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17 of 19 people found the following review helpful:
4.0 out of 5 stars
Good read, but could have been better, August 20, 2001
By A Customer
This review is from: One Foot in Laos (Hardcover)
Murphy presents a candid portrait of Laos as it is today. Contrary to what the other reviewers have to say, she is a good observer and writes accurately. As a Lao, I can say that is true. The book is enjoyable. The only problem with Murphy's writing is her quaint outlook that bemoans even benign development. It seems she'd be happiest in a world without cars, television or money. Unfortunately she will not find that in Laos or anywhere else, though she may keep travelling and keep trying.
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19 of 25 people found the following review helpful:
1.0 out of 5 stars
The famous Irish travel writer visits the Laos war zone, February 14, 2001
This review is from: One Foot in Laos (Hardcover)
Dervla Murphy, a dauntless sixtysomething woman from Ireland, decides to explore Laos on foot. Although she begins in Vientiane, Murphy quickly gets off the beaten path and visits areas inaccessible by road. At one point, she injures her foot (hence the book's name) and resorts to a bicycle, while at other times she uses bus, boat, and an airplane. I found this to be the most disappointing of Murphy's books. Normally, what brings travel narratives to life is the conversation between the traveller and the locals. But there's relatively little of that here, since Murphy doesn't have a common language with these people. The author instead fills innumerable pages with her political musings. She hates Americans, who she describes as 'consistently evil,' and reminds the reader of this every few pages. Americans are hardly heros in the history of Laos, but 'beating a dead horse' is the apt idiom here. She sees the Pathet Lao, in contrast, as the angels of Laotian history, and their abuses of human rights are excused or glossed over. She explains how low-level government employees were incarcerated in 're-education camps' for years, but does intellectual somersaults to explain it away as resembling a summer camp. Murphy also falls into the trap of idealizing third-world poverty. She sees such things as electricity and paved roads as a cancer upon society, and sings the praises of subsistence agriculture. This is ironic considering that Murphy's homeland, Ireland, wasn't exactly a utopia in its subsistence-agriculture era, yet she would gleefully freeze the Laotians in that stage of development if she could. All in all, this book is a sad let-down from a writer whose earlier work comprises so many memorable travel narratives.
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8 of 11 people found the following review helpful:
2.0 out of 5 stars
Worth the read despite its weaknesses, December 18, 2001
This review is from: One Foot in Laos (Hardcover)
Once I was able to get beyond Dervla Murphy's annoying bashing of the United States and the capitalist system, and her romanticizing of the noble savage, her travelogue provided, in the least, a good bench-mark of how rapidly Laos is changing. At best, her book was thought-provoking in that it made me question the benefits of development, and made me appreciate the resiliance of a nation that not too long ago was ravaged by war and continues to suffer from its effects. In addition, the book had rare moments of insite that conveyed the unique Laotian culture. Her anti-US sentiments were so ridiculous and pervasive that I had to attribute them to the rantings of a curmudgeony, old lady who had drunk one too many BeerLao. Having recently travelled through northern Laos, you could sense the change and growth brought on by tourism. The changes appear to be primarily physical. In contrast to the book the towns may look different, and have more restaurants, accomadations, and internet cafes, but the culture described by Dervla still appears to be in tact. I can not put in words, but I noticed and felt distinct, yet subtle differences between Thailand, Laos and Cambodia. At times, when she was not ranting about US imperialism and the negative effects of development, Dervla was able to convey this uniqueness.
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