Product Dimensions: 8.5 x 6 x 1.2 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (208 customer reviews)
  • Amazon Best Sellers Rank: #348,469 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Amazon Exclusive: A Q&A with Author Gary D. Schmidt

Q: Did you always want to become a writer?

A: Nope. In high school, I wanted to go to the Naval Academy at Annapolis and become a career naval officer. Then, late in high school, I wanted to be a vet—mostly because of the James Herriot books and the PBS show, I suppose. Then, in college, I decided to become a lawyer—until my senior year, when I switched to an English major to become a teacher, which I did become. Somehow becoming a writer happened along the way.


Q: What did you read when you were a kid?

A: In my school, we were tracked—meaning that we were put into classes depending on how well we had done in testing. This happened in first grade. I had tested poorly and ended up in the pumpkin group—no kidding. We were the poorest readers, and so since I was told I wasn’t any good at this, I didn’t read much. Then I got taken up by Miss Kabakoff, who just liked me, and who brought me into her class and taught me how to read.

Once that happened, I read everything I could. The Freddy the Pig books, the Doctor Dolittle books, any Greek mythology I could get my hands on, and the Norse mythology that I liked better, the biographies in the Childhood of Famous Americans series, the tales of the Grimm Brothers and Hans Christian Andersen, the Herbert series and the Henry Reed series, Robinson Crusoe and The Swiss Family Robinson, Howard Pyle’s The Adventures of Robin Hood and His Merry Men, Bambi (which is a lot better than most people think it is), anything by Jack London or Jules Verne or H. G. Wells, the Horatio Hornblower books, Treasure Island, and of course the Hardy Boys series and the Tom Swift series, which I collected whenever I could.

Q: How often do you write?

A: Every day I am not teaching—so two or three days a week, and sometimes at night—unless it’s really cold out and the woodstove needs a lot of tending.

Q: How much do you write each day?

A: I work on three projects at a time, and they are all at different stages. One may be a first draft, one may be almost finished, and one might be in proofs—or perhaps just being conceived. I try to write about five hundred words a day on each project. Most American writers—Ernest Hemingway, John Steinbeck, Jack London—all wrote about five hundred words a day. It seems the right pace for me. It keeps me from going too fast at a project.

There are some children’s book writers—like Enid Blyton—who supposedly wrote ten thousand words a day. This seems impossible to me, but even if it is true, one should not judge oneself by the absurd outlier.

Q:Where do you write?

A: I have a study in a small outbuilding away from the house. It has a desk, a lamp, more books than should be in any one room, and a woodstove. I work at a typewriter, and keep lots of scrap paper around me. This means, by the way, that if anything comes out pretty awful, I can just open the woodstove and burn it all. The feeling of relief is remarkable.

On my desk are a dictionary and a thesaurus, books by Emerson and Whittier and Longfellow and Darwin, Henry David Thoreau’s journals, a collection of Churchill’s war speeches, two volumes of Shaker hymns, some Tolkien, some Avi, some Katherine Paterson, some Elie Wiesel, The Giver, and a statue of a greyhound that has been in my family for four generations.

Q:You work at a typewriter?

A: You can’t believe how hard it is to find typewriter ribbons for a 1953 Royal.

Q: Your books often are very serious. Shouldn’t you lighten up?

A: You think life in middle school isn’t serious? Are you kidding?

Living is a serious business. Funny is good, of course. We all like to laugh. But I want more than that. Much more. Nathaniel Hawthorne, in his first great book, called life "a veil of gloom and brightness." We all wish it could be brightness all the time. And maybe for some people it is. I doubt it, but maybe. But there is gloom for us all, too. And maybe books even for kids shouldn’t ignore that. Geez, read Where the Wild Things Are, or Mike Mulligan and His Steam Shovel, or just about any Grimm folktale, or Crow Boy, or Bridge to Terabithia, or Nothing but the Truth, or No, David, or Octavian Nothing, or The Tale of Despereaux, or Stitches, or The Storm in the Barn, and then try to tell me that writers for kids should try not to be too serious.

Q: What is your favorite book that you have written?

