Customer Reviews

An Old Fashioned Girl

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Louisa May Alcott is best known for her classic coming-of-age novel "Little Women." But she tackles an entirely different part of growing up in "An Old Fashioned Girl," the story of a country mouse living with a wealthy urban family in late 19th-century America. It gets rather prissy and moralistic in places, but has a measure of earnest charm.

Teenage Polly Milton is arriving in the city (New York?) for the first time, to stay with her uncle and aunt. She immediately sticks out because of her prosaic clothing and lack of chic. Her cousin Fan Shaw (also about fourteen) is already dressed like a young woman, and hangs out with a gang of shallow, trendy girls. On the other hand, Polly befriends old ladies, sings Scottish airs, and reads books on history. Can she fit in? What's more... does she really want to?

Fast forward about five or six years: The Shaw family learns that Polly is returning to the city, intending to give music lessons to help support her brother. Time hasn't really changed Polly -- she's still sweet-natured, morally upright and kind to everyone. But the Shaw family is in serious financial trouble -- and Polly will help out the only way she knows how.

Like "Little Women," this book was written in two halves, which might explain why the second half is so much better than the first. The first isn't bad, but it suffers from too much prissiness. Virtually every story centres on Polly's moral struggles, in a very preachy manner. Her story is far more engaging when she learns confidence and strength, not when she's wavering about peer pressure.

Despite the preachy edge, Alcott's writing withstands the test of time -- strong, descriptive and pleasant. She also writes a good understated love story, in Polly's gradual interest in her cousin Tom. You'll know that these two really need to get together, but it's going to take them awhile to mutually realize it. So sit back and enjoy the ride.

Polly initially seems like a disastrous character, given her goody-two-shoes attitude, but she proves to be far better over the course of the book. Her spoiled, grumpy or flaky cousins are far more engaging, since they have immediate flaws. And they do progress as people over the course of the story, whether it's becoming more down to earth, or falling in love.

A real story is wrapped around this lesson on peer pressure, although occasionally Alcott goes a bit over the top. Charming, sweet and sometimes very funny.

I've read other books by L. M. Alcott, and had never heard of this one before. I got it on impulse because of the price. It was a nice story, but didn't seem to have the vitality of Little Women.

Louisa May Alcott is best known for her classic coming-of-age novel "Little Women." But she tackles an entirely different part of growing up in "An Old Fashioned Girl," the story of a country mouse living with a wealthy urban family in late 19th-century America. It gets rather prissy and moralistic in places, but has a measure of earnest charm.

Teenage Polly Milton is arriving in the city (New York?) for the first time, to stay with her uncle and aunt. She immediately sticks out because of her prosaic clothing and lack of chic. Her cousin Fan Shaw (also about fourteen) is already dressed like a young woman, and hangs out with a gang of shallow, trendy girls. On the other hand, Polly befriends old ladies, sings Scottish airs, and reads books on history. Can she fit in? What's more... does she really want to?

Fast forward about five or six years: The Shaw family learns that Polly is returning to the city, intending to give music lessons to help support her brother. Time hasn't really changed Polly -- she's still sweet-natured, morally upright and kind to everyone. But the Shaw family is in serious financial trouble -- and Polly will help out the only way she knows how.

Like "Little Women," this book was written in two halves, which might explain why the second half is so much better than the first. The first isn't bad, but it suffers from too much prissiness. Virtually every story centres on Polly's moral struggles, in a very preachy manner. Her story is far more engaging when she learns confidence and strength, not when she's wavering about peer pressure.

Despite the preachy edge, Alcott's writing withstands the test of time -- strong, descriptive and pleasant. She also writes a good understated love story, in Polly's gradual interest in her cousin Tom. You'll know that these two really need to get together, but it's going to take them awhile to mutually realize it. So sit back and enjoy the ride.

Polly initially seems like a disastrous character, given her goody-two-shoes attitude, but she proves to be far better over the course of the book. Her spoiled, grumpy or flaky cousins are far more engaging, since they have immediate flaws. And they do progress as people over the course of the story, whether it's becoming more down to earth, or falling in love.

A real story is wrapped around this lesson on peer pressure, although occasionally Alcott goes a bit over the top. Charming, sweet and sometimes very funny.

Louisa May Alcott is one of my favourite authors. I loved little woman but an old fashioned girl...WOW!! It was so good!!!!

This was a great book for night reading for me. The book is definately dated, but is well written and has a strong central character that is easy to like. Nice book for a mom/daughter read, or a book club that has younger girls.

Typical of the moralistic literature of the late 19th c. Polly Milton is a country cousin come to the well- off Shaw family for a visit at age 12. The irascible Tom fetches her from the train in the wagon, and the rest is history. Six years later, when Polly returns to the city to earn her way as a music teacher, she epitomizes the working woman whose cause it was Ms Alcott's passion to promote. As commentary on posh society, those privileged individuals contrast sharply with the saccharine sweet Polly and her brother Will. Fanny Shaw and Polly become great friends and their positions in society become equalized. Ms Alcott was also a promoter of marriage for love rather than for status and security. So, although our heroine may be old-fashioned, she holds out for "the one" and finds him.