Olympus OM-D E-M5 16MP Live MOS Interchangeable Lens Camera with 3.0-Inch Tilting OLED Touchscreen (Silver)

by Olympus

• The High Resolution 1.4million dot EVF, with a 120 fps refresh rate, is a 100% accurate high eye point electronic viewfinder
• 16 megapixel live-mos sensor & truepic vi image processor
• World's fastest autofocus
• In-body image stabilization
• 3" 610,000 dot tilt/touch oled

Product Details

• Product Dimensions: 4.8 x 3.5 x 1.7 inches ; 1 pounds
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S.
• ASIN: B0074WDFOK
• Item model number: V204045SU000
• Batteries 1 Lithium ion batteries required. (included)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (184 customer reviews)
• Amazon Best Sellers Rank: #304 in Camera & Photo (See Top 100 in Camera & Photo)
  • #5 in Electronics > Camera & Photo > Digital Cameras > Compact System Cameras
• Date first available at Amazon.com: February 7, 2012

Product Description

Color: Silver | Style: with 12-50mm Lens

From the Manufacturer

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THE BEGINNING OF THE NEW

A new era in digital SLR technology is about to begin. Up to now, digital SLRs simply replaced film with an electronic imaging device, which did not significantly change the products in terms of size, weight and user interface. The new, revolutionary mirrorless camera, the OM-D E-M5, has an exceptionally light and compact body. Its Electronic View Finder enables photographers to check exposure levels, white balance and preview Art Filter effects in real-time. When shooting, the photographer can instantly "create" a truly unique world and preserve it in exceptional quality. The "world" will be transformed from something you see to something you "take part" in.

The OM-D is a groundbreaking, new digital interchangeable lens camera perfect for people who want to "take part", "create", and "share".

ELECTRONIC VIEWFINDER

The OM-D's new high-resolution electronic viewfinder (EVF) features a 100% field-of-view coverage and 1.15x maximum magnification that let you totally immerse yourself in your subject, and actively control image creation. The EVF also enables you to enlarge the focus point for precision focusing in virtually any shooting situation, and can show you the effect of Highlight & Shadow Control, White Balance, Exposure Compensation, Aspect Ratio, and a host of other settings and advanced digital image processing functions right in the viewfinder. With improved precision and responsiveness that make it as easy to use as an optical viewfinder, the OM-D's advanced EVF gives you virtually unlimited creative control.

HIGH IMAGE QUALITY

Three key factors contribute to the OM-D's unprecedented image quality: a wide lineup of M.ZUIKO DIGITAL lenses for sharp, clear subject capture, a new 16-megapixel Live MOS image sensor for rich tonal expression, and an advanced TruePic VI image processor for superb color fidelity. The optimal balance of these factors ensures the high resolution, sensitivity, and color accuracy you need to brilliantly capture the world around you.

FAST AF

The world's fastest* AF system, FAST AF, has been made even faster and more accurate on the OM-D. Improved new 3D Tracking AF assures you won't miss the moment even when subjects move toward or away from you, and the new high-sensitivity image sensor ensures superior AF performance even in dim light. *Among digital cameras with interchangeable lenses available as of February 8, 2012, when using the OLYMPUS M. ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with the E-M5, based on Olympus in-house measurement conditions.

9 FPS HIGH-SPEED SEQUENTIAL SHOOTING

Thanks to the new 16-megapixel Live MOS image sensor's high-speed read-out performance, the OM-D offers maximum sequential shooting at 9 fps, making it easy to capture sports action or fast-moving subjects such as pets and wildlife. In addition, a compact new high-speed shutter mechanism enables the OM-D to offer this performance without compromising the handling advantages of a light and compact body.

5-AXIS IMAGE STABILIZATION

The OM-D is equipped with the world's first 5-axis image stabilization system, and can compensate for vertical, horizontal, and rotational camera shake that conventional 2-axis systems of the past have been unable to handle. Built into the camera body to ensure effective stabilization with all lenses, its unique 5-axis design makes it particularly effective when taking high-magnification telephoto shots, macro close-ups, and long exposures. In addition, it can be activated by pressing the shutter button halfway, so you can also use it to stabilize the viewfinder image and obtain a crisp, clear view of your subject that makes it easy to frame and compose your shots.

DUST-PROOF & SPLASH-PROOF CONSTRUCTION

Trouble-free shooting in all environments is assured by our proven dust-proof and splash-proof technology. Numerous specially constructed seals throughout the body protect the camera from sand, dust, rain, and water spray, making it ideal for all kinds of outdoor shooting. What's more, this protection extends to the M.ZUIKO ED 12-50mm F3.5-6.3 EZ lens, the bundled detachable flash unit, and the optional HLD-6 grip and power battery holder.

TILTING 3-INCH OLED TOUCHSCREEN

In addition to offering dial and button controls, the OM-D is the first Olympus camera to feature a tilting touchscreen monitor for intuitive fingertip operation. The 3-inch OLED touchscreen delivers high-resolution images of your subject with rich color reproduction. It also responds instantly to your touch with fast operation that makes it easy to focus on subjects, play back images, and adjust settings such as exposure and white balance.

LENSES AND ACCESSORIES

In addition to its new electronic motorized M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with quiet, linear drive AF, the OM-D is supported by an ever-expanding range of wide-angle, macro, portrait, and telephoto Micro Four Thirds M.ZUIKO DIGITAL lenses. System accessories include cases, straps, filters, external flash units, and mount adapters for Four Thirds System lenses and OM System lenses.

Product Description

A new era in Micro Four Thirds technology is about to begin. The new, revolutionary mirrorless camera, the OM-D E-M5, has an exceptionally light and compact body. Its Electronic View Finder enables photographers to check exposure levels, white balance and preview Art Filter effects in real-time.Memory Card Type: SD, SDHC, SDXC.What's in the box: Olympus OM-D E-M5 Micro Four Thirds Digital Camera with 12-50mm Lens (Silver Body, Black Lens, 12-50mm Lens, Front/Rear Lens Caps, Body Cap, BLN-1 Lithium-Ion Battery, FL-LM2 Flash Unit, BCN-1 Battery Charger, USB Cable, A/V Cable, Shoulder Strap, Olympus Viewer 2 CD-ROM and 1-Year Limited Warranty.

