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85 of 90 people found the following review helpful:
5.0 out of 5 stars
Thieves, Murderers and all of their Ilk, January 28, 2003
This book surprised me, not by the quality of its writing, which one can expect from Charles Dickens, but by the violent, lusty primal quality of the story. This is no dry musty tome, but a vital novel that arouses both passion and intellect. A literal page turner, I found myself having more than one sleepless night when I just couldn't put it down. Inside are some of the major characters in the realm of fiction; Fagin and his gang of child thieves, including the Artful Dodger. Nancy, the proverbial hooker with a heart of gold. Master Charles Bates (was this a pun even then?) Bad Bill Sikes, who shows the darker edge to all of this dangerous fun, and the innocent, pure Oliver Twist, who is the very definition of nature over nurture. A great book, and one that I am glad to have finally read.
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31 of 36 people found the following review helpful:
4.0 out of 5 stars
Little Orphan Oliver, January 14, 2005
Oliver Twist is one of Dickens' early novels - he worked on The Pickwick Papers, Oliver Twist and Nicholas Nickleby simultaneously - and one of his best loved. It has what you would expect from him: memorable characters, evocative descriptions, melodrama, pathos (more often bathos) and a plot that relies on completely incredible coincidences. These latter are sometimes explained away by the characters themselves as being ordained by Fate, benign or otherwise, and must have been more acceptable to a Victorian readership than to one of the present day, who are likely to groan at each 'who should it be but' revelation.
The crossovers with Pickwick and Nickleby are noticeable. For example, The Artful's court appearance is clearly intended to be as funny as Sam Weller's, although it pales by comparison.
The most famous character is of course Fagin, and Dickens' casual anti-Semitism in his treatment of him is another thing that might discomfit the modern reader. He references him as The Jew, always in a derogatory manner. That this is a reflection of contemporary attitudes can be seen from Scott's Ivanhoe, in which Jewish characters are treated with similar hostility and contempt. But it is not the main characters that are most successful - and especially not the title character himself, who is innocent and bland beyond belief - but the supporting cast; Mr. Bumble and his lady, the servants in the house that gets burgled, the old bachelor who keeps threatening to eat his own head, and many others. They make the book a delight.
As always, Dickens is the master of descriptive narrative and he conjures a grim and compelling view of Victorian London's underside.
If you have not yet read any Dickens, this is not a bad book with which to start, although for younger readers (teens) I would recommend Hard Times as their first. Either book will probably leave you, like Oliver, wanting more.
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16 of 17 people found the following review helpful:
5.0 out of 5 stars
A Page-Turner, February 21, 2002
A novel of this size can be daunting for the reader. "If I start this book, I'm going to have to spend the next month finishing it". That's what I thought anyway. But in Oliver Twist I sailed through the pages. It's rare that a classic, and I have read many of them, becomes a page-turner but this one did. Maybe I was lucky in not having seen the film versions prior to the reading of the book because I desperately wanted to find out what happened to Oliver and the multitude of other brilliantly written characters who inhabit the pages of Dickens' classic. The plot is simple. A boy escapes his orphan home to live in London with a group of thieves and pickpockets. He's saved from this depraved life by a kindly, lonely old gentleman. But the villains, Bill Sykes and especially Fagin, fear that the boy may rat them out and so they kidnap him back. Can Oliver make it back to the life he deserves? Oliver's story is not a very originally one, but it is enlivened by some of the greatest characters I've ever seen written. My personal favourites and there are many, are Noah Claypole who becomes a principle player and a very funny one at that, near the book's conclusion; and Mr. Brownlow, who's catchphrase "I'll eat my own head" had me bursting into laughter. The book is diminished by its excessive sentimentality at the conclusion. Its female characters, apart from the courageous Nancy, are written in a golden light so as to become fantasies rather than the gloriously dirty reality of their male counterparts. A sub-plot between Mary and her boyfriend is ridiculously excessive. Against these weaknesses, the book is a triumph of character. Often memorably played on screen, the two villains have become more famous than the title character, who is slightly simpering. Fagin is deliciously smarmy and Sykes is evil incarnate. They get their comuppance in justifiably brutal fashion. Dickens like most of us was a sucker for a happy ending.
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