A: Hmmm... If I give one title, then all the other books get sort of cranky and jealous, and they start to rearrange themselves loudly at night to push each other off the shelves. Then I have to pick them all up in the morning instead of walking the dogs and then the dogs get irritated and they take their sweet time on the walk so I get back home late and miss most of breakfast and the kids get to school after the bell has rung and the day just goes downhill from there.

Let’s just say they’re all my favorites.

Q:What is your favorite book that you have not written?

A: An easy question. It is The Little World of Don Camillo. There is no other book like it, so sweet, so funny, so moving, sometimes suspenseful. I wish I had written it.

Q:What book are you working on now?

A: Sorry. Writers should never talk about what they’re working on next. It will be done when it’s done, and then I’ll be glad to talk about it. But not now.


Review

"This is Schmidt's best novel yet—darker than The Wednesday Wars and written with more restraint, but with the same expert attention to voice, character and big ideas."—Kirkus Reviews, starred review

"Reproductions of Audubon plates introduce each chapter in this stealthily powerful, unexpectedly affirming story of discovering and rescuing one’s best self, despite family pressure to do otherwise."—Booklist, starred review

"Readers will miss Doug and his world when they’re done, and will feel richer for having experienced his engaging, tough, and endearing story."—School Library Journal, starred review

"The book is exceptionally well written. Schmidt creates characters that will remain with the reader long after the book is done. Doug’s voice is unforgettable as he tries to help and protect his mom. . . .While there is much stacked against him, he is a character filled with hope that the reader cannot help but root for. Push this one on readers; they will not be sorry. . . .Schmidt writes a journal-type story with a sharp attention to detail, patterns in the story line, and an unexpected twist at the end."–VOYA

A National Book Award Nominee


More About the Author

Gary D. Schmidt is the author of the Newbery Honor and Printz Honor book Lizzie Bright and the Buckminster Boy. His most recent novel is The Wednesday Wars. He is a professor of English at Calvin College in Grand Rapids, Michigan.

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Customer Reviews

I really like him as a character and it made this book such a pleasure to read.
Sherryl
These books do this by engrossing the reader in the lives of the main character and making you feel like you are living with them and that they are your friends.
Jay
In a companion to his acclaimed novel, The Wednesday Wars, award-winning writer Gary D. Schmidt revisits the Vietnam era in Okay for Now.
M. Tanenbaum

Most Helpful Customer Reviews

69 of 71 people found the following review helpful By Librarian VINE VOICE on July 3, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
As a school librarian, I'm a tough critic when it comes to Middle Grade and Young Adult books. A good chunk of what I read is perfectly readable, certainly entertaining, and strongly written, if not stellar.

OKAY FOR NOW is stellar.

I mean it. If I could give Gary Schmidt's companion to THE WEDNESDAY WARS six stars instead of five, I would.

Seriously, this is the kind of book that makes you stop and pause, just so you can read a passage to your spouse, your kid, your friend. The voice is so wonderfully pitch-perfect, the plot points so perfectly interlocked, the characters so uniquely drawn, you can't help yourself. You get downright evangelistic about the book. If you're like me, you give your copy to your kid and then buy a copy for your dad and one for your Grandma, too. (I'm not even kidding about this.)

Doug, 8th grade protagonist, is the younger brother, the bullied son, the undercover artist, the misunderstood student you can't help but root for. As he negotiates a place in his family and in his new hometown during the Vietnam War era, he becomes someone real, someone you know, someone whose story you have to keep on your top shelf, the one reserved for your most favorite novels.

Because OKAY FOR NOW is the realization of something great. It's exactly what a book is supposed to be.
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71 of 77 people found the following review helpful By Matthew Coenen TOP 500 REVIEWERVINE VOICE on April 4, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
Okay For Now is Doug Swieteck's story. Doug is an 8th grader who, due to his father losing his job, moves to a small town with his family. Amidst multiple family issues -- a passive mother, abusive father, bitter and beaten-down Vietnam-vet brother, and a second brother who is merely scared -- Doug manages to discover much about not only his neighbors, but himself as well.

