One of George Balanchine's greatest ballerinas, who was a principal dancer for more than twenty years with the New York City Ballet, talks about her childhood, dance career, marriage, and constant quest for emotional and physical stability.
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Most Helpful Customer Reviews
16 of 16 people found the following review helpful:
5.0 out of 5 stars
Once A Dancer....What a Fairytale,
By "daisyciz" (Virginia) - See all my reviews
This review is from: Once A Dancer: An Autobiography (Paperback)
Ms. Kent's style of writing mirrors that of her dancing: beautiful and inspiring. Throughout her fairytale, as this work cannot accurately be described as a story, nor a novel- it is every young girl's dream written elegantly and delicately onto the pages of her autobiography, Ms. Kent speaks honestly and candidly about her troubles and problems that arise in her life. Such situations include her emotional relationship with photographer Bert Stern, as well as her desire to continue dancing and performing after pregnancy (and how George Balanchine viewed her decisions regarding her choice to start a family mid-career). She also discusses her multiple attempts at careers outside the New York City Ballet; from her stunts as a guest artist, to her trials and misconceptions about the Allegra Kent School of Ballet. Ms Kent concludes her book with the statement, "...dancing well is the best revenge". Perhaps it could be better said that writing about life in dance has become Ms. Kent's true revenge. [HHS-4]
13 of 13 people found the following review helpful:
4.0 out of 5 stars
A paean to what once was,
By
This review is from: Once A Dancer: An Autobiography (Paperback)
I saw her dance once, and I still dream of that night. Balanchine was at his peak, and Allegra Kent was more than his principal dancer - she was his muse, his passion, his nemesis. And her dancing was incredible. Once a Dancer, Kent's autobiography, chronicles the strange world of famous ballerinas, plagued as most of them are by anorexia, domineering stage mothers, vulnerability to dance gurus, plastic surgery, and a long, long series of self-destructive behavior. Wonderful sketches of other luminaries from her era are included, plus photos, but it's the end of the book that one remembers: the poignancy of someone of Allegra Kent's talents looking back on her life and appreciating in retrospect all that she once was, is heartbreaking.
15 of 16 people found the following review helpful:
5.0 out of 5 stars
The elusive Allegra,
This review is from: Once A Dancer: An Autobiography (Paperback)
I was not yet born at the time of Kent's ascent as a favored dancer for the New York City Ballet. Nonetheless, from other books I have read, I have come to understand that part of her appeal as a dancer was an ethereal, elusive- not quite of this earth quality. I believe that this aspect of her personality comes through in her book.She grabbed my attention with her descriptions of her beginnings and progress through dance. And then she seems almost to dance away as her personal life's conflicts begin to overshadow and ultimately, everything but end her career. Despite her many difficulties and the focus on them, I treasure this book. When I re- read it, as I often do, I start where her dance training begins and stop when her personal troubles overshadow her dance.Allegra Kent takes you into the magical world of dance and reality seems an intrusion. Don't mean to sound overwrought but this is the best way I can explain my feelings about this book. I reccommend it highly and am very glad I have it.
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