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Color: Silver | Style: with 12-50mm Lens

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Customer Reviews

4.6 out of 5 stars

(184)

4.6 out of 5 stars

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129

4 star

40

3 star

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See all 184 customer reviews

“ The OM-D E-M5 looked like it would be "the one," and it's a great camera, for sure. ” Steve Kass  |  60 reviewers made a similar statement

“ The camera feels very solid and well built. ” R. Ortiz  |  70 reviewers made a similar statement

“ Lots of dynamic range, low noise, good clarity or detail even at the higher ISO settings. ” Anonymous  |  67 reviewers made a similar statement

Most Helpful Customer Reviews

321 of 327 people found the following review helpful

5.0 out of 5 stars E-M5 review from a previous PEN owner April 24, 2012

By Michael Gakuran

Style Name:with 14-42mm Lens|Color Name:Black

I've been invested in the m43 format since the launch of the E-P1 in summer 2009, successively moving up to the E-PL2, E-P3 and now the OM-D E-M5. Features have been added and the cameras tweaked with each generation, and it's safe to say that Olympus have produced their best m43 camera yet in the E-M5. But there is a lot of competition out there, and the robust E-M5 with built-in electronic viewfinder (EVF) may not be the best option for everyone. Let me walk you through my experience using the camera having upgraded from past models. (Note I'm based in Japan, which is why I have the camera early).

[Size and Weight]

My initial reason for choosing the mirrorless m43 (micro four thirds) format was a desire to have a high quality imaging sensor inside a compact camera body. I did not want to carry around the bulk and weight of a DSLR camera, but was tired of the poor performance from point and shoot cameras, especially in low light. The Olympus PEN series met my needs perfectly in this respect, and have retained their small form factor throughout the range, despite consistently improving and adding features.

The E-M5 is no exception - it is the same width as the E-P3, with a little extra height because of the EVF on top of the camera and 50g heavier, weighing in at 425g with battery. In pictures online, it can look rather large, but after holding the camera in my hands, it became clear just how small it really is. The E-M5 is certainly not a pocket camera (although it will fit into large coat pockets), but the form-factor and equally small, lightweight m43 lenses mean it is an excellent choice for hiking and travelling, especially if you value its robust body and weather sealing....

[Build Quality]

The E-M5 boasts a tough magnesium alloy shell and weather sealing. Videos posted online showing the camera having water poured on it and shooting out in the rain are testament to its high quality construction, although do note that `splash-proof' is not `water-proof'. You probably shouldn't submerge the camera in water, and note too, that you'll need weather-sealed lenses to fully utilise the benefits (as of today, only the 12-50mm kit lens is weather-sealed, with a 60mm weather-sealed macro lens on the way).

The camera has a lovely heft to it when held in the hand and suitably good grip - certainly heavier than most point and shoot cameras, but lighter than most DSLR cameras. In contrast to the PEN cameras, the E-M5 has a slightly protruding thumb `hook' on the back that really aids stability, as well as a nice grip (with the option of an external grip and additional battery holder available separately to help when using larger lenses).

[Functionality]

The biggest departure from the previous PEN models is undoubtedly the bult-in EVF and two dials on top of the camera. The EVF is similar to the VF-2 that Olympus sold separately to complement the PEN cameras and provides a bright and useful display. For users who like viewfinders, this is a long-awaited addition and most people will not be disappointed. The 100% field-of-view 1.15x EVF is, as current technology goes, one of the best (although the magnification is not as good as the GH-2 EVF with 1.42x, providing a larger image).

The two dials on top of the camera allow access to various functions, but most people will use them to change the aperture, shutter and exposure compensation. You can also assign functions such as manual mode or focus zoom to one of 3 function buttons on the camera. The rear control pad is also customisable, meaning it is finally possible to access all of the main settings without having to dive into the detailed menu system.

One of the most pleasing things for me was finally being able to use the camera while wearing gloves (something I could not do easily with the previous PEN cameras). Although it can still be difficult to use the rear control pad while wearing gloves, the main settings assigned to the dials and function buttons are easily useable. Another little tweak that I love is the offset tripod mount (to accommodate for the additional grip the E-M5 is able to use). This means that I can now change the battery while the camera is mounted to a tripod plate. Thumbs up!

The 9fps shooting speed mentioned is without AF and IBIS turned on, but it's certainly a welcome addition over previous PEN models. I've used it for bracketing shots when creating HDR photos. You can shoot a maximum of 7 photos in bracketing mode to capture the dynamic range of the scene and then combine them later in software. Using the 9fps speed, this is done in an instant, and it may even make handheld HDR bracketing possible. It's also worth noting that the E-M5 is compatible with 3rd party intervalometers such as the JJC TM-J that support the Olympus RM-UC1 remote to do timelapse shooting.

[Autofocus Speed]

The m43 cameras have made incredible progress in improving autofocus speed since their initial launch and are far better than the sluggish focus of the original E-P1. Previous Panasonic cameras like the GH-2 held the crown, but in the latest generation of PEN cameras and with the new OM-D line, autofocus speed matches the Panasonic models and even surpasses it in some tests. The bottom line is that the E-M5 can hold its own against consumer DSLRs in autofocus speeds, with perhaps two caveats: 1) that AF slows down in low light and 2) that AF tracking when shooting sports is still not quite as good as DSLR rivals. That said, the E-M5 has some big improvements in this area, and can quite reasonably track moving objects while shooting at a respectable 4fps.

[Sensor and Noise Performance]

One of the bigger criticisms of the E-P3 and other PEN cameras was the ageing 12MP sensor inside the camera. While it was still perfectly good for shooting at lower ISOs, its performance suffered when moving up, especially beyond ISO1600. The Panasonic GH-2 arguably had the best noise performance of a m43 camera up until now, but the E-M5 can be said to claim this crown. A new 16MP sensor inside the camera offers about 1 - 1.5 'stops' of improvement in noise performance. Basically this means that if you thought ISO1600 on the previous PEN cameras was acceptable, you will likely be happy with ISO3200 on the E-M5.

As usual, Olympus offer lovely Jpegs with gorgeous colours straight out of the camera for users who do not like to post-process their images in software. But for users who do, the Raw files offer more flexibility and noticeably increased dynamic range over previous PEN cameras (also about 1 - 1.5 'stops' improvement), allowing highlights and shadows to be pulled back. Practically speaking this means less white skies and richer colours! Noise is also very well controlled and easily reduced in software afterwards.

[In-Body Image Stabilisation (IBIS)]

The image stabilisation built into the camera body is, in my opinion, one of the strongest reasons for considering the PEN line or OM-D line over other mirrorless cameras like the Sony NEX series or Panasonic cameras. The previous IBIS system built into the PEN cameras was already good, but Olympus have found a way to improve it even further. Marketing tells us it's a 5-axis IBIS system that constantly stabilises the sensor, and indeed it does. You can see it kick in as the sensor moves into position when you power on the camera.

