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The Omen (Widescreen Edition)

335 customer reviews

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(Oct 17, 2006)
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Editorial Reviews

Product Description

In this chilling remake of The Omen ? that is even more terrifying than the original ? man's darkest fears are manifested as an unspeakable terror is unleashed on the world! U.S. diplomat Robert Thorn (Liev Schreiber) substitutes an orphan for his own stillborn baby in order to spare his unknowing wife (Julia Stiles). But after a series of grotesque murders and dire warnings, the Thorns come to the horrifying realization that their child is the son of Satan!

Additional Features

As typically happens with horror films, the unrated extended scenes and extended ending of The Omen are an opportunistic excuse to show more gore than the theatrical release. In this case, the unrated extended scenes are "The Impaling" of the priest played by Pete Postlethwaite (showing that character's grisly fate in longer shots and different angles, so we see his face sliced up by shards of fallen glass); and "The Beheading" (of the photographer played by David Thewlis) includes a few insert shots of splattering blood and the severed head rolling down a flight of stairs. In the extended ending, Liev Schrieber's character is shot multiple times by the police (instead of just once, as shown in the theatrical version), and the camera lingers on his death. "Omenisms" is an excellent and candidly revealing behind-the-scenes documentary that emphasizes the difficulties (or curses?) encountered during production, and it's one of the few "making of" featurettes to show the director (John Moore) actually losing his temper over unforeseen delays like a full day's shooting lost to damaged negative or an important night scene delayed by faulty dolly track. Lighter moments are also included, giving the viewer an excellent idea of what it's like to actually be on a movie set. The "Abbey Road Sessions" featurette offers an in-depth look at composer Marco Beltrami as his superb score for The Omen is recorded in the legendary London studio. "Revelations 666" is a 22-minute program produced for British TV that explores our social fascination with good and evil, and the historical significance of the number "666," with interviews from a variety of "experts" including Christian author Tim LaHaye and Brian Moore, a warlock from the Church of Satan; it's a bit silly and sensational, but otherwise enjoyable and informative. The feature-length commentary by director John Moore, producer Glenn Williamson and editor Dan Zimmerman is a mixed bag of casual observations, but dedicated Omen fans should give it a listen for a few interesting comments about set design, editing, visual technique, and other filmmaking details. Also included are the film's theatrical teaser, two theatrical trailers, and a trailer for the 1976 Omen Collector's Edition DVD. --Jeff Shannon

Special Features

  • Commentary by director John Moore, producer Glenn Williamson and editor Dan Zimmerman
  • "Revelation 666" Featurette
  • Unrated extended sequences
  • Unrated extended ending
  • Omenisms Documentary
  • Abby Road Recording Sessions Featurette
  • Trailers

Product Details

  • Actors: Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick, David Thewlis, Predrag Bjelac
  • Directors: John Moore
  • Writers: David Seltzer
  • Producers: John Moore, David Harfield, Giovanni Lovatelli, Glenn Williamson, Jeffrey Stott
  • Format: Multiple Formats, AC-3, Color, Dolby, Dubbed, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround), Spanish (Dolby Digital 2.0 Surround)
  • Subtitles: English, Spanish
  • Dubbed: English, French, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: 20th Century Fox
  • DVD Release Date: October 17, 2006
  • Run Time: 110 minutes
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (335 customer reviews)
  • ASIN: B000HCO87W
  • Amazon Best Sellers Rank: #61,487 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Omen (Widescreen Edition)" on IMDb

Customer Reviews

Most Helpful Customer Reviews

33 of 38 people found the following review helpful By lawyeraau HALL OF FAMETOP 500 REVIEWERVINE VOICE on April 15, 2007
Format: DVD
This is a decent re-make of a first class, gothic chiller. It is not, however, as creepy as the 1976 original, which starred Gregory Peck and Lee Remick, as it lacks Jerry Goldsmith's pulse pounding musical score. It also has a younger cast that lacks the gravitas of the original. Still, the film is still worth viewing, if only to see how it fares in comparison to the original, especially as the screenplay used appears to be the original one.

Katherine (Julia Stiles) and Robert Thorn (Liev Schreiber) are a young, affluent American couple. Katherine is pregnant and, while in Italy, gives birth to an ostensibly stillborn boy, a fact that is kept from her. Knowing how much his wife wanted the baby and the difficulty that she had in conceiving, Robert agrees to have the dead baby supplanted by a living newborn whose mother died in child birth, keeping this information from Katherine. They name this baby Damien.

