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On Histories and Stories: Selected Essays (Richard Ellmann Lectures in Modern Literature) Hardcover – March 10, 2001


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Product Details

  • Series: Richard Ellmann Lectures in Modern Literature
  • Hardcover: 208 pages
  • Publisher: Harvard University Press; First Edition edition (March 10, 2001)
  • Language: English
  • ISBN-10: 0674004515
  • ISBN-13: 978-0674004511
  • Product Dimensions: 9.5 x 6.4 x 0.8 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,335,360 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Expanding on lectures originally given at Yale and Emory universities, as well as on essays written for an anthology and the New York Times Magazine, British novelist Byatt weaves this disparate material together into a coherent artistic credo. Unlike her sister, Margaret Drabble, a fervent defender of classic social realism, Byatt is more of a postmodernist, fond of narrative games like those employed in Martin Amis's Time's Arrow or Graham Swift's Waterland. The two opening chapters make a reasonably persuasive defense of historical fiction, such as Byatt's own Possession, but the book really gets going with "Ancestors," a fascinating examination of the ways in which the natural sciences, particularly Darwinian ideas about evolution and time, have affected both the techniques and themes of writers as different as John Fowles and Penelope Fitzgerald. The bravura closing sections claim myths and fairy tales as the principal inspiration for modern fabulists like Italo Calvino and Roberto Calasso who are seeking, as is Byatt herself, "quickness and lightness of narrative." "The Greatest Story Ever Told" is not, to Byatt, the Bible, but the Thousand and One Nights, preeminent among those "shape-shifting" story collections that remind us "narration is as much a part of human nature as breath and the circulation of the blood." Throughout this cogently argued book, Byatt maintains a pleasingly direct tone, using the first person to state her reactions to particular books but always sticking to the point and seldom falling into self-aggrandizement. (However, the examples from her own work, though relevant, could have been elucidated more briefly.) Even readers who don't share her fondness for elaborately embroidered narratives will be struck by Byatt's well-argued contention that "European storytelling derives great energy from artifice, constraints and patterning." (Mar.)Forecast: Byatt the novelist reaches a broad audience, but this title features Byatt the literary critic, and is directed at serious students of literature. It won't enjoy the numbers that the novels garner.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

In these seven essays, the British novelist Byatt examines many themes: the historical novel as created by 20th-century English writers, the relations between scholarship and the creation of fiction, the modern European novel and its debt to mythology, and how fairy tales have influenced her and other modern authors. The three chapters on serious historical literature are from the 1999 Richard Ellmann Lectures in Modern Literature that she gave at Emory University, while the section on the European novel is an expanded version of Byatt's Finzi-Contini lecture given at Yale in 1999. For Byatt fans, the best essay is "True Stories and the Facts in Fiction," which outlines how scholarly serendipity inspired her novellas Angels and Insects. Plot summaries and extensive quotations from the selected texts will give readers an appetite to read the many novels discussed in these pieces, though the general reader may feel overwhelmed by the virtuosity of Byatt's complex insights and multiple interests. Recommended for larger academic library collections. Morris Hounion, New York City Technical Coll. Lib., Brooklyn
Copyright 2001 Reed Business Information, Inc.

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12 of 12 people found the following review helpful By Russael on November 14, 2001
Format: Hardcover
I thoroughly enjoyed this next to latest book by A.S. Byatt. I have loved many of her books. This one provided an American reader (moi) with insight into contemporary British writers that I didn't have before. It illuminated her shift (and others) away from the blockbuster Victorian novel toward the tale-the greatest story ever told, her last section, is not the topic you might suspect. If you're a Byatt lover, I would definitely check out this book. It's not long. An evening or two. And she's such good company. I even prefer this book to her earlier critical studies. This book is not a critical study but the fallout from a series of lectures. Check it out!
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Format: Paperback
A.S. Byatt makes her own survey of post-war British fiction with an emphasis on those works that have a strong historical and narrative element. She descries the postmodern fashion of making narrative story outmoded, of ridiculing historical fiction. She in the course of the lectures explains her own practice and technique in writing her novels. She is generous in praise of a whole host of writers of post- war Britain many of whom have small reputation outside their country. The survey quality of the work means few works are examined in real depth. The writing is academic and discursive. A respectable if not especially gripping work.
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