The biggest area this offers improvement in is the video mode (although naturally, still shots also benefit). The E-P3 was notorious for its rolling shutter and jellylike wobble when it received even the slightest bump. The E-M5 and its new IBIS system completely removes this wobble and significantly reduces the rolling shutter effect. What this means is that you can take very smooth videos handheld, so much so that you might even have been mistaken for using a steadicam in some cases. It isn't a substitute for a steadicam however, and walking with the camera will still introduce a minor amount of image `shifting' as the sensor compensates for the movement. But handheld panning and careful walking with the camera is as smooth as could be.

[Touchscreen]

One of the most interesting and pleasing features of my E-P3 was the capacitive touchscreen. Perfectly implemented with just 3 `modes' - off, on to focus, or on to focus and take picture. Some might view this feature as a gimmick, but I found it exceptionally useful. Rather than focus and recompose the shot like in traditional cameras, you can simply compose your shot and lightly touch the screen to focus on your desired area and take the shot. I found it very useful for macro work, as well as general shooting when out with friends. The E-M5 continues this feature, and the beautiful OLED screen works like a charm.

[Lens Selection]

Another reason I chose the m43 format (supported by Olympus and Panasonic, as well as other 3rd party makers) over competing cameras such as the Sony NEX series is the large selection of lenses available. This still continues to be the case. Using a bright prime lens such as the Panasonic 25mm f/1.4 and coupled with the improved high ISO noise performance, I find the E-M5 to be formidable in low light. (If you are on a budget, consider the equally-excellent Panasonic 20mm f/1.7 pancake lens or Olympus 45mm f/1.8 portrait lens).

It obviously will not match a full frame sensor's performance, but the difference between the E-M5 sensor and the larger APS-C sized sensors like the one in the Sony NEX series is very small. A larger sensor means better noise performance (cleaner pictures), but a smaller sensor means smaller and lighter-weight lenses can be made for the camera. All things considered, I find the m43 system to provide the best balance between all these factors, with the E-M5 and GH-2 providing the best sensor performance among m43 cameras.

[Criticisms]

I do not have any serious criticisms of the camera, but rather a few niggling complaints that I will list below.

- The camera makes a low fan-like/humming noise when switched on that is audible in quiet environments. This is normal and a result of the always-on new IBIS system. Most users will not be able to hear it in regular shooting. Also note that the noise is lowered and essentially gone when in video mode, meaning it does not affect video. However, it is worth noting as many will be surprised when first turning the camera on and it may prove annoying for some people who shoot often in quiet environments.

- The position of the viewfinder and small size of the camera mean that for left-eyed shooters, you may find your nose slightly squashed against your thumb when holding the camera. If concerned about this, it would be best to check at a store first. I found using my right eye avoided this problem.

- No built-in flash. Although an extra mini flash unit is provided in the box, users who value having a flash built into the camera body may be disappointed. I used to value this feature until I realised I rarely use the built-in flash at all (and quite often it isn't powerful enough to improve pictures). For those occasions where I need a flash however, I can take the little flash unit with me.

- New battery. The battery used is not the same as previous PEN cameras, meaning you'll need to buy replacement batteries (I take 2 spares on a heavy day's shoot). Olympus are usually good with this though, and I think we can expect the new battery will be used across the OM-D line in future models.

- High cost and lots of customisability. This isn't really a negative so much as a realistic assessment. For many point and shoot upgraders, the E-M5 may be more than you need. Indeed, the camera is larger than other PEN models and offers lots of flexibility to customise controls (meaning the menus are suitably packed with features). Although you can just use the camera in P or iAuto mode, you can find much cheaper PEN cameras that will still offer great image quality in a smaller package. For those who want the best possible image quality and value the EVF and extra controls, the E-M5 will not disappoint.

[Final Thoughts]

I've never owned a m43 Panasonic camera myself, so it would be unfair of me to compare the E-M5 to the GH-2 (its nearest competitor), but for the image quality I've seen online, the two cameras are close, with the edge for the E-M5. You may also find the Panasonic G-3 a cheaper alternative that offers competitive image quality. Similarly, the Sony NEX cameras such as the NEX-5N and the Fuji XPro1 will give you better image quality than m43 cameras, but at the expense of a wide-ranging and small lens selection and at the expense of functionality.

There isn't a great deal I'm left wanting from the E-M5. Perhaps faster AF tracking for sports and full speed AF support for older 43 lenses when used with an adapter (there does not seem to have been much improvement here between the E-P3 and E-M5). Also, 1/8000 second max shutter speed and ISO 100 (the range begins at ISO200, like previous PEN models) would be welcome. A mic-out port for monitoring video using external headphones and 24p mode would also be nice.

It will be exciting to see what Olympus can innovate next to improve upon the camera. But for the time being, I feel happy awarding it 5 stars when compared to other cameras within the same class. If you feel the niggling faults are serious however, feel free to subtract one. Read more ›

135 of 138 people found the following review helpful

5.0 out of 5 stars Amazing little wonder May 25, 2012

By A. Stegeman

Style Name:Body Only|Color Name:Black

First, who I am: I'm an avid street photographer who usually has 1-2 gallery showings a year and occaisionally gets my photos picked up by the papers--I've been into photography for alomost 50 years and teach it at the university level. While I bought the camera with the 12-50mm kit lens, most of my shooting has been with the Panasonic/Leica 25mm f:1.4 lens, as I just prefer shooting with a fast, standard focal length, prime lens. I'm just telling you this because some of the things that might wow me might be inconsequential to a novice photographer who just wants to point and shoot (although the camera does that as well).

All of that out of the way, this camera is just plain nuts (in a good way). Unless you're really splitting hairs, this tiny little camera can pull in virtually the same shots that a big, bulky, pro DSLR can. Honest. I've been getting stunning images in the most photographically problematic situations ever since I started shooting with this thing--If you don't believe me, go to [...] and do your own side by side comparisons. Did I say it was small? Not only can you carry it with you all day, but when you hold it in your hands you just know that the magesium frame is going to take all the abuse you can throw at it. This camera doesn't just look like the legendary Olympus OM-1 & 2 cameras from the 1970's it's inheritted the very same strong and sveldt spirit which made them so appreciated by both professional photojournalists and enthusiasts.