All goes well for the prosperous Thorn family, until Damien (Seamus Davey-Fitzpatrick) turns five. A series of dramatic, unusual events begin to occur around the Thorns, all seemingly stemming from Damien. Well guarded by a somewhat creepy nanny (Mia Farrow), there are those who would believe him to be the Antichrist. By the time that Katherine and Robert begin to realize who Damien may truly be, their lives are out of control. With the aid of an inquisitive photographer, a repentant priest, and an mysterious man who holds the key to the destruction of the Antichrist, Robert Thorn becomes a man with a mission. Will Damien let him complete that mission? Watch this movie and find out.

Both Liev Schreiber and Julia Stiles give credible performances, though they are no Gregory Peck or Lee Remick.
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18 of 20 people found the following review helpful By David Duncan on June 6, 2006
A re-make of the original horror classic of 1976, this film offers nothing more than the original film has already given us, besides some admittedly impressive death scenes.

This re-make is far below the standard set by the original film. The acting is stiff and stilted, with Liev Schreiber (as Robert Thorne) giving a thoroughly one-noted performance which proved to be quite frustrating to watch for over two hours. Even when he finds out about the incredibly terrible events that consistently occur throughout the film, Schreiber keeps an indifferent expression on his face. This undoubtedly makes many problems arise; how can the audience get involved in a movie if the actors are unconvincing in their roles? Julia Stiles does well, but she doesn't work in her role as Robert Thorne's wife, but Mia Farrow as Mrs. Baylock gives the film a bit of a spark in an otherwise dull film.

The main thing is, is it scary? Damien is creepy enough, and there are some OK dream sequences that offer a couple of good jump scares. But this is all it offers in scares. The film is basically just a re-shooting of the original scenes, except they lack the energy and tension. There is no sense of foreboding, and it's almost as if the film makers and actors were just bored and wanting to get it over and done with; it's as if they hardly cared about making a good film. What was meant to be a gripping, horrific and intense viewing experience right up to the stunning climax becomes a boring and plodding time, and you just about lose interest in the whole story, and the characters.

Overall, a very disappointing re-make, which begs the question: Why did they re-make it in the first place?
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6 of 6 people found the following review helpful By Reginald D. Garrard VINE VOICE on November 1, 2006
Format: DVD
Both Gregory Peck, Lee Remick, and composer Jerry Goldsmith should be turning over in their respective graves at the illogic of making a shot-by-shot, slightly altered lines and situations, remake of the classic 1976 film. Liev Shrieber, assaying the Peck part, seems as though he's asleep throughout the film, only coming to life at the end as his "Richard Thorn" prepares to kill his son. Julia Stiles fares better as wife "Kate," trying to cope with the possibility that the child she's raising may have some sinister motives.

Mia Farrow's "Mrs. Baylock" strays quite a bit from Billie Whitelaw's in the original, by portraying the nanny as "sweetness" and "grandmotherly," revealing her true nature near the film's conclusion.

David Thewlis is no David Warner.

Michael Gambon doesn't do justice to Leo McKern's portrayal in the first film.

And Seamus Davey-Fitzpatrick ("Damian") is about as scary as "The Pillsbury Dough Boy."

As far as Goldsmith's Oscar-winning score, it is interpolated during the film's end credits, and snippets can be heard throughout the "softer" scenes of the film.

However, maybe the director would've had more success if he had used Goldsmith's score in its entirety.

Gus Van Sant in his by-the-numbers "Psycho" remake was smart enough to utilize Bernard Herrmann's classic composition.

'Didn't make it a box office smash but made watching it a whole lotta more enjoyable.
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11 of 13 people found the following review helpful By Midge on March 13, 2007
Format: DVD
Why anyone would try to remake a hit movie like "The Omen" starring Gregory Peck and Lee Remmick is the epitome of poor judgement. This movie is a "line for line" and "scene for scene" poor copy of the original with actors who never stood a chance in reprising the roles of great stars like Peck and Remmick. I can't imagine what manner of insanity overcame the minds of those who bankrolled this pale reproduction of a timeless classic. Surely there was some other Original, unfilmed storyline waiting to be produced that their money and effort could have been utilized on? Of course, that would require the talent of creative thinking to create something new from an unused storyline and not waste time and money to copy someone else's already successful film. If the original had been a silent film or a deteriorating black and white film, I might understand the need for a remake, but this copied reproduction was a pure waste of the money and effort that went into it. Obviously, Hollywood would rather copy and piggyback on the work of others rather than relying on original creativity.... which doesn't say much for the level of talent currently directing and producing in Hollywood.
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Topic From this Discussion
It's good in the way the original was good: dark and atmospheric, its horror is more in the building realization of overwhelming evil and the end of the world.
Would you like that kind of film?
"Horror movies" these days tend to be mindless formulas of sadism and gore--which THE OMEN is...
Oct 16, 2006 by The JuRK |  See all 2 posts
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