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On Film-making: An Introduction to the Craft of the Director Paperback


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Product Details

  • Paperback: 336 pages
  • Publisher: Faber & Faber; 1st edition (August 11, 2005)
  • Language: English
  • ISBN-10: 9780571211258
  • ISBN-13: 978-0571211258
  • ASIN: 0571211259
  • Product Dimensions: 8.9 x 5.9 x 0.8 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (25 customer reviews)
  • Amazon Best Sellers Rank: #39,298 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

Alexander Mackendrick directed several films, including The Man in the White Suit, which earned him an Oscar Nomination for Screenwriting. He died in 1993.

Paul Cronin is the editor of Herzog on Herzog.

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Customer Reviews

4.6 out of 5 stars
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See all 25 customer reviews
I judge a book by how many notes I take when reading it.
The Doogster
Unlike most how-to directing and writing books, Mackendrick was an accomplished director with decades of professional experience.
Joseph Dempsey
This book is a gift for a young man interested in film making, It reads as if it will be a great course on the subject.
Sandra J. Dunlap

Most Helpful Customer Reviews

41 of 45 people found the following review helpful By R. Hardy HALL OF FAMETOP 500 REVIEWER on August 18, 2005
Format: Hardcover
Shaw said, "Those who can, do; those who can't, teach." In a strange way, Alexander Mackendrick fits both sides of that dictum. "Sandy" Mackendrick was an accomplished film director. After having worked in advertising, he started making films for the British Government during World War II. After the war he wrote scripts and he began directing. For the Ealing Studios, he made _Whiskey Galore!_, _The Man in the White Suit_, and _The Ladykillers_. Then he came to Hollywood, where he made the wonderfully biting _Sweet Smell of Success_. He could direct fine movies, and he did; but then he slipped into the "can't do" category, not for any lack of talent, but because he was not much of a deal-maker, and resented having to negotiate details with the studios. He started teaching, becoming dean of the film school at the California Institute of the Arts in 1969. He continued teaching until his death in 1993, but now filmmakers and audiences can get a glimpse of what he taught, in _On Film-making: An Introduction to the Craft of the Director_ (Faber and Faber). It is a sampling of his lecture handouts, some illustrated by his own sketches, that he delivered to students over the years, and shows the richness of his thinking on the surprising complexities of artistic decisions regarding even simple shoots on tiny films. Those who enjoy movies, but don't know much about how they are made, will be astonished at how many details of technique the director has to consider before anyone yells "Action!" Those who make movies, or want to, could not do better than to study what Mackendrick has to say.

Mackendrick emphatically agrees with Truffaut, who in his interview book with Hitchcock wrote, "Whatever is _said_ instead of being _shown_ is lost on the viewer.
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19 of 20 people found the following review helpful By Nathan Jongewaard on April 11, 2008
Format: Paperback
I have read many books on filmmaking and I have a film school degree (from CalArts, as it happens, where Mackendrick once taught). You can't learn filmmaking from a book or from school, only by making films. Nevertheless, "On Film-making" comes as close as any book I've ever found to explaining precisely and beautifully the work of a film director. Whether you want to make films or are simply a film fan, this book will be an immensely rewarding and illuminating experience.
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7 of 9 people found the following review helpful By Joseph Dempsey on June 28, 2006
Format: Paperback
Unlike most how-to directing and writing books, Mackendrick was an accomplished director with decades of professional experience. He speaks from hard-won experience, not dubious armchair notions of what makes a successful film or director. He is wise enough to know there are no "secrets" or immutable laws of storytelling, only rules of thumb. Every time I go back to it, I learn something new, and with every film I make, I am struck by points in the book which ring ever more true. This book will not make you a great director by reading it, but Mackendrick has the good sense and candor to know that a book or a course never will, only lots and lots of hard work and dedication.
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2 of 2 people found the following review helpful By Juan on December 21, 2011
Format: Paperback
Teaching film, I have read dozens of manuals on film making, ranging from theory (Bordwell & Thompson) to the very practical (Mascelli). However, few books do what Mackendrick does, oscillating from the profound to the deeply hands-on. To the future film maker, I think this is one of the great books to read, helping not only on the nuts and bolts of the craft, but also asking deep questions on the nature of storytelling and film.
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1 of 1 people found the following review helpful By The Doogster on April 1, 2013
Format: Paperback
I've got over fifty books dealing with all types of writing (screen, novels, TV), and this is one of only a handful I consider truly essential. The first half of the book examines screenplays. Most books on filmmaking give only a cursory glance at the screenplay, but we writers know that the screenplay is the most important part of the film, don't we!

Mackendrick is one of an elite group of filmmakers who excelled in both screenwriting and directing. His insights are profound. His "writer's wall" quotes are equal to the entire content of many other books on screenwriting.

Mackendrick is basically the bridge between classical and modern cinematic writing. He emphasises that what is going to happen NEXT, as opposed to what is happening NOW, is the core of good storytelling. He also teaches that the preparatory period before a significant event AND the after effects of that event are equally or more dramatically significant than the actual event itself (as demonstrated by a movie like Reservoir Dogs). Mackendrick's book is one of the few which covers such advanced concepts as negative action, activity versus action, and plot density. The only area I don't agree with him is his dislike of flashbacks (although he has valid reasons).

I judge a book by how many notes I take when reading it. I took a lot of notes when reading this one. Now go and buy it!
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1 of 1 people found the following review helpful By Sandra J. Dunlap on December 16, 2012
Format: Paperback Verified Purchase
This book is a gift for a young man interested in film making, It reads as if it will be a great course on the subject.
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By Morton Zarcoff on March 23, 2014
Format: Paperback Verified Purchase
As someone who has worked in this field for many years, I would highly recommend this book as required reading.
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By Melly0216 on November 4, 2013
Format: Paperback Verified Purchase
If you've read one book on directing, you've basically read them all. I didn't find any new information in this book and it came off dry and uninteresting. I only read it because it was a requirement for school.
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