Aside from the size and image quality, this camera is also blistering fast with its autofocus--as in how can it do it that fast?... But as frosting on the cake, the auto zoom-in of the EVF when manually focussing makes going that route a snap, even for somebody with poor eyesight, like me--way beyond what one can do easily on a DSLR. And while a mere 9 frames per second might just be so-so for a pro DSLR, it's plenty fast for more than 99% of the photographers out there. I could go on and on.

The worst part of owning this camera now is that every day I have to look at well over $10,000 in my DSLR gear which I haven't touched since getting this mighy mite.

If you're serious about photography and want a cary-with-you-anywhere-do-anything camera, and you can afford the serious money that Olympus is asking for this camera, just do it. Read more ›

122 of 128 people found the following review helpful

5.0 out of 5 stars From a Fujifilm X100 Owner: 1 Month Use May 8, 2012

By E. Nguyen

Style Name:with 12-50mm Lens|Color Name:Silver

SIMPLY A JOY TO USE
I took a leap of faith and sold my precious X100 to buy this camera. I've had the EM-5 for almost a month now and I just love it. To me it's almost the perfect camera. I enjoy using it every time and it makes photography fun for me again.

WHAT I WAS LOOKING FOR
A small lightweight camera with great versatility for outdoor hikes, indoor portraits and low light photography. The X100 was charming and produced beautiful OTC jpegs, but it did not have the versatility of an all-in-one camera that I was looking for to replace my DSLR. Focusing was too slow for taking pictures of my nieces or any action photography, focal length was not ideal for portraits or wild life shots, and video recording features were limited. It did excel at street photography but I wanted more.

WHAT I FOUND IN THE EM-5
Since you can change the lens, the possibilities are endless with the EM-5. Especially when paired with an exceptional lens like the Olympus 45mm or Panasonic 25mm, the Olympus can produce some breathtaking results. There are more controls and settings for movie recording. With lenses that feature MSC, zooming and focusing is absolutely silent. You can also add external mic input with an adapter and there are custom settings galore! It is more of an investment than the X100 with all the lenses but that depends on what you want out of it. IBIS let's me slow down the shutter speed to 1/20 of a second hand held so I don't have to stick to 1/60th and crank up the ISO.

IMAGE QUALITY
Although the EM-5 has a smaller the sensor, the image quality is very high. I would even say that the raw files from the EM-5 are equal or sometimes better than the X100.... I still prefer the X100's beautiful jpeg engine but the EM-5 jpegs with noise reduction off and sharpening tone down are also superb. It's amazing how much detail you can get out of the raw files with the small 16MP sensor. I was initially worried that I would be sacrificing some image quality jumping into the EM-5 but my worries are non existent now. I don't hesitate cranking the ISO up to 6400 either, especially if I know it's not for prints. But do yourself a favor and get at least one tack sharp prime lens for the EM-5 (Olympus 12mm, 45mm, or Panasonic's 20mm and 25mm) so you can appreciate this camera.

FOCUSING
With an MSC lens, focus is blazing fast and accurate. DSLRs might still have the advantage in extremely low light but the size tradeoff isn't worth it to me. X100 can not compete here at all. 3D Tracking only works with slow moving object but maybe a future firmware will make it more useful.

BUILD QUALITY
I wish the EM-5 was made in Japan like the X100 but the build quality is solid. What drove me crazy was dust getting into the viewfinder of the X100, but the EM-5 is dust proof and weather sealed. The paint is not impervious to wear but neither was the X100. They both feel like quality cameras in your hands.

HANDLING
The EM-5 feels more compact to me and has the perception of a more compact camera (unless you stick a giant telephoto lens on it). I like the layout of the X100 better and it feels less cramped. But with the optional hand grip or a half case, the EM-5 would be perfect. Buttons on the X100 feels a bit more responsive and I loved how you can add your own custom shutter button. However, the EM-5 camera setting don't get bumped around in your bag like the X100 since the dials are not notched to specific values. (There were times when I had exp compensation set to +/- 1 without noticing.) You can pretty much customize everything on the EM-5 which was something users complained about on the X100. (Took them a year to update the firmware just so you can set the raw button to something else useful.) Both the EVF and tilting OLED screens display images beautifully, and I'm usually not a fan of EVFs. The touchscreen is great advantage for selective focusing and quickly changing settings. The X100's hybrid viewfinder was extremely cool but the EM-5's EVF and tilting screen combo is much more practical. I do miss the X100's aperture ring on the lens, intuitive controls, and quiet leaf shutter with 1/2000 flash sync, but overall the speed and customization of EM-5 wins over the X100. Both of them have convoluted menus but with the EM-5, once you've customized everything, there's very little need to go back.

LOOKS AND FEATURES
X100 is gorgeous and has a classic look but my silver EM-5 is a close second, especially with a silver lens... stunner. EM-5 has features out the wazoo! More than you'll ever need probably. I especially like the diorama art filter and being able to take 3D photos. X100 is simple and their classic film filters will be missed, but the EM-5's 5-axis IBIS and 9fps shooting is killer.

QUIRKS ON THE EM5
IBIS humming is there and noticeable indoors. The EVF auto switch sensor is very close to the lcd screen so sometimes it switches when you're touching the screen. Left side ports are hard to get to without first tilting the lcd screen out. I don't mind these few quirks since the X100's list of quirks was much longer and annoying.

CONCLUSION
I do not regret selling my X100 or my Canon DSLR at all. With the right lenses, the EM-5 does everything I want/need it to. Image quality is superb and almost all the settings can be customized. Everything is packaged in a nice compact and weathersealed body that's reasonably priced for what it delivers. It lets you shoot photos without getting frustrated and gives you more creative freedom than most cameras on the market. I did not care for the m4/3 system before but the lens selection is awesome and is still growing. The EM-5 made me a believer that you can have everything you want in a camera without lugging around a 25lb kit. Unless you want to shell out for a Leica or need the quality of a medium format camera, I see no reason to get anything else until Olympus makes and EM-6.

P.S. I don't compare the EM-5 to the original OM series. I think it's irrelevant and snobby. They both great photographic achievements in compact photography during their time. I hate useless reviews like on DigitalRev.com where all they talk about is how it's not like the original OM series... rubbish. The EM-5 is like nothing else in it's market and should be commended for it. Yeah the Nex-7 and X Pro 1 has APS-C sensors but how many lenses are available for those systems? X Pro1 focusing is still slow and it's a clunky camera that's not really compact anymore. The Nex-7's EVF, although crispy, is quite laggy, not as enjoyable to use overall. The Panasonic GX1 might have a 16mp sensor but it's what you do with the sensor that counts. If you're looking at this camera, it's really a no brainer when you get features here that you only find in top of the line DSLRs. Read more ›

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Most Recent Customer Reviews

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Customer Questions & Answers

Please make sure that your post is a question about the product. Edit your question or post anyway.

