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Product Details
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The Original Cast Recording was so extremely popular that the cast reunited the following year to record "Volume 2" of the Original Cast Album, which contained 3 songs left out of the first album.
The original recording was released as a set of 78 RPM records in 1943. Volume 2 was released a year later, but when the set was transferred to LP several years later, Volume 2 was left out and remained thus for decades. The entire contents of both volumes have been included in proper order for the CD release.
Okay, enough blabbing now. To the point, this is definately the Oklahoma recording of choice. With Alfred Drake as Curly, Joan Roberts as Laurey, and Celeste Holm as Ado Annie, this album is not to be surpassed. They all give stellar performances. With many cast albums to follow, songs had to be truncated and/or sped up to fit the limited playing time of a 78 RPM side. That is not the case here. There are a few cuts, but these are not major and the score does not sound rushed by any means. Sound quality is also great. While quality is beginning to show the considerable age of the recording, it does not get in the way of the listening experience. I would not recommend any recording of Oklahoma over this one. It is THE BEST and HIGHLY RECOMMENDED! Buy it, at the very least for its historical significance.
But there are many other reasons why you should buy this recording besides its historical significance. This recording captures the groundbreaking show as it first sounded to audiences back in 1943, and it certainly rings with energy, heart, and obvious love and admiration. The great Robert Russell Bennett's orchestrations are still magnificent, but what especially distinguishes this album is the wonderful performances by the cast. Alfred Drake certainly gives Gordon MacRae from the 1955 film a run for his money as the definitive Curly; he has lots of energy and comic timing, and what a voice! Joan Roberts is a feisty Laurey, Lee Dixon is a fine Will Parker, and Celeste Holm, in her musical debut as Ado Annie, is completely charming. The supporting cast right down to the chorus is all first-rate, with the exception of Howard da Silva's strident Jud Fry. (It's just as well Drake recorded Jud's beautiful solo, "Lonely Room," as I doubt da Silva's version would have done it justice) By the way, though many of the stars are indeed not really known today, many of them did go on to great careers after this show; Drake was the original Fred in "Kiss Me Kate" and Hajj in "Kismet," among several other musical roles, and even tried his hand at Shakespeare, playing King Claudius in "Hamlet;" da Silva played Benjamin Franklin in the stage and screen versions of the musical "1776;" and Holm, of course, went on to a very rewarding career in theatre, movies, and television.
This recording still sounds as fresh and exciting as it must have been back in 1943. More modern recordings give you stereo sound and more complete readings of this classic score, which is certainly not a bad thing, but this recording is not only historicaly significant, but a valuable record of a great show as it first sounded.
Decca recorded the original Broadway cast in 12 selctions and issued the 6-record 78 RPM set in December 1943. That set sold so well that in 1945 they issued a second album containing 3 selections left off the first set. When it was transferred to LP in 1949, however, only the first album was included and for the next 40 years that is how the album of OKLAHIOMA! remained - missing the additional 3 selections.
In 1993 to mark the 50th anniversary of the musical MCA went back to the original masters and lovingly restored the entire score for this CD issue. The sound is glorious: Far better than any previous edition. It's in mono, but of such high fidelity that the listener will not mind at all.
It's the performances that make this album such a fascinating document: This is how the show sounded when it was setting a new standard by which all subsequent shows would be judged. Later casts often try too hard to either mimic the originals, or they go too far in the opposite direction.
In order to fit the songs on the early records some minor trims had to be made but these do not seriously detract fom the recording. If fact they work to ensure that no single song out-stays its welcome.
The CD comes with excellent backgroudn notes on the production, and colour reproductions of both original album covers.
Anyone building a library of original cast recordings would do well to start with this disc.