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Olympus M ED 9-18mm f/4.0-5.6 micro Four Thirds Lens for Olympus and Panasonic Micro Four Third Interchangeable Lens Digital Camera
|Price:||$499.00 & FREE Shipping. Details|
|You Save:||$200.00 (29%)|
Overall score: 77%
See review summary and sample images
What is DPReview and its awards?
Digital Photography Review is the most popular dedicated enthusiast digital photography site on the Internet. Our authoritative reviews have earned us the trust of photographers and camera buyers all over the world, for more than 15 years.
Gold and Silver Awards are given to products that deserve special recognition based on how well they perform relative to their competitors at the time of review.
- 9-18mm focal length
- 18-36mm equivalent focal length on Micro Four Thirds cameras
- F4-5.6 maximum aperture; F22-22 minimum
- 52mm filters
- 0.25m/9.84" minimum focus
- Micro Four Thirds mount for Micro Four Thirds interchangeable lens cameras
- Super wide-angle M.Zuiko Digital ED 9-18mm F4.0-5.6 zoom lens; 35mm equivalent 18-36mm
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|Aperture Control Design||Aperture controlled by camera|
|Compatible Lens Hood Part Number||LH-55B|
|Compatible Mountings||Micro Four Thirds|
|Item Dimensions||2.24 x 2.24 x 1.97 inches|
|Item Weight||0.34 pounds|
|Lens Type||Zoom lens|
|Macro Focus Range||0.25 m|
|Maximum Aperture Range||F4.0 - F5.6|
|Maximum Focal Length||18 mm|
|Maximum Format Size||FourThirds|
|Minimum Focal Length||9 mm|
|Number of Diaphragm Blades||7|
|Number of Elements||12|
|Number of Groups||8|
|Photo Filter Thread Size||52 mm|
|Shipping Weight||0.51 pounds|
Review summary from DPReview
Olympus's ultrawide zoom for Micro Four Thirds offers impressive image quality plus fast and silent autofocus, in a tiny package that makes it easily the smallest lens of its type.
Scoring is relative only to the other products in the same category.
Sample images from DPReview
Sample images for Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6
From the Manufacturer
The M. Zuiko Digital ED 9-18mm F4.0-5.6 (35mm equivalent 18-36mm) lens is designed to maximize the performance advantages of the Micro Four Thirds System, and it's significantly lighter and more compact--easily fitting in a jacket pocket.
The new lens, made with ED (extra-low dispersion) glass for superior image quality, complements the design of the PEN cameras, including the powerfully simple E-PL1, making it the all-in-one package for consumers with any skill level, including those who are new to photography.
The Micro Four Thirds System standard meets the telecentric requirements of dedicated digital design. Light rays strike the imaging element nearly head-on for optimum edge-to-edge image reproduction. It also enables much more compact design than the Four Thirds System standard (or other interchangeable lens systems) because it reduces the outer diameter of the lens mount by 6mm, and the distance from the lens mount to the sensor (the flange back distance) by approximately half. As a result, M. Zuiko Digital Micro Four Thirds System lenses offer uncompromising professional quality for capturing both still-images and High-Definition (HD) videos, and the lenses are exceptionally compact to make capturing your life more fun.
The super wide-angle M. Zuiko Digital ED 9-18mm F4.0-5.6 zoom lens (35mm equivalent 18-36mm) offers a 100 percent angle of view, and overturns the rule that super wide-angle zooms have to be big and heavy. With a length of just 49mm and a weight of just 155g, it is less than half the size and 60 percent of the weight of the ZUIKO Digital ED 9-18mm F4.0-5.6. With its wide angle of view, including background scenery in group photos is a snap, and it can be used to create unique images with a sense of dramatically exaggerated perspective.
By maximizing the advantages of the Micro Four Thirds System design, compact size, low weight and amazing image quality, the new lens significantly expand the photographic potential of the system. The inner focusing mechanism uses a light, compact, single-element unit to enable exceptionally fast, quiet autofocusing for smooth, superior operating ease during still and video capture. The manual focusing mechanism is designed to offer a responsive feel and precise operation, enabling you an affordable, high-quality means to capture your life in stills or HD videos.
The 9-18mm lens also offers quieter and more responsive AF performance, and provide professional image quality for capturing amazing still images and videos. It is compatible with all Micro Four Thirds System Olympus PEN cameras, and all other current and future cameras that comply with the Micro Four Thirds System standard. When mounted on an Olympus PEN camera, the lens is stabilized thanks to the camera's in-body Image Stabilization system and offer effective shake compensation at all focal lengths.