In the safety of the town's open-one-day-a-week library, Doug discovers a new talent, love, friendship, and selflessness. Outside of the library, his life is not an easy one. His familiy has multiple issues. He is unfairly judged by both students and teachers at school. And townsfolk are wary.

Doug's optimism, given all of his issues, is catching and he manages to bounce back from the many not-so-great things that happen throughout the book. He manages to keep a good attitude (most of the time, anyway) because he has a mission... To replace the missing plates in the town library's original John James Audubon book. Not only fascinated with learning to draw the birds, Doug learns that various plates have been sold to raise money for the town and he firmly believes all things belong in their proper place. The plates belong in the book as originally intended, not hanging on somebody's wall.

Each chapter of the novel opens with the images of one of Audubon's bird paintings, and the bird is effortlessly tied into the content of the chapter. Dough's insights regarding each plate are not only useful as he learns to draw the birds, they help him to better understand the dynamics of the world around him -- particular those of his immediate family. A passive yet loving mother. An abusive and angry father. A brother who is frightened at how he may turn out.
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58 of 64 people found the following review helpful By E. R. Bird HALL OF FAMETOP 500 REVIEWER on April 17, 2011
Format: Hardcover
There are three kinds of literary sequels for kids out there. First, you have the sequel that is so intricately tied into the plot of the first book that not a page goes by that you don't feel you're missing something if you skipped Book #1. The second kind of sequel nods to the first book and brings up continual facts from it, but is a coherant story in its own right. The third kind of sequel makes mention of facts and/or people in the first book but if you read the story on your own you might not even be aware that there was previous book in the first place. Okay for Now by Gary D. Schmidt would be the third type of sequel, I think. Ostensibly a sequel to his Newbery Honor winning title The Wednesday Wars, the hero of Okay for Now, Doug Swieteck, was a bit part character in the first book, and now has come entirely into his own in the second. For fans of the first, you will enjoy the second. And for people who begin with the second, you won't miss a thing really if you haven't read the first. All you'll know is that you have a great book on your hands. A great great book.

"You're not always going to get everything you want, you know. That's not what life is like." It's not like the librarian Mrs. Merriam needs to tell Doug that. If any kid is aware that life is not a bed of roses, it's Doug. Stuck in a family with a dad that prefers talking with his fists to his mouth, a sweet but put upon mom, a brother in Vietnam, and another one at home making his little brother's life a misery, it's not like Doug's ever had all that much that's good in his life. When he and his family move to Marysville, New York (herein usually referred to as "stupid Marysville") things start to change a little.
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17 of 19 people found the following review helpful By M. Tanenbaum VINE VOICE on April 20, 2011
Format: Hardcover
In a companion to his acclaimed novel, The Wednesday Wars, award-winning writer Gary D. Schmidt revisits the Vietnam era in Okay for Now. Doug Swietech, a secondary character in the Wednesday Wars, becomes the focus of this story; it's close to the end of the summer, and Doug and his very dysfunctional family have just moved to a "dump" of a town in upstate New York when the book opens. Doug idolizes Joe Pepitone of the Yankees, and his most treasured possession is a jacket signed given by his idol. His home life is dominated by his abusive father and his bullying older brother, while another brother is off fighting in Vietnam.

The library and the town's kind librarian, Mr. Powell, play a key role in the story, as Doug discovers that although "maybe stupid Marysville was a dump,...this place wasn't." At the second floor of the library, he finds a special room, with a huge book--a book displayed under glass, with only one picture showing. It's a gigantic picture of a bird, and Doug can't take his eyes off it. "It was the most terrifying picture I had ever seen. The most beautiful." It's an original Audubon, and it haunts Doug's imagination. Although Doug doesn't draw (since, as he quips in the book, only girls with pink bicycle chains draw), the kind librarian is soon leaving drawing supplies near the Audubon display that Doug is drawn to by some powerful magnetic force. When he finally picks up a pencil to copy Audubon's drawing, it felt "spectacular, " and Mr. Powell is soon giving him drawing lessons (was that in Mr. Powell's librarian job description?)

As much as Doug hates "stupid Marysville", he is quickly befriended not only by Mr.
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