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Although Ashworth's story is all about loneliness and love gone wrong, the surprising thing is that this book is not always terribly sad-- there are interludes when the children have fun and in those sunny moments it seems probable that all of them, especially Andrea, will survive more or less intact. Ashworth recalls the details of her childhood vividly, in brief scenes. In one of those scenes, two sisters race down a cobbled street at breakneck speed. Each of them has one roller skate on--they are sharing. Ashworth's writing is crisp, her dialogue right to the point. This book is reminiscent of Frank Conroy's Stop-Time and Tobias Wolff's This Boy's Life, both classic memoirs of adolescence. --Jill Marquis --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Intense - Exceptional,
This review is from: Once In A House On Fire: A Memoir (Paperback)
Andrea Ashworth writes with a conciseness and beauty that I can only marvel at. Talking about the emotive and heartbreaking subjects in this autobiography, she manages to horrify with a simple sentence or describe the feelings of childhood with sublime ease.The story is of growing up in Manchester in the late 70's and early 80's. Ashworth lost her father at a young age; the first of a series of events that lead to domestic violence spanning a decade. We feel pain at the desperation that Ashworth's mother must have felt, anguish at the treatment of the children's futures and a constant sense of anger as we veer from disgust at the "Dads" as well as hatred for the mother that allows her children to be maltreated in these ways. The domestic violence campaign in the UK at the moment would receive a welcome boost if this book was more widely known. I constantly asked the question of why the mother stayed with such obviously useless, bullying and degenerate men, on more than one occassion having to put the book down to calm myself. I found myself at times with little respect or feeling for the mother, as I could not understand how she could stand by whilst men, that were not the father of Andrea or her sister Lawrie, beat them, locked them away for days or ripped up prized possessions as a way of venting their cowardly anger on those truly defenceless. I feel I am in a very good position to make this attack on the mother of Andrea Ashworth and her sisters. I was part of a young one-parent family when my mother was widowed with two children at the age of 26 and I live in the same city as this book is set. At no stage did she wallow in self-pity, allow anyone to lay a finger on me or my sister or watch any hope of either of us making something of ourselves go down the drain because someone else was jealous or ashamed of success not being their own. Because of this, we have broken the shackles of one-parent families and are, like Andrea, striking out on our own having got to University. To this end, the book is perversely warming that despite being against literally all the odds, Andrea made it. We are not told if Lawrie and Sarah also escape the clutches, but we sincerely hope so; it would be such a crying shame if Lawrie did not fulfill her ambition to be a dancer. In terms of the way this book is written, Ashworth shows an almost criminal ease in the way she describes everyday occurances. With just a well chosen verb or colour, the writing takes on a poetic slant at great odds with the horrors it describes. I found myself stopping to go back over certain words or phrases which were such a joy to read. Unlike Ashworth, I struggle to come up with the correct words to describe this piece of work. The reader is taken through the whole range of emotions in this primarily dark and distressing book. No read has ever angered me as much as this or involved me as though I was actually a part of the story. The common effect is having your cheer for the ascent of good in the book to be muted by the rise, once again, of the bad. This book simply is brilliant
3 of 3 people found the following review helpful:
3.0 out of 5 stars
Keeping events from emotions,
This review is from: Once In A House On Fire: A Memoir (Paperback)
Very reminiscent of Angela's Ashes in style, intensity of suffocating circumstances and understatements. Beautiful and very precise descriptions of girlhood. I had to keep reading this book just to see if anything changed at all in the course of the story. Unfortunately nothing did - as often in reality. Whereas Andrea sticked literally to her mother for a long time, she suddenly goes off to Oxford, without any clue to this change in her. This book leaves me with many questions about the characters and their motives: What happened to her mother in the past? What moves Andrea? Is she a super-hero surviving this terrible house without any emotional or intellectual scratches? She seems to be able to make friends, study, draw, write, pass exams without having to study for it and be nice to her mother and sisters as well. I was waiting for her to have a good fight with her sisters or her mother. But they just huddle together and stick to each other. Probably one of the results of such a childhood is a memory that keeps emotions apart from events. This book did not enlighten darker sides of people and this does not seem so realistic as the story in itself is. Nevertheless I enjoyed getting involved!
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Brilliant,
By "gemma235" (UK) - See all my reviews
This review is from: Once In A House On Fire: A Memoir (Paperback)
What can I say about this book except it was incredible? I read it in 2 days on holiday, I just couldn't put it down... the only thing is, I wanted it to go on even after it had stopped... I just kept thinking - What happened next? As one critic of the book said, it is only a shame that she had to live it to write it.
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