Customer Reviews

The Old Man Mad About Drawing: A Tale of Hokusai

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As a librarian I see many, many books and this is a definite favorite. The simple story of the great Ukiyoe master, Hokusai, and his young apprentice, Tojiro, is told with humor and feeling. Along the way, there are lessons about being young and old, about persistence and talent. Many of the stories about Hokusai and his artwork are based on fact, such as his most famous Great Wave of Kanagawa from the collection Thirty-six Views of Mt. Fuji and his "thought-up drawings" in Hokusai Manga. As wonderful as the story is, the illustrations may be the very best part of this book. Francois Place's paintings are a story in themselves. The illustrations are colorful, well executed, with a subtle oriental flavor. Interspersed with Hokusai's own woodblock prints, they appeal to adults and children who love art, Japan, or just a warm and heartfelt story. I recommend Old Man Mad About Drawing to children, parents, and anyone who loves interesting stories blended with captivating art.

Francois Place has cleverly built this story about a mentoring relationship between the revered artist, Hokusai, and a young apprentice he names "sparrow." In the process of learning to serve "the old man mad about drawing" the sparrow, Tojiro, is introduced to the progressive stages of Hokusai's art. At first the old man seemed scraggly & wild to the boy; then he grew to appreciate the humor & many-faceted talents of the artist. Tojiro was taught to read, make inks and serve in many capacities.

Each time I hold this book the 'feel' of it pleases me. The font, Perpetua, is discussed in the back. There is also a Glossary - illustrated, naturally! The book's illustrations are plentiful and filled with the energy of Hokusai's "manga" - - the sketchbooks which also brought him fame. Because Francois Place is both author & illustrator of "The Old Man . . ." he had the freedom to paint chapter headings as vertical 'capsules' showing what each chapter is about. Place has a strong individual style that has brought him success as an illustrator, & Reviewer mcHAIKU is eager to search for his other titles.

The warmth of the relationship between teacher and student is shown when, during a walk together, the master whispers to Tojiro, "Learn to look in silence, if you don't want noise to drive away the beauty of fragile things that are before your eyes." On page 96, Place has an amusing sketch of the master letting the boy leave to find his future, tethered by a rope inked in by paintbrush.

Hokusai's assessment of his own growth as an artist was added to his now-famous album of "One Hundred Views of Mount Fugi." (see page 100), This statement giving perspective on aging, persistence and achievement should be used at all seminars for 'seniors'. Long after his death in 1889, HOKUSAI IS A ROLE MODEL FOR TODAY.

Not only is this book interesting, it is fun! The illustrations are creative, colorful, catchy and in the style of hokusai. Although it is probably a children's book, I love it. It is also a good read.

I've just finished reading 'The Old Man Mad About Drawing: A Tale of Hokusai' by Francois Place, and I have to say that it is one of the most charming books I've read in a long while. It is a book for young readers, but it is such a lovely volume that I think adults will also find it enchanting... I certainly did. It tells the story of Tojiro, a nine year old orphan who sells rice cakes in nineteenth century Edo, and his relationship with one of his customers, a grumpy old artist... Hokusai. Hokusai takes a shine to the boy, who he affectionately refers to as 'Sparrow,' and soon takes him on as his assistant. The artist teaches him to read, introduces him to the process of woodblock printing, and little Sparrow learns all about Hokusai's earlier works. The relationship between artist and pupil is most endearing and there is a great deal of humour and warmth in the text. On each and every page there is an illustration... either a reproduction of one of Hokusai's designs (when it is relevant to the text), or one of Place's fantastic sketches of Hokusai and his little apprentice or of nineteenth century Edo and its colourful inhabitants. If you want to introduce a young reader, or an adult beginner for that matter, to Japanese prints then this is the book to do it with.

The story and its illustrations are charming. It gives glimpse of the Japan of yesteryear, and the story is heart warming. For artists, Hokusai was a master and excellent role model, and we get to know him through the eyes of his young apprentice.

I am not a collector of books. Not really. But after seeing (and buying) Francois Place's book The Last Giants this summer, I knew that I would also want to own this book by him. It arrived from Amazon in the mail today and it is thrilling. It tells the story of an orphaned boy who lives with his uncle and aunt and sells rice cakes in the streets of Edo to earn his keep. He meets a "crazy old man," who turns out to be the 90-year-old artist Hokusai. The boy becomes Hokusai's apprentice. There are beautiful drawings of street life in Edo (modern-day Tokyo), a Kabuki performance, a Sumo wrestling match, and night-time boating on the Sumida River.