Product Details

• Actors: Jane Fonda, Gregory Peck, Jimmy Smits, Patricio Contreras, Jenny Gago
• Format: Anamorphic, Closed-captioned, Color, DTS Surround Sound, DVD, Full Screen, Subtitled, Widescreen, NTSC
• Language: English (Dolby Digital 4.0)
• Subtitles: English, Spanish, French, Georgian
• Region: Region 1 encoding (US and Canada only)
  PLEASE NOTE: Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click here.
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rated: R (Restricted)
• Studio: Sony Pictures Home Entertainment
• DVD Release Date: July 2, 2002
• Run Time: 119 minutes
• Average Customer Review: 3.9 out of 5 stars  See all reviews (19 customer reviews)
• ASIN: B000067D25
• Amazon Best Sellers Rank: #33,724 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Old Gringo" visit the Internet Movie Database (IMDb)

Editorial Reviews

OLD GRINGO - DVD Movie

Customer Reviews

Most Helpful Customer Reviews

23 of 24 people found the following review helpful:

4.0 out of 5 stars Engrossing, Haunting and Beautiful, October 11, 2005

By 

Donegal Dan (Southwest United States) - See all my reviews

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This review is from: Old Gringo [VHS] (VHS Tape)

This movie was a surprise to me and a pleasant one and I would actually rate it four and a half stars. While I have never read the book on which it is based, I found it a haunting and memorable work of art in itself. The figure of Ambrose Bierce, as played by Gregory Peck, is quite fascinating but unless you are familiar with the writer (and even if you are)you may find the characterization rather hard to comprehend. However, Peck's performance is strong enough to carry you along despite this and his interaction with the other two characters--the frustrated spinster, played beautifully by Fonda, and the volatile and sexy rebel general played equally well by Smits--is totally engrossing. The love triangle, which seemed more of a father-daughter-lover relationship, could have been fleshed out more but was still pretty riveting. However, the real pull of the film is the beauty of the cinematography in battle scenes, love scenes and interiors, equally; the passion and brutality of the revolutionaries and at the same time their humanity, and the connection between the rather wildly different three central characters based on that humanity and despite the brutality, all during an epic era in the history of Mexico. I have watched this film several times now and each time I find new reasons to admire it, not the least of which is that it is just a wonderful story about characters who are electric, vibrant and mesmerizing in their search for meaning in their lives. It is fast becoming one of my all-time favorites.

12 of 12 people found the following review helpful:

5.0 out of 5 stars A visual and emotional feast, February 4, 1999

By A Customer

This review is from: Old Gringo [VHS] (VHS Tape)

Because the events of the film occur during the revolution in Mexico, one might be tempted to think of Old Gringo as an action oriented war film. Not so. It is a visual and emotional feast, a slice-of-life film that truly makes you feel what it must have been like for an American woman in a foreign country. The trio of actors, Jimmy Smits, Jane Fonda and Gregory Peck, are outstanding. Be prepared to think and feel. This is a rich feast indeed.

6 of 6 people found the following review helpful:

3.0 out of 5 stars Unlikely Romantic Triangle Set in Pancho Villa's Mexico, November 25, 2004

By 

Ed Uyeshima (San Francisco, CA USA) - See all my reviews
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This review is from: Old Gringo (DVD)

Argentinean director Luis Puenzo seems like a smart choice to helm this epic drama since his specialty seems to be offering probing character studies in the face of larger sociopolitical issues. But this 1989 movie falls short of expectations, especially if you've read Carlos Fuentes' 1985 novel upon which this movie is based. All the elements for success seem present - a fascinating historical setting (the Mexican Revolution); rather flamboyant characters (both fictitious and fictionalized); explosive battle scenes; dramatic executions; and a romantic triangle with gauzy love scenes. Indeed, the problem is that the elements don't quite add up to a cohesive whole that induces any heartfelt passion. Set in 1913, the story focuses on an American spinster named Harriet Winslow, who has been hired to be a governess for a wealthy Mexican family on their grand hacienda. The beginning of the story shows great promise as the period detail is vivid, and the set-up of the characters promises some intriguing interactions. However, when the three primary characters come together on the hacienda, the plot seems to narrow in scope, and the story's initial gallop slows to a cant until the conclusion.

I was afraid that at 51, Jane Fonda would be at least a decade too old to play Harriet, but she actually looks right most of the time, slightly worn but constantly engaged with the swirl of activities around her. However, with a stellar career spanning three decades, she just doesn't surprise with this performance (unlike, say, her alcoholic has-been actress in 1986's "The Morning After"), and after one more film, she retired from the big screen for the next fifteen years. Granted she is playing an uptight woman on the verge of a political and sexual awakening, she just comes across as too mannered and frankly too wizened to draw the carnal attentions of two completely different men. On the other hand, it's a joy to see the relish with which Gregory Peck plays Ambrose Bierce, the real American journalist who disappeared into Mexico at this time. His charisma intact, he makes palatable his romantic overtures to Harriet and brings a realistic blend of gusto and frailty to his constant philosophizing and his slow march toward death. As the virulent General Arroyo, one of Pancho Villa's men, Jimmy Smits has to maintain a delicate balancing act between quick-tempered, violent revolutionary and smitten romantic hero. He succeeds up to a point, especially in expressing his obsession with past injustices through firepower, but there is little chemistry between him and Fonda, which leaves the ending scenes oddly hollow. The one exception is the firing squad scene, which is sufficiently shocking. The film is not a complete misfire, but given its interesting mix of historical fact and fiction, I wish it was much more than it is, even though in Peck's case, it is.