| ||||||||||||||||||||||||||||||
by Julia Alvarez
|
by Julia Alvarez
|
Fifteen Candles: 15 Tales of Taffeta, Hairspray, Drunk Uncles, and other Quinceanera Stories by Adriana Lopez |
We Came All the Way from Cuba So You Could Dress Like This?: Stories by Achy Obejas |
by Julia Alvarez
|
Being "muy Latina," I came up with a quinceañera plan a few months before turning 15. I picked an elegant five-tier pink-and-white cake, a pretty-as-a-princess dress and the music to which I'd walk out on the dance floor, the super-sweet "Tiempo de Vals" by Puerto Rican heartthrob Chayanne. I added up the names of my closest friends -- and some not so close -- until I had 14 chambelanes and 14 damas for my imaginary quinces party.
I didn't ever get that big fiesta, but my dream plan -- which I am sure is shared by many other girls of Latin heritage -- was my way of saying, hey, this tradition is mine!
In Once Upon a Quinceañera, a fascinating, exhaustively researched book about the celebration of a girl's coming of age, bestselling novelist Julia Alvarez, author of How the Garcia Girls Lost Their Accent and In the Time of the Butterflies, studies the ancient ritual that unites the U.S. Latino community and is rapidly evolving and spreading across ethnic lines.
The quinceañera party, with its throng of family and friends, shines a happy light on the 15-year-old Latina as she moves from childhood to womanhood. The obligatory ingredients -- a family's nostalgic memories of her growing up, a priest's blessing, the "court" of friends in tuxedos and gowns, the opening dance with her father -- immerses a Latina girl in the fantasy that she is a princess, if only for one day. The ritual announces she is now old enough to shave her legs, wear makeup and heels and begin life as full-fledged woman.
Alvarez focuses on the quinceañera of Monica Ramos, a Dominican-American who lives in an apartment in Queens, N.Y., just miles from where Alvarez spent her adolescence. Monica's fiesta is far from perfect. The parents arrive late, the limousine driver gets lost in the neighborhood, Monica almost misses the church blessing, the photographer cancels at the last minute and then shows up with what seems to be a prehistoric camera.
Every chaotic moment, every misstep and catastrophe makes the event even more special to Ramos and her family, and prompts Alvarez to remember her own coming of age. Between chapters, sometimes to disorienting effect, she narrates her experience growing up in the 1960s "in a USA just beginning to wake up to its own identity as a multicultural country with women and minorities demanding equal rights." Alvarez's family was the only Dominican household in the barrio, and as she tried to learn a new language and adjust to the American way of life, she studiously avoided most of the traditions that connected her with her latinidad. She didn't have a quinceañera.
Now, she finds that with a growing Latino population in the United States, this tradition has a strong positive aspect: It binds Hispanics together. You might be Honduran, but you can hire Andean flutes, have a full court of 14 chambelanes and damas -- believed to be a Mexican practice -- and follow the Puerto Rican tradition of changing from flat shoes to heels. Some girls, including Monica, are now combining the Latino ritual with the Sweet 16 parties common in the United States.
Despite numerous interviews with experts and citations to nearly every book and article she could dig up about quinceañeras, Alvarez doesn't quite come to a conclusion about the tradition. On the one hand, she points out that it has become part of American consumer culture. The parties can be far too expensive -- costing more that $5,000 in some cases. "It is outrageous to throw the house out the window for a one-night party. Money that could well be spent by a working-class family on education or mortgage payments." Her question is: Is it necessary to spend so much money to keep a tradition alive? Or worthwhile? It's not an irrelevant concern, given the statistics Alvarez cites, showing that young Latinas "are topping the charts for all sorts of at-risk behaviors: from teen pregnancy to substance abuse to dropping out of high school. What is going on? We are crowning them princesses and meanwhile the statistics are showing a large number of our young girls headed for poverty and failure!"
Even so, says Alvarez, the quinceañera is an opportunity to bring together mothers and daughters, females of a whole family -- sometimes an entire community. When the quinceañera's court rehearses the waltz and the family gathers in the kitchen to prepare the food for the party, there's a feeling of belonging. "That oneness, that empowering feeling of being a part of an ongoing transmission," says Alvarez, "is what the tradition ritualizes, why quinceañeras are not just about the girls but about community, why they can enrich all of us."And that, of course, is the point.
Copyright 2007, The Washington Post. All Rights Reserved.
Product Details
Would you like to update product info or give feedback on images?
|
![]() |
79% buy the item featured on this page: Once Upon a Quinceanera: Coming of Age in the USA $23.95 |
![]() |
5% buy How the Garcia Girls Lost Their Accents (Plume Contemporary Fiction) $10.20 |
![]() |
4% buy In the Time of the Butterflies $9.75 |
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
|
Share your thoughts with other customers:
|
||||||||||||||
Most Helpful Customer Reviews
Share your thoughts with other customers: Create your own review
|
|
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
|
After viewing product detail pages or search results, look here to find an easy way to navigate back to pages you are interested in. |