Read about our customers' top-rated lenses and cameras on our review pages: Lenses, Digital SLR Cameras, Compact System Cameras
Top Customer Reviews
For a long time I only had the 7-14 and the 20mm pancake and I have to say it changed my picture taking. Limited to this range, with no long zoom, I began to seek wider perspectives, and ways to use depth of focus to pull out an object that would otherwise be lost in its surroundings. Soon, my portraits, especially of groups, started to swim in context, something so often lacking in portrait photography. But most notably both lenses produced fabulous images, rich and deep in color, crisp and worth taking time to really study, rather than glance at.
I still longed for a telephoto, but was unsure whether the current 45-200 would meet the same optics standards as the 20 and 7-14 so I held off.
Then came the Olympus 9-18. Initially I dismissed news of the lens as covering an area I already had well in hand, but then I read reviews and began to think about it. Deciding to take the plunge I ordered the lens pretty much the day it came out and was surprised when it came very quickly. It is stunningly small, not to pile on but it is something to remember because it takes BIG images. Sweeping shots that encompass the scene and deliver it in one big, satisfying mouthful to the viewer. At the end I could find little to differentiate the images from the 7-14 barring the added range at the bottom end, which should not be discounted. But soon I found I was not carrying the 7-14 anymore. It was larger, more specialised.Read more ›
Probably everyone is wondering the same thing as I did: The Panny 7-14mm, or Olympus m.zukio 9-18mm?
So I bought both. While testing showed in daylight they are about the same, low light was interesting. First let's tak about the size.
When you see these two diminuitive lenses, you may think, I spent how much for this?? But this is one of a few cases where less really IS more. The Oly lens is about the size of a small jar of baby food, the Panny is probably a about the size of those half cans of Coke. Both are so small/light (compared to the GH1 14-140mm) you may think you forgot the lens. GH1 feels like a toy, but it's really a powerful tool I can carry all day, no sweat.
These ultra-wides beg to be used indoors or to capture places like Times Square. Needless to say, you don't always get good lighting indoors. So speed of the lens was a concern. I shot 200 photos in a high end hotel lobby--dim lights, wonderful artwork, walnut bars, you know the place. I shot ISO100 and 400 in raw and on tripod w/ timer to ensure minimal external influence.
Both WA lenses produced RW2's that were brighter than what I saw with the naked eye. Also, both are significantly sharper than the stock GH1 14-140mm lens, in fact on par or better than just about any WA lens I have used. While both are pretty sharp lenses, I found the Olympus to be slightly sharper in just about every test I ran. I was astonished I could see details on a wine bottle label 15 feet away in Adobe Bridge.Read more ›
A slight amount of chromatic aberation is apparent in the corners of the image but not in the central area, not objectionable to my eye and easily corrected.
The 35mm equivalent 18-36mm field of view is outstanding on a Micro Four Thirds camera -- especially for such a small and lightweight lens.
The chief competitor is the Panasonic 7-14mm lens, also rated highly by reviewers and offering the advantages of wider field of view (35mm equivalent 14-28mm) and some auto-correction when used on a Panasonic camera but more expensive, larger and does not accept filters.
This lens is not stabilized on a Panasonic camera but is stabilized on Olympus cameras since they have camera-body stabilization -- although a wide angle lens shows little hand vibration.
I would give the lens 5 stars but I'm disappointed at this price that it comes without a hood or even a soft case, items that are included on lenses like the Panasonic 14-45mm, 45mm and 45-200mm lenses.
Overall, I highly recommend this lens so far based on a few days use.
Most Recent Customer Reviews
Great entry level wide angle lens and easy to carry on hikes.Published 2 months ago by Tom Atkinson
The Olympus 9-18mm f/4-5.6 (18-36mm equivalent) is a diminutive, collapsible wide angle zoom for the micro 4/3 system. Read morePublished 2 months ago by Moreno Tagliapietra
best lense ever. I brought this one to zion. It takes great picture effortlesslyPublished 3 months ago by jeff
Very pleased with this lens. Photos are distortion-free, and the wide-angle range offers more freedom and possibilities than a fixed-range lens.Published 4 months ago by Lola Jo Moss
This has become my favorite lens for my Olympus E-M5 Mk II camera. It stays on as my primary lens. Terrific color rendition and contrast. Read morePublished 5 months ago by Paul
This lens has proven more useful than I thought. It's amazing in both tight and wide open spaces.Published 5 months ago by Benedict Zoe
Excellent lens. Very handy for street photography. I am keeping it all the time in my OM-D5
I hang around with this one, and my D7100 with the 18-200 on the other shoulder. Read more