T.H. White's masterful retelling of the saga of King Arthur is a fantasy classic as legendary as Excalibur and Camelot, and a poignant story of adventure, romance, and magic that has enchanted readers for generations.
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T.H. White's masterful retelling of the saga of King Arthur is a fantasy classic as legendary as Excalibur and Camelot, and a poignant story of adventure, romance, and magic that has enchanted readers for generations.
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The Sword in the Stone, the most famous of the quartet and the first, was for me the least interesting, perhaps because of its lack of driving conflict. It concerns the education of Arthur, called The Wart, in often hilarious scenes as Merlyn sets out to instruct him in the way of all creatures.
The Queen of Air and Darkness is a better story than the first, though it lacks the substance of the two later books. It tells of the history and childhood of the Orkney clan (Sirs Gawaine, Gaheris, Agravaine, Gareth, and Mordred) as well as preparing for the emotional battles about to begin.
The Ill-Made Knight is simply brilliant, giving Sir Lancelot a humanity I never thought possible, not for a knight living in legend. The love triangle of Arthur, Lancelot, and Guenever (called Gwen by Arthur and Jenny by Lancelot) is given life and understanding, real force. When I finished this book, I had to stop and swallow all the angst and love before I could continue.
A Candle in the Wind begins with some of the most monotonous descriptive writing possible, with White devoting ten solid pages to Lancelot and Guenever looking out a window onto medieval England. I began to believe that White was desperate to incorporate all his research. Once the story got going, however, I couldn't put it down as the tragedy of King Arthur's life unfolded.
Although these four separately published books are often described as a modern retelling of the legend of King Arthur, readers should be aware that they were written in the late thirties and early forties, a time when readers tackled demanding reading more readily than people do today. Do not expect to breeze through the volumes; even The Sword in the Stone, long regarded as a children's classic, is written in language far too complicated and scenes much too descriptive for a casual reader. White engages in expository pages - about Arthur's philosophy, the history of the feudal system, the evolution of courts of law, etc. - that for me watered down the narrative drive. This is my reason for taking away a star from the rating.
The characters, however, are drawn with precision. I took delight in White's imagining of Sir Gawaine ("Sir Gawaine and the Green Knight", if you can remember from freshman English) and his rough-and-tumble brothers. Lancelot and Guenever are drawn with affectionate details of their strengths and failings. Mordred is a wonderfully villain, a man both mad and cunning, with a history that makes his actions seem not only believable but inevitable. Arthur, too, is given flesh, although his generosity and lack of brilliance make him less interesting than the others.
I could write on and on about this book, but Amazon.com has a word limit. Read The Once and Future King, and see for yourself.
I won't try to summarize the entire book. Suffice to say, White covers the entire story of King Arthur's life and remains pretty faithful to the traditional version of events throughout the book. What's really amazing, though, is the way that he captures the spirit of the times, making you feel like you're actually in England during the Middle Ages, watching the tournaments and quests and battles yourself. His descriptions are beautiful without ever being unnecessarily lengthy, his characters seem to come alive (especially Arthur, Guenevere, and Lancelot), and his handling of some of the classic scenes is unforgettable.
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