Any signs of life on delivery of OM-D E-M5? Have been waiting for info since Feb. Any...

Out of the free offers the wireless flash is far the most useful, I think; it can trigger the default flash (the one comes with the camera) so you can take on some pretty elaborate macro etc shots.

Apr 3, 2012 by Levente Szileszky  |  See all 51 answers

OM-D E-M5 vs Sony Nex-5n: Any news from buyers in North America with updates as to...

Sue, if you plan to stick to one system, you will want to buy the Olympus. The in-body stabilization allows it to work with any m4/3 lens, and the Olympus and Panasonic lenses are terrific. Buy the 45mm lens - open the aperture... Read more

Apr 3, 2012 by M. Dorsey  |  See all 5 answers

Giving Olympus Another Chance? Any news from buyers in North America with updates as to...

I replaced my Canon 60d and smaller Sony A55 with an Olympus E-P3. I've owned several intro/mid-level dSLRs, and I would say the E-P3 was my favorite camera of all time. My pictures were amazing, it was fast, and best of all... Read more

Apr 12, 2012 by iMe  |  See all 9 answers

Olympus OM-D: What is it really worth? My question is: based on past experience and/or...

It's not going to drop in price at all within 2-6 months. Look at other similar cameras, the NEX-7 for example, it hasn't dropped in price. The E-P3 also took a while to drop $100 on Amazon, and has not dropped in price at... Read more

May 8, 2012 by iMe  |  See all 3 answers

Hi, can you clarify what lens comes with the OMD EM5?

The kit lens is a weather sealed 12-50mm with macro capabilities. Due to the crop factor the lens effectively becomes a 24-100mm equivalent for a standard 35mm sensor.

Mar 10, 2013 by JaySin  |  See all 13 answers

AF does not work with my 50-200mm ED SWD lens in conjunction with EC-20 doubler. Should...

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THE BEGINNING OF THE NEW

A new era in digital SLR technology is about to begin. Up to now, digital SLRs simply replaced film with an electronic imaging device, which did not significantly change the products in terms of size, weight and user interface. The new, revolutionary mirrorless camera, the OM-D E-M5, has an exceptionally light and compact body. Its Electronic View Finder enables photographers to check exposure levels, white balance and preview Art Filter effects in real-time. When shooting, the photographer can instantly "create" a truly unique world and preserve it in exceptional quality. The "world" will be transformed from something you see to something you "take part" in.

The OM-D is a groundbreaking, new digital interchangeable lens camera perfect for people who want to "take part", "create", and "share".

ELECTRONIC VIEWFINDER

The OM-D's new high-resolution electronic viewfinder (EVF) features a 100% field-of-view coverage and 1.15x maximum magnification that let you totally immerse yourself in your subject, and actively control image creation. The EVF also enables you to enlarge the focus point for precision focusing in virtually any shooting situation, and can show you the effect of Highlight & Shadow Control, White Balance, Exposure Compensation, Aspect Ratio, and a host of other settings and advanced digital image processing functions right in the viewfinder. With improved precision and responsiveness that make it as easy to use as an optical viewfinder, the OM-D's advanced EVF gives you virtually unlimited creative control.

HIGH IMAGE QUALITY

Three key factors contribute to the OM-D's unprecedented image quality: a wide lineup of M.ZUIKO DIGITAL lenses for sharp, clear subject capture, a new 16-megapixel Live MOS image sensor for rich tonal expression, and an advanced TruePic VI image processor for superb color fidelity. The optimal balance of these factors ensures the high resolution, sensitivity, and color accuracy you need to brilliantly capture the world around you.

FAST AF

The world's fastest* AF system, FAST AF, has been made even faster and more accurate on the OM-D. Improved new 3D Tracking AF assures you won't miss the moment even when subjects move toward or away from you, and the new high-sensitivity image sensor ensures superior AF performance even in dim light. *Among digital cameras with interchangeable lenses available as of February 8, 2012, when using the OLYMPUS M. ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with the E-M5, based on Olympus in-house measurement conditions.

9 FPS HIGH-SPEED SEQUENTIAL SHOOTING

Thanks to the new 16-megapixel Live MOS image sensor's high-speed read-out performance, the OM-D offers maximum sequential shooting at 9 fps, making it easy to capture sports action or fast-moving subjects such as pets and wildlife. In addition, a compact new high-speed shutter mechanism enables the OM-D to offer this performance without compromising the handling advantages of a light and compact body.

5-AXIS IMAGE STABILIZATION

The OM-D is equipped with the world's first 5-axis image stabilization system, and can compensate for vertical, horizontal, and rotational camera shake that conventional 2-axis systems of the past have been unable to handle. Built into the camera body to ensure effective stabilization with all lenses, its unique 5-axis design makes it particularly effective when taking high-magnification telephoto shots, macro close-ups, and long exposures. In addition, it can be activated by pressing the shutter button halfway, so you can also use it to stabilize the viewfinder image and obtain a crisp, clear view of your subject that makes it easy to frame and compose your shots.

DUST-PROOF & SPLASH-PROOF CONSTRUCTION

Trouble-free shooting in all environments is assured by our proven dust-proof and splash-proof technology. Numerous specially constructed seals throughout the body protect the camera from sand, dust, rain, and water spray, making it ideal for all kinds of outdoor shooting. What's more, this protection extends to the M.ZUIKO ED 12-50mm F3.5-6.3 EZ lens, the bundled detachable flash unit, and the optional HLD-6 grip and power battery holder.

TILTING 3-INCH OLED TOUCHSCREEN

In addition to offering dial and button controls, the OM-D is the first Olympus camera to feature a tilting touchscreen monitor for intuitive fingertip operation. The 3-inch OLED touchscreen delivers high-resolution images of your subject with rich color reproduction. It also responds instantly to your touch with fast operation that makes it easy to focus on subjects, play back images, and adjust settings such as exposure and white balance.

LENSES AND ACCESSORIES

In addition to its new electronic motorized M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with quiet, linear drive AF, the OM-D is supported by an ever-expanding range of wide-angle, macro, portrait, and telephoto Micro Four Thirds M.ZUIKO DIGITAL lenses. System accessories include cases, straps, filters, external flash units, and mount adapters for Four Thirds System lenses and OM System lenses.

