To get the free app, enter your email address or mobile phone number.
Olivia Hardcover – October 1, 2000
Frequently Bought Together
Customers Who Bought This Item Also Bought
The New Yorker artist Ian Falconer's endearing charcoal portraits of his porcine heroine are spotted with fire-engine red gouache in all the right places--perhaps a tribute to Hilary Knight's red, pink, white, and black celebrations of Olivia's human counterpart? When she dresses up, the bow on her ears, her red lipstick, and her high-heeled shoes are all red. (The only time her shades-of-gray body is pink is when she is sunburned and the area where her bathing suit was is white!) Falconer does a fine job of letting the spare text set up the jokes for the visual punch lines--a dryly humorous interplay that adults will appreciate as much as children.
Preschoolers (and their parents) will see themselves in Olivia--a typical high-energy, over-the-top kid who likes the beach and Degas paintings, but hates naps. On the other hand, she combs her ears and is unusually gifted at sandcastle building. While we are certainly reminded of Eloise, Falconer's portrait is simpler in scope, less demented, and, as a result, less adult. Bottom line: precocious is fun, and we're tickled pink to have Olivia join the parade of, let's just say, individualistic youngsters. (Ages 4 to 8) --Karin Snelson
From Publishers Weekly
Copyright 2000 Reed Business Information, Inc.
Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series, and the first official Harry Potter story to be presented on stage. Pre-order the official script book today. Kindle | Hardcover
More About the Author
Top Customer Reviews
This simply is one of the finest children's picture books of the year, and sure to be named on everyone's Top of 2000 list. Quietly humorous and tongue-in-cheek narration, fluid and expressive black-and-white-and-red artwork, and the charming portrayal of the busy and mischievous Olivia make this an instant classic. Sight gags abound (Olivia's ambitious sandcastle, her pink-pink sunburn, her dreams of being a ballerina, and her songbook "40 Very Loud Songs") and Falconer, a New Yorker cover artist and theatre designer, portrays the never-ending energy of a tiny pig, er, girl, with wit and charm.
Don't miss this one: suitable for all ages from the very young to the very old, "Olivia" is the prize of the season. It's the kind of book kids will be begging to have read to them before bed: bargaining for not once, not twice, but three times.
Even more fun is Olivia's appreciation for art and the like. Imagine a little kid wanting a Callas picture book read to them. It's touches like this that make Olivia the clear winner as one of the best picture books to emerge this past year. I am hoping Falconer will write a few more books about this precious piglet. In the meantime, be proud to buy a copy of this book for yourself, even if you don't have any kids. It will definitely be the literary high point of your week.
The skill and subtly of shading is breathtaking. The minimalist palette (black & white plus red) is brave, and certainly helps to highlight key elements (mostly Olivia's clothes!). I am reminded of the ghost-activated inventory in The Sixth Sense. In any case it should come as no surprise that Mr. Falconer is a talented set designer.
What I didn't love:
The many examples of poor behavior.
I can accept that a piglet like Olivia has an ego bigger than her size belies. But letting a young child act out in a selfish and often destructive manner is no recipe for success. Maybe it works in a pigpen but then again, Olivia is anthropomorphized so we must hold her to a higher standard than most swine.
Painting on the walls à la Pollock and intentionally frightening her younger brother are actions not to be admired or laughed at. Olivia's parents are of course complicit to some degree. Allowing her to try on upwards of twenty outfits every morning, and negotiating before bedtime, would never stand in this house. Finally, and possibly most egregious, the goodnight exchange of "I love you anyway" seems far from a secure and sincere expression of love.
Like many children, Olivia is into many activities and uses her energy to the full extent. This book allows children to feel comfortable and secure in knowing that they can play all day, make mistakes, and wear their parents out without losing their love. It provokes children to be energetic and creative while enjoying the tales of lovable pig who inspires them to play and create.
Most Recent Customer Reviews
My daughter, in a nutshell. The perfect book for anyone with an artistically souled daughterPublished 19 days ago by Ashley
Great first Olivia book, my Granddaughters love it, they love the pictures!Published 1 month ago by Marianne Nelson
Beautiful and perfect condition! My daughter in law reads it every night as my grand babies bedtime story!Published 1 month ago by Amazon Customer
There are a lot of really bad kids books. This one is not one of them. I enjoy reading this book to my kids. The drawings are beautiful.Published 1 month ago by Samantha
I love the economy of color and simple, yet effective compositions. I am an illustration student and I am super inspired by he way black and white is balance with the red. Read morePublished 1 month ago by christine a burney
We love Olivia - even the toddler boys. Have to say that this particular copy was not in the best condition, very mildewy smell - must have been bought right after original... Read morePublished 2 months ago by LC
Olivia is delightful.
Most baby showers these days ask for "books" in place of cards. How fun it is to deliver an Olivia board book - along with some cute, cute,... Read more