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With Old School, Taylor brings it all back home, supported by a band of veteran musicians and young revivalists. Singing like she did for Chess Records early in her career, Taylor belts out a set of material that could easily have topped the blues charts in the 1950s, and will certainly reach the top of the blues world today.
Koko Taylor, guitarist Criss Johnson and Alligator president Bruce Iglauer produced Old School. Recorded in Chicago, the 12 songs (including five new Taylor originals and songs by Willie Dixon, Magic Sam, Lefty Dizz, and E.G. Kight) all hearken back to Taylor's early years in the Windy City. They range from the humorous truth of Piece Of Man to the rocking blues advice of Better Watch Your Step to the tough street scene of Bad Avenue (done in classic Muddy Waters style), to Koko's version of Memphis Minnie's Black Rat, a song she used to sing as a teenager. "I put my heart and soul into everything that I do," says Taylor. "I worked long and hard on Old School, and I want my fans to enjoy it as much as I do."
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Most Helpful Customer Reviews
15 of 18 people found the following review helpful:
5.0 out of 5 stars
One of her best!!!!,
By Willy (Hazlet, N.J.) - See all my reviews
This review is from: Old School (Audio CD)
Koko has never sounded better.This is the best cd since Queen of the blues.Five orginials,a couple of Willie Dixon's and a great cover of Magic Sam's All your love.Her band is great and with Billy Branch on harp and a few with Steady Rollin' Bob Margolin on slide guitar they really cook.This is the best Chicago blues cd so far this year.
10 of 12 people found the following review helpful:
5.0 out of 5 stars
She's still the Queen of Chicago Blues,
By
This review is from: Old School (Audio CD)
Old School is the new release from blues diva Koko Taylor, and just as the CD title declares, it's all about music that's the real deal. The atmosphere takes the listener right back to a simpler yet arduous era in time. As the vocal legend states on the CD liner, "This album is hardcore blues, down in the basement, far as you go. This album is the kind of blues I was listening to down south and when I first came to Chicago." She's talking about 1951. Seated at the back of a Greyhound bus, Koko arrived with no money and nothing but a box of Ritz Crackers. She left behind an existence of hard times and hard labor in the southern cotton fields and farms, only to find herself in a new life that wasn't much easier. However, the Chicago clubs on Saturday nights spurred excitement with the live shows of Little Walter, Muddy Waters, Otis Spann and others. Frequenting those clubs was her shining light.An interesting thing about a new release from a seasoned blues veteran such as Koko Taylor, other than Koko herself, is that you know there's going to be some brilliant players on it. Musicians new and old makeup the three bands used to record this collection of old school music. To say there are a few fine guitarists on the CD is an understatement for sure. Brookline, Massachusetts' own Steady Rollin' Bob Margolin, of Muddy Waters and Johnny Winter fame, plays guitar and slide, while longtime Koko Taylor guitarist Criss Johnson, known also for his stints with Roy Buchanan and Otis Clay, plays guitar and shares the Producer role alongside Alligator President Bruce Iglauer and Koko. Vino Louden is on the record as well, Koko's lead guitarist and bandleader for the past ten years, as is Japanese born and bred Shun Kikuta, a well-known player in the Chicago area. Billy Branch's harmonica playing is incredible, and it often contains that James Cotton ruggedness. The piano skill of Brother John Kattke, also a prominent windy city pianist and guitarist, is truly amazing throughout. He adds stylish eloquence to much of the material. I could fill a page naming all of the fine musicians and others involved in making this record, but what's important is that it's Koko Taylor. Koko invokes the spirit of the Chess Records era once again with five original compositions and seven others in Old School. She's certainly the purveyor of the 'feeling' she has for this fine American music. Without a doubt one of the great living blues icons, it's good to hear that her health problems of recent haven't gotten the better of her, and that she still possesses her potent vocal talent. Albeit it's her first recorded release in seven years, but Koko Taylor proves once again she's still the Queen of Chicago Blues.
10 of 13 people found the following review helpful:
4.0 out of 5 stars
Koko is Really Good but Band Could Lighten It a Little,
By
This review is from: Old School (Audio CD)
Its been several years since Koko Taylor has had a new album. This is remedied by the new Alligator release, "The Old School." As the title suggests, the recording is directed to hard-hitting, old-school Chicago blues and includes five interpretations (most definitely not copies) of older songs along with some originals that Chicago's Blues Queen handles in her own hold-nothing back style. One track is by The Blues Machine, and the other eleven tracks have a studio band led by Criss Johnson and drummer Willie `The Touch' Sutton and guest appearances from Bob Margolin, Billy Branch an Kaz Kazanoff. Most of the new tunes are from Koko and 'Gonna Buy Me a Mule' is a striking song as she tells her man she's gonna take the place of him and the jaunty warning 'You Better Watch Your Step,' with Billy Branch (excellent through) playing some Jimmy Reed inspired harp. Bob Margolin adds slide guitar to Memphis Minnie's 'Black Rat,' and Lefty Dizz's 'Bad Avenue.' The arrangements of both tunes are a bit cluttered and the performances come off as too hectic. Criss Johnson who did the arrangements on this album, would have done well to have listened to Koko's first Alligator album, "I Got What It Takes," and have allowed more spaces in the backing, and not have come across overbearing like so much recent Chicago styled blues of the past few decades. I have no fault with Koko's performances as she sings really well here sounding so at home with the material. Its also nicely programmed with very nice covers of a couple songs associated with Muddy Waters, "Don't Go No Further," and "Young fashioned Ways." Just wish the attempt at being `old school' by the band had a bit more of a lighter swinging groove than they play with here. If I was giving this stars, 4 1/2 to Koko and 3 for the backing, or overall 4 stars.
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