Most Helpful Customer Reviews

321 of 327 people found the following review helpful

5.0 out of 5 stars E-M5 review from a previous PEN owner April 24, 2012

By Michael Gakuran

Style Name:with 14-42mm Lens|Color Name:Black

I've been invested in the m43 format since the launch of the E-P1 in summer 2009, successively moving up to the E-PL2, E-P3 and now the OM-D E-M5. Features have been added and the cameras tweaked with each generation, and it's safe to say that Olympus have produced their best m43 camera yet in the E-M5. But there is a lot of competition out there, and the robust E-M5 with built-in electronic viewfinder (EVF) may not be the best option for everyone. Let me walk you through my experience using the camera having upgraded from past models. (Note I'm based in Japan, which is why I have the camera early).

[Size and Weight]

My initial reason for choosing the mirrorless m43 (micro four thirds) format was a desire to have a high quality imaging sensor inside a compact camera body. I did not want to carry around the bulk and weight of a DSLR camera, but was tired of the poor performance from point and shoot cameras, especially in low light. The Olympus PEN series met my needs perfectly in this respect, and have retained their small form factor throughout the range, despite consistently improving and adding features.

The E-M5 is no exception - it is the same width as the E-P3, with a little extra height because of the EVF on top of the camera and 50g heavier, weighing in at 425g with battery. In pictures online, it can look rather large, but after holding the camera in my hands, it became clear just how small it really is. The E-M5 is certainly not a pocket camera (although it will fit into large coat pockets), but the form-factor and equally small, lightweight m43 lenses mean it is an excellent choice for hiking and travelling, especially if you value its robust body and weather sealing....

[Build Quality]

The E-M5 boasts a tough magnesium alloy shell and weather sealing. Videos posted online showing the camera having water poured on it and shooting out in the rain are testament to its high quality construction, although do note that `splash-proof' is not `water-proof'. You probably shouldn't submerge the camera in water, and note too, that you'll need weather-sealed lenses to fully utilise the benefits (as of today, only the 12-50mm kit lens is weather-sealed, with a 60mm weather-sealed macro lens on the way).

The camera has a lovely heft to it when held in the hand and suitably good grip - certainly heavier than most point and shoot cameras, but lighter than most DSLR cameras. In contrast to the PEN cameras, the E-M5 has a slightly protruding thumb `hook' on the back that really aids stability, as well as a nice grip (with the option of an external grip and additional battery holder available separately to help when using larger lenses).

[Functionality]

The biggest departure from the previous PEN models is undoubtedly the bult-in EVF and two dials on top of the camera. The EVF is similar to the VF-2 that Olympus sold separately to complement the PEN cameras and provides a bright and useful display. For users who like viewfinders, this is a long-awaited addition and most people will not be disappointed. The 100% field-of-view 1.15x EVF is, as current technology goes, one of the best (although the magnification is not as good as the GH-2 EVF with 1.42x, providing a larger image).

The two dials on top of the camera allow access to various functions, but most people will use them to change the aperture, shutter and exposure compensation. You can also assign functions such as manual mode or focus zoom to one of 3 function buttons on the camera. The rear control pad is also customisable, meaning it is finally possible to access all of the main settings without having to dive into the detailed menu system.

One of the most pleasing things for me was finally being able to use the camera while wearing gloves (something I could not do easily with the previous PEN cameras). Although it can still be difficult to use the rear control pad while wearing gloves, the main settings assigned to the dials and function buttons are easily useable. Another little tweak that I love is the offset tripod mount (to accommodate for the additional grip the E-M5 is able to use). This means that I can now change the battery while the camera is mounted to a tripod plate. Thumbs up!

The 9fps shooting speed mentioned is without AF and IBIS turned on, but it's certainly a welcome addition over previous PEN models. I've used it for bracketing shots when creating HDR photos. You can shoot a maximum of 7 photos in bracketing mode to capture the dynamic range of the scene and then combine them later in software. Using the 9fps speed, this is done in an instant, and it may even make handheld HDR bracketing possible. It's also worth noting that the E-M5 is compatible with 3rd party intervalometers such as the JJC TM-J that support the Olympus RM-UC1 remote to do timelapse shooting.

[Autofocus Speed]

The m43 cameras have made incredible progress in improving autofocus speed since their initial launch and are far better than the sluggish focus of the original E-P1. Previous Panasonic cameras like the GH-2 held the crown, but in the latest generation of PEN cameras and with the new OM-D line, autofocus speed matches the Panasonic models and even surpasses it in some tests. The bottom line is that the E-M5 can hold its own against consumer DSLRs in autofocus speeds, with perhaps two caveats: 1) that AF slows down in low light and 2) that AF tracking when shooting sports is still not quite as good as DSLR rivals. That said, the E-M5 has some big improvements in this area, and can quite reasonably track moving objects while shooting at a respectable 4fps.

[Sensor and Noise Performance]

One of the bigger criticisms of the E-P3 and other PEN cameras was the ageing 12MP sensor inside the camera. While it was still perfectly good for shooting at lower ISOs, its performance suffered when moving up, especially beyond ISO1600. The Panasonic GH-2 arguably had the best noise performance of a m43 camera up until now, but the E-M5 can be said to claim this crown. A new 16MP sensor inside the camera offers about 1 - 1.5 'stops' of improvement in noise performance. Basically this means that if you thought ISO1600 on the previous PEN cameras was acceptable, you will likely be happy with ISO3200 on the E-M5.

As usual, Olympus offer lovely Jpegs with gorgeous colours straight out of the camera for users who do not like to post-process their images in software. But for users who do, the Raw files offer more flexibility and noticeably increased dynamic range over previous PEN cameras (also about 1 - 1.5 'stops' improvement), allowing highlights and shadows to be pulled back. Practically speaking this means less white skies and richer colours! Noise is also very well controlled and easily reduced in software afterwards.

[In-Body Image Stabilisation (IBIS)]

The image stabilisation built into the camera body is, in my opinion, one of the strongest reasons for considering the PEN line or OM-D line over other mirrorless cameras like the Sony NEX series or Panasonic cameras. The previous IBIS system built into the PEN cameras was already good, but Olympus have found a way to improve it even further. Marketing tells us it's a 5-axis IBIS system that constantly stabilises the sensor, and indeed it does. You can see it kick in as the sensor moves into position when you power on the camera.

