Customer Reviews

Omeros

5 star:		(11)
4 star:		(3)
3 star:		(0)
2 star:		(0)
1 star:		(1)

 

 

Walcott confidently feels his way into epic form, borrowing the blind eyes of Homer and tropes from Homer's tales. Jam-packed with craft, OMEROS' Dantesque tercets make hairpin turns on the pinpoints of vowels and consonants. Walcott is nothing if not evocative, calling forth the spirits of breadfruit, waves, Plains Indians, sunken treasure, sea creatures and all his other muses with a music that is beyond sounds.

For all the great poetry, what fans of the modern epic will miss in OMEROS is a narrative through-line. Structurally, it is more like William Carlos Williams' PATERSON or especially Hart Crane's THE BRIDGE, than like THE ILLIAD or THE ODYSSEY. The stories in the poem are given secondary importance to the ideas. While I will not disagree with other reviewers' characterizations of the characters as 'well-developed,' I will say that Walcott gives his characters very little to do. The greatest journey is the one taken by the un-named narrator (who seems to be prowling the University Poet circuit from the Carribean to the U.S. to England). Those who want a story with their modern epic are directed to THE CHANGING LIGHT AT SANDOVER by James Merrill.

What Walcott offers in place of narrative is recollections, meditations and essays on a post-colonial world. Certain human motifs are bound to repeat, he says, and demonstrates with the story of fishermen Hector and Achille fighting for the island girl in the yellow dress, Helen. To me, Omeros is really a collection of poems in a similar form spiralling around similar themes, taking up each others' melodies in different keys. Like any symphony, it sometimes gets lost. But its individual passages are, more often than not, magnificent -- and beautiful to hear.

My review title shouldn't be construed as me claiming any knowledge re: Caribbean culture/history, or indeed -any- of the experiences of the disenfranchised peoples this book touches on. All I can say is that the glowing reviews here on Amazon are accurate. Walcott's poetry is supple almost beyond belief: so facile and brilliant that it would stand between the reader and the subject if Walcott himself didn't admit that, yes, he can be awfully facile and brilliant with the English language! The writer walks a dozen dangerous lines - among them, the could-be-precious placing of himself in his own poem - and walks away triumphant from every single challenge.

If you are looking for a linear "story" in the tradition of Homer but transplanted to a Caribbean locale, this isn't it. If however you are looking for great poetry and the understanding of others (and yourself) that great poetry can bring, then it is right here. OMEROS is eminently worth your time.

An amazing poem, especially when read in an environmental context similar to St. Lucia. I attended a semester in the Bahamas, where our English class spent fifteen weeks reading and dissecting the poem. "Omeros" is stunning, elegantly written, subtle and outspoken at the same time. The mingling of Helen and Helen, of Mr. Walcott's personal history (or the history of the "phantom narrator," as we chose to call him) and that of his island are masterful. A challenging but very worthwhile read.

I didn't know the work of Derek Walcott until I ran into this book. What an amazing book it is ! I used to dislike epic poems - they usually just ramble on and on, preferably made to rhyme in the correct places but in such a way that all life is taken out of the lines. This book is different & its author is no less than a genius.

Sometimes I can't really grasp the meaning of a passage, but it doesn't really matter - each page in this book is so full of the most brilliant images & visions, that it almost seems like a book in itself. And although it's so impossibly rich in smells, colours & sounds, it never succumbs, thank God, to the kind of self-importance that sometimes overshadows the work of other truly great writers.

Hans Wigman

Exploring the relationships between natives, tourists, and nature, Walcott moves beyond just our relationships with one another to create this modern epic. Evocative of the Iliad with its battles between Hector and Achille over the yellow-dressed Helen, Omeros moves beyond just the interactions of the natives to greater themes.

There are many exciting parts to the poem: the beauty of the language, the themes, that it was only on the second time reading Omeros that I realized it rhymed, such is the seeming effortlessness with which Walcott writes. It is a modern epic for the way it is able to really explore human relationships with one another, with the trees, with people invading our indigenous societies.

Walcott manages to focus on a few people in spite of the seemingly huge scope of Omeros, and this makes the book much more deeply enjoyable. I recommend it heartily.

It is an all too uncommon delight to read a contemporary work that contains all the greatness of classical literature, that deserves to be shelved beside Shakespeare, Homer, and Dante. This is such a work. An epic poem that lavishes in the power and stunning beauty of words and images, utterly striking poetry as a mix of classical and modernist literature, reflecting the process of the mind and the process of the literary history. This wonderful poetry, some of the best I've ever read, is used to capture the land and peoples of St. Lucia. The action concerns two men, Achille and Hector, that fight an epic war for the affection of Helen. Woven into the tale, besides the stunning poetry, is the clashing of the races, the condition of the native peoples of the Americas, the nature of war, no longer for women, but for land and national pride. Fascinating epic poetry with stunning imagery of a classical world mixed with our own. The American epic poem. Grade: A

This richly allusive poem is an exploration of the colonial experience, primarily from the viewpoint of the dispossessed. While based in Walcott's native St. Lucia, the poem ranges across North America and Europe, and draws on a rich literary heritage. While not strictly speaking an epic by traditional standards, Omeros is epic in scope and ambition. Most of Walcott's characters, including an autobiographical narrator, are individuals in search of a home. The poem itself is an effort to reconcile both the European tradition with the experience of dispossession and enslavement. Walcott calls on Homer, Milton, Joyce, the history of St. Lucia, and many other resources to produce this impressive poem. Walcott's ability to vary his poetry and language across the whole length of the poem is impressive. Parts are intensely lyrical, others witty. The descriptive writing is often superb. A number of sequences, for example, the opening section and the dream voyage of one character to his ancestral Africa are stunning.

Very interesting and scholarly read. This is only for serious readers willing to devote the time to all the references. It is similar to a modern James Joyce book.

There are many adjectives that for me best describe Omeros, but most memorable was that it was delicious and palatable to the extreme. I guess perhaps it was because it left me with strong images of the homeland and the folk with which I can only identify.The sweet "Helen". The touches of creole added a nice flavour to the palette of colours that the artist had chosen for this composition. One imagines painting after painting of great splendour as the story unfolds, gasping and anxious to discover one's role played in the story, perhaps more than ever in the "Lai de ye", a suitable scene for the fishing village.

I spent almost a year of my life translating this book into Catalan. I can say this is one of the most impressive books I had ever read. I've never travelled to St. Lucia, but while I read the book I could even smell the fish and hear the sounds of the waves against the shore.