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"Star Trek Into Darkness" Available for Pre-order on Blu-ray and DVD
From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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Despite what can seem like turgidness on first viewing, this film is likely to stick to your ribs and merit repeat screenings. DeNiro smolders throughout, while James Woods delivers a teriffic scenery-chewing performance. The story is friendship (and betrayal, of course)--or is it Romulus and Remus? Greek tragedy, perhaps? Godfather parts 1 and 2 rolled into one film? Yes, and more. And viewers familliar with Leone only through his spagetti westerns are in for a surprise: Leone is a world-class film-maker here, capable of stunning beauty and cruelty, often within the same frame.
Does it really need to be this slow? Does the flashback to childhood need to be almost and hour and a half long (don't worry--it's absorbing enough in its own right to keep you from noticing)? Does the the chronology need to be so screwy? Does that darn phone need to ring so long? Absolutely.
Fans of Woods, DeNiro, Leone, or gangster movies in general canot afford to pass this film up. The supporting cast, especially the young actors playing the gang members in thier childhood, is also consistently stellar. Best viewed on a cold wintry afternoon when you've got plenty of time. Opium not provided.
I remember when it first came out, I was mesmerized by it for three reasons. Firstly, when it was released there was possibly never a more violent film than this one, with the possible exception of Scarface. Thus, the action is first-rate. Secondly, the performances were all compelling. One performance that went overlooked, I think, was Tuesday Weld's volatile performance as the damaged and emotionally scarred girlfriend of the equally volatile Woods. DeNiro, of course, holds every scene he's in; there's a great sequence in the film involving crooked cop Danny Aiello and a sick practical joke played on him by the gangsters seeking to influence him; additionally, a young Jennifer Connelly gives a fine performance as the childhood sweetheart of one of the gang-members. Thirdly, the pacing of the film was deliberately extended in several sequences to allow for Ennio Morricone's haunting, melancholic, and most deeply felt musical score. When Morricone's music swells, so collectively do we, and the play on the screen becomes the ultimate tragedy that can never have a happy ending.
Some of the visuals of the film are especially striking, not the least of which is the aerial shot of DeNiro lying under a mesh cover on a mattress in an opium den, grinning goofily while he allows the opium to take its effect, and wipe away the memories of his betrayal. Other standout visuals include the shot of a frisbee flying through the air to introduce yet another flashback sequence, the opening sequences of horrifying violence, and a final sequence involving a garbage truck.
All of this together creates an unforgettable movie experience, one that will stay with the viewer for a long time.
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