The biggest area this offers improvement in is the video mode (although naturally, still shots also benefit). The E-P3 was notorious for its rolling shutter and jellylike wobble when it received even the slightest bump. The E-M5 and its new IBIS system completely removes this wobble and significantly reduces the rolling shutter effect. What this means is that you can take very smooth videos handheld, so much so that you might even have been mistaken for using a steadicam in some cases. It isn't a substitute for a steadicam however, and walking with the camera will still introduce a minor amount of image `shifting' as the sensor compensates for the movement. But handheld panning and careful walking with the camera is as smooth as could be.

[Touchscreen]

One of the most interesting and pleasing features of my E-P3 was the capacitive touchscreen. Perfectly implemented with just 3 `modes' - off, on to focus, or on to focus and take picture. Some might view this feature as a gimmick, but I found it exceptionally useful. Rather than focus and recompose the shot like in traditional cameras, you can simply compose your shot and lightly touch the screen to focus on your desired area and take the shot. I found it very useful for macro work, as well as general shooting when out with friends. The E-M5 continues this feature, and the beautiful OLED screen works like a charm.

[Lens Selection]

Another reason I chose the m43 format (supported by Olympus and Panasonic, as well as other 3rd party makers) over competing cameras such as the Sony NEX series is the large selection of lenses available. This still continues to be the case. Using a bright prime lens such as the Panasonic 25mm f/1.4 and coupled with the improved high ISO noise performance, I find the E-M5 to be formidable in low light. (If you are on a budget, consider the equally-excellent Panasonic 20mm f/1.7 pancake lens or Olympus 45mm f/1.8 portrait lens).

It obviously will not match a full frame sensor's performance, but the difference between the E-M5 sensor and the larger APS-C sized sensors like the one in the Sony NEX series is very small. A larger sensor means better noise performance (cleaner pictures), but a smaller sensor means smaller and lighter-weight lenses can be made for the camera. All things considered, I find the m43 system to provide the best balance between all these factors, with the E-M5 and GH-2 providing the best sensor performance among m43 cameras.

[Criticisms]

I do not have any serious criticisms of the camera, but rather a few niggling complaints that I will list below.

- The camera makes a low fan-like/humming noise when switched on that is audible in quiet environments. This is normal and a result of the always-on new IBIS system. Most users will not be able to hear it in regular shooting. Also note that the noise is lowered and essentially gone when in video mode, meaning it does not affect video. However, it is worth noting as many will be surprised when first turning the camera on and it may prove annoying for some people who shoot often in quiet environments.

- The position of the viewfinder and small size of the camera mean that for left-eyed shooters, you may find your nose slightly squashed against your thumb when holding the camera. If concerned about this, it would be best to check at a store first. I found using my right eye avoided this problem.

- No built-in flash. Although an extra mini flash unit is provided in the box, users who value having a flash built into the camera body may be disappointed. I used to value this feature until I realised I rarely use the built-in flash at all (and quite often it isn't powerful enough to improve pictures). For those occasions where I need a flash however, I can take the little flash unit with me.

- New battery. The battery used is not the same as previous PEN cameras, meaning you'll need to buy replacement batteries (I take 2 spares on a heavy day's shoot). Olympus are usually good with this though, and I think we can expect the new battery will be used across the OM-D line in future models.

- High cost and lots of customisability. This isn't really a negative so much as a realistic assessment. For many point and shoot upgraders, the E-M5 may be more than you need. Indeed, the camera is larger than other PEN models and offers lots of flexibility to customise controls (meaning the menus are suitably packed with features). Although you can just use the camera in P or iAuto mode, you can find much cheaper PEN cameras that will still offer great image quality in a smaller package. For those who want the best possible image quality and value the EVF and extra controls, the E-M5 will not disappoint.

[Final Thoughts]

I've never owned a m43 Panasonic camera myself, so it would be unfair of me to compare the E-M5 to the GH-2 (its nearest competitor), but for the image quality I've seen online, the two cameras are close, with the edge for the E-M5. You may also find the Panasonic G-3 a cheaper alternative that offers competitive image quality. Similarly, the Sony NEX cameras such as the NEX-5N and the Fuji XPro1 will give you better image quality than m43 cameras, but at the expense of a wide-ranging and small lens selection and at the expense of functionality.

There isn't a great deal I'm left wanting from the E-M5. Perhaps faster AF tracking for sports and full speed AF support for older 43 lenses when used with an adapter (there does not seem to have been much improvement here between the E-P3 and E-M5). Also, 1/8000 second max shutter speed and ISO 100 (the range begins at ISO200, like previous PEN models) would be welcome. A mic-out port for monitoring video using external headphones and 24p mode would also be nice.

It will be exciting to see what Olympus can innovate next to improve upon the camera. But for the time being, I feel happy awarding it 5 stars when compared to other cameras within the same class. If you feel the niggling faults are serious however, feel free to subtract one. Read more ›

135 of 138 people found the following review helpful

5.0 out of 5 stars Amazing little wonder May 25, 2012

By A. Stegeman

Style Name:Body Only|Color Name:Black

First, who I am: I'm an avid street photographer who usually has 1-2 gallery showings a year and occaisionally gets my photos picked up by the papers--I've been into photography for alomost 50 years and teach it at the university level. While I bought the camera with the 12-50mm kit lens, most of my shooting has been with the Panasonic/Leica 25mm f:1.4 lens, as I just prefer shooting with a fast, standard focal length, prime lens. I'm just telling you this because some of the things that might wow me might be inconsequential to a novice photographer who just wants to point and shoot (although the camera does that as well).

All of that out of the way, this camera is just plain nuts (in a good way). Unless you're really splitting hairs, this tiny little camera can pull in virtually the same shots that a big, bulky, pro DSLR can. Honest. I've been getting stunning images in the most photographically problematic situations ever since I started shooting with this thing--If you don't believe me, go to [...] and do your own side by side comparisons. Did I say it was small? Not only can you carry it with you all day, but when you hold it in your hands you just know that the magesium frame is going to take all the abuse you can throw at it. This camera doesn't just look like the legendary Olympus OM-1 & 2 cameras from the 1970's it's inheritted the very same strong and sveldt spirit which made them so appreciated by both professional photojournalists and enthusiasts.

Aside from the size and image quality, this camera is also blistering fast with its autofocus--as in how can it do it that fast?... But as frosting on the cake, the auto zoom-in of the EVF when manually focussing makes going that route a snap, even for somebody with poor eyesight, like me--way beyond what one can do easily on a DSLR. And while a mere 9 frames per second might just be so-so for a pro DSLR, it's plenty fast for more than 99% of the photographers out there. I could go on and on.

The worst part of owning this camera now is that every day I have to look at well over $10,000 in my DSLR gear which I haven't touched since getting this mighy mite.

If you're serious about photography and want a cary-with-you-anywhere-do-anything camera, and you can afford the serious money that Olympus is asking for this camera, just do it. Read more ›

122 of 128 people found the following review helpful

5.0 out of 5 stars From a Fujifilm X100 Owner: 1 Month Use May 8, 2012

By E. Nguyen

Style Name:with 12-50mm Lens|Color Name:Silver

SIMPLY A JOY TO USE
I took a leap of faith and sold my precious X100 to buy this camera. I've had the EM-5 for almost a month now and I just love it. To me it's almost the perfect camera. I enjoy using it every time and it makes photography fun for me again.

WHAT I WAS LOOKING FOR
A small lightweight camera with great versatility for outdoor hikes, indoor portraits and low light photography. The X100 was charming and produced beautiful OTC jpegs, but it did not have the versatility of an all-in-one camera that I was looking for to replace my DSLR. Focusing was too slow for taking pictures of my nieces or any action photography, focal length was not ideal for portraits or wild life shots, and video recording features were limited. It did excel at street photography but I wanted more.

WHAT I FOUND IN THE EM-5
Since you can change the lens, the possibilities are endless with the EM-5. Especially when paired with an exceptional lens like the Olympus 45mm or Panasonic 25mm, the Olympus can produce some breathtaking results. There are more controls and settings for movie recording. With lenses that feature MSC, zooming and focusing is absolutely silent. You can also add external mic input with an adapter and there are custom settings galore! It is more of an investment than the X100 with all the lenses but that depends on what you want out of it. IBIS let's me slow down the shutter speed to 1/20 of a second hand held so I don't have to stick to 1/60th and crank up the ISO.

IMAGE QUALITY
Although the EM-5 has a smaller the sensor, the image quality is very high. I would even say that the raw files from the EM-5 are equal or sometimes better than the X100.... I still prefer the X100's beautiful jpeg engine but the EM-5 jpegs with noise reduction off and sharpening tone down are also superb. It's amazing how much detail you can get out of the raw files with the small 16MP sensor. I was initially worried that I would be sacrificing some image quality jumping into the EM-5 but my worries are non existent now. I don't hesitate cranking the ISO up to 6400 either, especially if I know it's not for prints. But do yourself a favor and get at least one tack sharp prime lens for the EM-5 (Olympus 12mm, 45mm, or Panasonic's 20mm and 25mm) so you can appreciate this camera.

FOCUSING
With an MSC lens, focus is blazing fast and accurate. DSLRs might still have the advantage in extremely low light but the size tradeoff isn't worth it to me. X100 can not compete here at all. 3D Tracking only works with slow moving object but maybe a future firmware will make it more useful.

BUILD QUALITY
I wish the EM-5 was made in Japan like the X100 but the build quality is solid. What drove me crazy was dust getting into the viewfinder of the X100, but the EM-5 is dust proof and weather sealed. The paint is not impervious to wear but neither was the X100. They both feel like quality cameras in your hands.

HANDLING
The EM-5 feels more compact to me and has the perception of a more compact camera (unless you stick a giant telephoto lens on it). I like the layout of the X100 better and it feels less cramped. But with the optional hand grip or a half case, the EM-5 would be perfect. Buttons on the X100 feels a bit more responsive and I loved how you can add your own custom shutter button. However, the EM-5 camera setting don't get bumped around in your bag like the X100 since the dials are not notched to specific values. (There were times when I had exp compensation set to +/- 1 without noticing.) You can pretty much customize everything on the EM-5 which was something users complained about on the X100. (Took them a year to update the firmware just so you can set the raw button to something else useful.) Both the EVF and tilting OLED screens display images beautifully, and I'm usually not a fan of EVFs. The touchscreen is great advantage for selective focusing and quickly changing settings. The X100's hybrid viewfinder was extremely cool but the EM-5's EVF and tilting screen combo is much more practical. I do miss the X100's aperture ring on the lens, intuitive controls, and quiet leaf shutter with 1/2000 flash sync, but overall the speed and customization of EM-5 wins over the X100. Both of them have convoluted menus but with the EM-5, once you've customized everything, there's very little need to go back.

LOOKS AND FEATURES
X100 is gorgeous and has a classic look but my silver EM-5 is a close second, especially with a silver lens... stunner. EM-5 has features out the wazoo! More than you'll ever need probably. I especially like the diorama art filter and being able to take 3D photos. X100 is simple and their classic film filters will be missed, but the EM-5's 5-axis IBIS and 9fps shooting is killer.

QUIRKS ON THE EM5
IBIS humming is there and noticeable indoors. The EVF auto switch sensor is very close to the lcd screen so sometimes it switches when you're touching the screen. Left side ports are hard to get to without first tilting the lcd screen out. I don't mind these few quirks since the X100's list of quirks was much longer and annoying.

CONCLUSION
I do not regret selling my X100 or my Canon DSLR at all. With the right lenses, the EM-5 does everything I want/need it to. Image quality is superb and almost all the settings can be customized. Everything is packaged in a nice compact and weathersealed body that's reasonably priced for what it delivers. It lets you shoot photos without getting frustrated and gives you more creative freedom than most cameras on the market. I did not care for the m4/3 system before but the lens selection is awesome and is still growing. The EM-5 made me a believer that you can have everything you want in a camera without lugging around a 25lb kit. Unless you want to shell out for a Leica or need the quality of a medium format camera, I see no reason to get anything else until Olympus makes and EM-6.

P.S. I don't compare the EM-5 to the original OM series. I think it's irrelevant and snobby. They both great photographic achievements in compact photography during their time. I hate useless reviews like on DigitalRev.com where all they talk about is how it's not like the original OM series... rubbish. The EM-5 is like nothing else in it's market and should be commended for it. Yeah the Nex-7 and X Pro 1 has APS-C sensors but how many lenses are available for those systems? X Pro1 focusing is still slow and it's a clunky camera that's not really compact anymore. The Nex-7's EVF, although crispy, is quite laggy, not as enjoyable to use overall. The Panasonic GX1 might have a 16mp sensor but it's what you do with the sensor that counts. If you're looking at this camera, it's really a no brainer when you get features here that you only find in top of the line DSLRs. Read more ›